if relics could talk

Tao Le and Zhu Jiaxin knew each other. When Zhu Jiaxin first entered the cultural relics restoration room, Tao Le went there admiringly and wanted to know her. Old Tao was like a master who brought a silly girl to apprentice.

Later, Zhu Jiaxin also kept in touch with Tao Le, and the two of them were not much different in age, so they still had common topics.

Afterwards, Tao Le's video became popular, and he spoke out for their cultural relic restorers, and Zhu Jiaxin has been paying attention to it all the time.

When Tao Le was slandered by netizens, Zhu Jiaxin specially registered an account to help Tao Le explain.

Later, those unscrupulous netizens began to attack Zhu Jiaxin, saying that she must be Tao Le's trumpet, otherwise why would they defend her so much.

In the end, he was protected by another group of people, who went to scold those detractors.

Zhu Jiaxin has never had the habit of relying on the Internet since she was a child, and spends more time studying. She has never seen such a scene.

So when Tao Le contacted her that day and said he wanted to have a meal together, she immediately agreed.

Knowing that Zhu Jiaxin likes spicy food, Tao Le invited her to eat Hunan cuisine.

This Hunan restaurant is most famous for its chopped pepper fish head.

The two of them ordered a small portion, and when the food was served, the waiter yelled "serve", and then handed the lighter to Zhu Jiaxin, but Zhu Jiaxin changed hands and wanted to pass it to Tao Le.

When Tao Le went to pick it up, he simply held her hand together, and the two of them took the lighter together and lit it on the fish head.

The fire ignited at once, and the waiters said a series of auspicious words of "good fortune" before leaving.

Tao Le felt that it was novel and boring, but later found that every table ordered fish head would have such a process, which was better.

Zhu Jiaxin only had a sense of novelty, and she was very excited to watch the ceremony at the two tables next door before she stopped to eat.

"Come to see me today, there must be something serious," Zhu Jiaxin said bluntly, "Is it related to the stage play you are preparing recently?"

"Sister Jiaxin is smart," Tao Le bit his chopsticks, feeling a slightly tingling spicy taste on the tip of his tongue, and then continued, "We originally wanted to make a complete stage play, but you know, creating It needs a cycle, and the theme of this project is relatively unpopular, and we encountered some resistance when we raised investment.”

"Can I help you with this matter?"

"That's not what I mean," Tao Le tilted his head and smiled, "We've thought about it, and we still need to make some achievements, at least have on-site feedback, and see the effect. If the effect is good, we will continue to attract investment in the future." It is also beneficial, so I plan to add a small easter egg after the other stage plays are finished."

Zhu Jiaxin quietly waited for her to continue.

"Recently, there happened to be a team of young people who produced a relatively new stage play, which told the story of a group of college students who traveled to the Shang Dynasty. We plan to discuss with them to see if they are willing to let us add an Easter egg theater. "

When Zhu Jiaxin heard the word "Shang" appeared at this time, she understood everything: "Do you want to use the stepmother Wuding for your theme cultural relic this time?"

"I knew Sister Jiaxin could understand me as soon as I heard it," Tao Le laughed "hehe", "I just don't know if it's convenient for you to lend us a show?"

"Xiao Ba, it's not that I don't want to, but even though I made the re-enacted stepmother Wuding, it doesn't belong to me. This matter needs to be reported and applied for, and the library will approve it."

"Of course I understand this rule, but I'm just thinking, if I could interview you, or did you leave any video data when you reproduced it?"

When she asked, Zhu Jiaxin understood completely: "I hear what you mean, do you still want to do simultaneous commentary on your channel?"

"That's right!"

More than 900 years ago, the Yin Shang Dynasty had a strong national power. They gathered the most cutting-edge technology at that time, from mining, smelting, transportation, alloying, to casting, and shaping. After a long process, they cast a huge Bronze comes.

It is the stepmother tripod.

"The major events of the country are sacrifices and military affairs." The bronze wares in the Yin and Shang Dynasties were mainly ritual vessels and weapons for sacrifices.

The king in the tripod is this stepmother, which seals the codes and stories of the Shang Dynasty.

Regarding the stepmother Wu Ding, there has always been controversy. Many experts believe that "Wu" is the name of the later concubine of Shang Wang Wuding, because a pile of "stepmother" was unearthed in the tomb of Wuding's other future wife Hao. "Xin" Fang Ding is very similar to the Stepmother Wu Ding.

The oracle bone inscriptions also record many concubines and concubines. They manage their respective fiefdoms and participate in state affairs. Fuhao is good at military affairs, while concubine is good at farming. One of them has mastered the military power, and the other has mastered the Farming sacrificial rights.

Houmuwu Ding deserves the words "heavy weapon of the country". It weighs 832.84 kilograms. The processes before and after are very complicated, and the requirements for raw materials and furnaces are also very high. It is very complicated and difficult to make.

If you can show part of the process of re-enacting the Houmu Wuding, it will definitely have a very shocking effect.

"The current 3D printing technology can be copied very quickly," Zhu Jiaxin said unexpectedly, "For modern technology, it is not too difficult to reproduce a Houmu Wuding. When I participated in the reproduction , also took advantage of this technology.”

She smiled: "Of course I can accept your interview, and I can also help you pass on the application for borrowing replicas to perform, but I can say that the media has already done very detailed reports at that time, and your story is sure. Is it better than the documentaries of the year?"

Zhu Jiaxin's words can be said to have reached a key point.

Tao Le came prepared this time, so of course he would not be overwhelmed by the question.

She laughed and replied to Zhu Jiaxin: "Of course I don't just want to show off my stepmother Wuding, but to make her become friends with Susha and Danyi."

Zhu Jiaxin thought she heard it wrong: "Who do you make friends with?"

"Single clothes with plain gauze."

"I don't know."

"The idea of ​​my whole stage play this time is Museum Wonderful Night, where all kinds of peerless cultural relics meet in this virtual museum. If they meet, what will they talk about?"

Tao Le has asked himself this question many times.

What Su Sha Dan Yi witnessed and accompanied was Mrs. Xin Zhui's life.

Then the mother-in-law tripod witnesses and accompanies her throughout her life.

They are all legendary women. Perhaps among the objects they used during their lifetime, there will be many stories about their owners that can be discussed.

Unlike many cultural relics that shocked the world later, but were probably only one of the many objects used by the owner in their era, the Houmu Wuding Ding must have been a very respected ritual vessel in its era.

When these two cultural relics collide, it will be very interesting.