My system is not decent

The shape of the flower sockets is relatively high, and most of them are beautiful.

The flower sacs are mainly short and stocky, because many flowers are placed at once, and they are mainly stable.

The type of flower holder is relatively simple, while the type of porcelain flower pouch is relatively large, and there are various styles.

The furnishings in these boudoirs are all described in the Red Mansion, and they are all Ru Kiln flower vases.

In fact, it has been mentioned in the works of literati in the past dynasties, including flower pouches and flower vases.

Ming Yuan Hongdao’s "History of Vases" stated: "Mostly, vegetarian bottles should be small and short... Flower sacs, yarrow, and cattails must all be reduced in size before they can be offered in the Qing Dynasty."

Also known as: "Flower arrangement should not be too complicated, nor too thin."

The Ru kiln flower pouch in Tanchunfang is one of them.

Xu Wei, a famous calligrapher and painter in the Ming Dynasty, wrote a poem in a painting of "Shaoyao": "The flower is from Yangzhou, and the bottle is from Ruzhou kiln. The water from the east of the river is used to lock the two trees in the spring breeze."

In ancient times, Ru kiln wares were used to insert famous flowers, which have always been favored by some noble women. It can be seen that Ru porcelain was a kind of precious porcelain in ancient times, and it was a porcelain that symbolized status.

In fact, before the Ming Dynasty, flower vases were likely to be some special flower pouches, specifically referring to the base for flower arrangement.

At that time, the seat was usually made of lead blocks, and the pointed copper nails were densely covered on it.

There are many styles such as square, round and polygonal.

Insert the flower branches on the copper nails, and they can be made into various forms to bring out the artistry of flower arrangement. It is suitable for shallow water basins!

The term flower arrangement began in the Ming Dynasty. During the Zhengde period of the Ming Dynasty, the popular utensils were spherical, or plum-blossom-shaped, or drum-shaped.

All of these porcelains have six small round holes on the top, and the body of the vessel is decorated with blue-and-white lotus patterns, gardenias or blue-and-white tangled flowers.

In the Ming Dynasty, many families had flower arrangement works of art.

The firing continued in the Qing Dynasty, the shape of the utensils changed slightly, and the varieties were more abundant, including imitation Ge glaze, pink green glaze, sky blue glaze and so on.

Among them, emerald flower and bird flower arrangements are more famous. If you think about it, you must make it, and you must do it well.

This emerald flower and bird flower vase is 25 cm high and 5.9x8 cm in diameter.

Emerald green, partly dark green and yellowish brown.

The flower plugs are taller, stump-shaped, with thick main rods, and can be inserted inside.

The outer wall of the flower holder is carved with peony branches, and birds stand on the branches.

A lot of Ru porcelain appeared in a red building, including flower cups, flower pouches, and flower vases.

You must know that the Red Chamber was only written in the Qing Dynasty. Although the Ru kiln was more famous and expensive in that period, there should not be many people who have actually seen it.

Cao Xueqin should be a declining nobleman, otherwise he would definitely not know what Ru Kiln is.

In addition to the Ru kiln porcelain in the famous works, there are actually quite a few in the paintings.

For example, in "Bogu Yusi", one of the "Twelve Beauties" in the old collection of the Qing Palace, the lady sits on a mottled bamboo chair with her eyes down and meditates, surrounded by Duobaoge displaying various utensils.

There are various kinds of porcelain placed on Duobaoge, among which there are Ru kiln celadon unpatterned narcissus basin and Ru kiln three-legged washing machine.

The two pieces of Ru kiln porcelain are the most popular furnishings from the Kangxi period to the Yongzheng period, with a typical royal style.

Ru kiln utensils not only add to the authenticity of the picture, but also reflect the quaint and elegant boudoir fun of ladies.

In fact, there are many cases like this. For example, the ruby-red glazed monk hat teapot imitated by Chen Wenzhe was from a painting in the Qing Palace.

The mitral pot, the three-legged wash, and the narcissus basin, except for the mitral pot, which is a classic of ruby ​​red glaze, the other two are classics among celadon Ru kilns.

In particular, the narcissus basin among the handed down Ru kiln wares is even more classic.

Since it is a classic, it should be imitated. Needless to say, the three-legged washing machine must be imitated, but the narcissus basin cannot be left behind.

He has made a lot of plates before, so Chen Wenzhe put away the three-legged washing machine similar to plates. This time, he first imitated a narcissus basin without patterns, because it is the only one in the world!

Ru kiln celadon narcissus basin with no pattern is an oval basin, the glaze surface of the whole vessel is pure and without pattern.

Cao Zhao, a connoisseur of the Ming Dynasty, believed in "Gegu Yaolun" that "the one with crab claw patterns is true, and the one without patterns is especially good", that is, "no pattern" is the top quality of Ru porcelain.

Because agate is used as a raw material, the glaze color shows a wonderful azure color, and the glaze layer is moist and perfect, with almost no ice cracks.

In the Song Dynasty, the specific use of the narcissus basin has not yet been definitively answered.

However, it can be seen in the paintings of the Qing Dynasty that it appeared as a pot for bonsai.

In addition to the "Pictures of Twelve Beauties: Broad and Ancient Meditations" by the court painter, the figure of Ru kiln celadon narcissus basin can also be seen in "One is Two Pictures" by Emperor Qianlong.

Such narcissus pots have more cracks and less lines.

Since it is necessary to imitate, it is natural to imitate the top quality products.

Of course, imitate the ones without patterns, and imitate the ones with patterns, anyway, Chen Wenzhe made them out of everything he could think of.

Chen Wenzhe is like this, imitating piece by piece, as long as it is the type of utensil he can think of, he has imitated one piece.

Anyway, it is troublesome to configure the mud and glaze. As for the production of the shape of the utensil, it is really not too difficult for Chen Wenzhe.

With suitable mineral raw materials, he has become more and more proficient in making all kinds of porcelain.

Since the narcissus basin has been imitated just now, the three-legged wash must also be imitated.

Moreover, Chen Wenzhe also knew that the three-legged wash was not only handed down, but also recorded in poems, and even on postage stamps.

The three-legged washing vessels handed down from Ru kiln are all similar in shape, but the glaze color is different.

The most classic is of course the Ru kiln celadon-glazed three-legged washer. The Ru kiln celeste-celadon-glazed three-legged washer handed down from generation to generation is modeled after the bronze washer of the Han Dynasty.

It is simple and elegant, showing the artistic style of the Song Dynasty in pursuit of rational beauty.

This vessel is an orphan handed down from generation to generation and is very precious. On the outer bottom is engraved a poem made by Emperor Qianlong, and the end of the sentence is engraved with "Qianlong Wuxu Xia Yuqi".

This utensil is usually called "three-legged washing" or "three-legged plate", but judging from the unearthed bronze gilt bronze three-legged statues of the Han Dynasty that were used in conjunction with the three-legged supporting plates, this device should be called "three-legged statues bearing plates". ", should be used in conjunction with Ru kiln three-legged statue.

Judging from similar utensils unearthed from the Ru kiln site, half of the three legs of the supporting plate were sawed off, which should be done after the legs were knocked off in history.

Since you have made Ru porcelain in famous books and poems, then do it all.

Now, as long as Chen Wen can think of it, he will do it directly.

As a result, Zhang Gu couldn't keep up with the rhythm.

Because there are many types of utensils, he has never studied them.

The reason why he was so proficient and easy in making flower arrangements just now is that he did a lot of work in the factory before, and later studied it specially.

Seeing Zhang Ku clumsily pinching the foot of a plate, Chen Wenzhe laughed.

The plate is easy to make, but the three legs on it are not easy to make, because if one is not done well, either the shape is wrong or it is deformed.

Even the tire mud, the tripod and the plate itself are different.

After teaching for a long time, Chen Wenzhe simply gave up when he realized that he could not do well in Zhanggu.

However, Zhang Gu didn't seem to want to give up yet, so Chen Wenzhe had no choice but to divert his attention.