My system is not decent

Chapter 1070: The First Porcelain of the Official Kiln of the Republic

"There seem to be flower cups in poetry, how about we make another flower cup?"

Seeing that Zhang Gu was too stubborn, Chen Wenzhe deliberately diverted his attention.

Just thinking about it in a blink of an eye, Chen Wenzhe thought of the flower goblet in the poem.

In fact, this is quite normal. The elegant and unique artistic charm of Ru porcelain has attracted many poets with uncontrollable passion.

Gao Shiqi, an important official in the Qing Dynasty, talked about "Ru kiln flower pot" in "Return to Field Collection", saying: "The Ru kiln in the Northern Song Dynasty is quite similar to it (Chai's kiln). At that time, the kiln was set up in Ruzhou, and the people dared not build it privately. It is not allowed today. get more."

Emperor Qianlong was even more fascinated by Ru porcelain. He not only wrote the most poems, but also asked craftsmen to engrave them on the bottom of Ru porcelain.

Who sees the color of firewood kilns, and the sky is blue and rainy?

Ru kiln porcelain is more similar, and the official bureau is selfless.

The emerald green is golden and clean, and the richness gives birth to darkness.

The purpose is to play the sound of jade, and the flower branches must be inserted.

This poem comes from Gao Shiqi's "Return to the Field Collection". One poem describes the beauty of a Ru kiln flower goblet vividly and vividly.

This time, Chen Wenzhe focused on teaching Zhang Gu how to make Song Dynasty flower goblets, which was not easy, because the Song Dynasty flower goblets focused on the shape of the vessel and had a strong retro style.

Compared with the flower goblets of the Yuan, Ming and Qing Dynasties, the flower goblets of the Ming Dynasty are mainly three-stage, with a trumpet mouth on the top, a drum belly in the middle, and a phoenix tail at the bottom.

In addition to being used for display, the early flower cups were mostly used for flower arrangement and hall decoration among the people.

Because of the different functions, the device types are also different.

At this time, imitation must be particularly careful.

Of course, there are too many imitations of these things, which is meaningless. Chen Wenzhe only imitated two or three items in one dynasty.

When the time comes, give one to Wu San, and he will keep the rest, or put them in Yi Nian Tang and sell them.

Anyway, depending on the situation at that time, even if it is not sold, it should reach the level if it is put into his private museum collection.

Not to mention making it old to the level of authenticity, even if he simply makes antique porcelain without making it old, it should be able to reach the level of collection.

This kind of porcelain, no matter where it is placed, it will not be smashed.

The current Chen Wenzhe is so confident. The antique porcelain he has made in the past few days is already a genuine collection-level treasure.

Even if it is a modern artwork, it can also be called a modern official kiln.

Of course, this is a private official kiln that modern commerce blows up, but if he wants to be serious, can't he really make real modern official kiln porcelain?

Thinking of this, Chen Wenzhe stopped what he was doing.

Whether it is making Ru kiln or famille rose porcelain, there is a lot of waiting time in the middle. If you want to make chrysanthemum discs during this time, you can’t be idle, right?

Also, it seems that when he made the chrysanthemum plate before, he had the right white glaze, and the high-quality kaolin imported from Jingzhen. With a little mixing, he might be able to imitate a piece of China's No. [-] porcelain.

Anyway, the second batch of imitation Ru kilns has been finished, and it is just to use this time to make other things.

Maybe after he staggered several kinds of complex fired porcelains from each other, there was no gap for waiting.

The time of waiting for each other, some porcelains with complicated craftsmanship, and porcelains that take a lot of effort to fire, just complement each other.

And the work known as the first porcelain in the official kiln of the Republic, made in [-], the enamel color pen holder, can perfectly fill this gap.

Modern people know that carmine and enamel are synonymous with high-priced porcelain, and as long as these crafts are used in porcelain, it is not easy.

Especially for enamel colored porcelain, "if the enamel color is displayed, the price must be sky-high." This is definitely not an empty saying.

Chen Wenzhe thought about making this kind of high-end porcelain before, but he was not prepared enough. One was that the craftsmanship was not good enough, and the other was that the raw materials were not good enough.

And what is he missing now?He already has several Ming and Qing enamel colored porcelain in his hand.

He has both the filigree enamel of the Ming Dynasty and the porcelain body enamel of the Qing Dynasty.

It turned out that he had seen its production process backtracking, because the production process was too complicated and too many materials needed to be prepared, so he never imitated it.

But it is different now, he now has a lot of suitable materials, the most important thing is that he has enough accumulation, and now he has time.

Besides, it shouldn't be too difficult to imitate a pen holder with simple decoration.

Enamel flower and bird inscription pen holder, made in 1965, this is a special porcelain made for the head.

Therefore, it is also known as the first porcelain in modern official kilns. This piece of porcelain is made of Jingzhen Linchuan kaolin, a thin body and high white glaze porcelain.

Size: Height 16.2cm, Signature: Zhonghai Huairentang Ceramics Research Treasure, [-], in regular script with green glaze, handwritten by famous masters.

This pen holder is made of JDZ Linchuan kaolin, thin-bodied high-white-glazed porcelain, the whole body is crystal clear, as white as jade, and the sound is crisp and melodious when tapped lightly with your fingers.

Looking at the light, the wall is translucent.

This piece of porcelain must have reached the highest level of "thin as paper, white as jade, bright as a mirror, and sound like a chime".

Linchuan kaolin is the best porcelain clay for making porcelain, and it has been the porcelain clay for firing official kilns since Ming and Qing Dynasties.

It is an official monopoly. Due to the small reserves and low output, it is almost exhausted.

Chen Wenzhe has already passed the process of imitating Mao porcelain, such as "thin as paper, white as jade, bright as mirror, and sound like a chime".

What's more, the imitation of Ru porcelain, which is better than jade, has made his various craftsmanship reach the peak.

So, craftsmanship is not a problem.

Then there is the material, kaolin he has already bought, that is, high-quality kaolin, a special porcelain clay, which ordinary people can never buy.

Chen Wenzhe was able to get some, it must have been obtained by Li Jinli through replacement.

Now for Chen Wenzhe, the most difficult thing to do is the enamel color process.

This pen holder is simple in shape and simple in decoration, but it is made of Kangyong and Qiangong court enamel.

This makes the process extremely complicated and extremely difficult to make.

Integrating the peak skills of the three generations of enamel and colored porcelain in the Qing Dynasty, how can a piece of enamel and colored porcelain produced in this way be bad?

In addition, this tube is exquisitely painted, and the apricot pigeon is vivid, and it is accompanied by a poem by Wang Wu of the Qing Dynasty, which describes the little apricot pigeon.Gao He is unruly and unwilling to cling to the feelings of power.

It is a metaphor for the heroism of the young republic who is not afraid of blockade and power.

The paintings and calligraphy on this piece of porcelain are all handmade. Through the beautiful and elegant calligraphy and painting, it can be seen that it is in the hands of celebrities.

The pen holder is the Ceramics Research Institute of the Ministry of Light Industry of China. It was authorized by the Jingzhen Ceramics Research Institute in 1965. It was specially designed and manufactured for the first chief minister. It is a boutique made of enamel since the founding of the People's Republic of China.

Such a high-quality enamel colored porcelain must be the highest level of Chinese ceramics research and production since Qianlong, so it is known as the number one porcelain in the official kiln of the Republic.

To make such a piece of porcelain, for Chen Wenzhe, the most difficult thing is to mix the enamel color.

This point is not too difficult for Chen Wenzhe now, after all, he has also seen Yongzheng enamel-colored porcelain.

And as long as you have seen the enamel colored porcelain from the Yongzheng period, refining enamel colored porcelain is no longer a problem.

Speaking of this, we have to mention another achievement of Yongzheng, which is refining enamel.

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