if relics could talk
Chapter 84
Zhu Jiaxin's attitude can be regarded as an affirmation from professionals.
Tao Le's way of presenting the entire stage play is actually moving forward with difficulty in constant self-denial.
The jobs of other people are relatively fixed, because their parts, no matter how the story is presented, will definitely be available.
For example, Qin Yi has been taking Xiaobai with him recently to shoot in the cultural relics restoration room.
It happened that Qin Yi was following the shoot in the bronzeware group that day.
The production process of a bronze artifact from the Shang Dynasty is quite complicated, and each process also requires the cooperation of a large number of skilled workers.
Complicated processes such as molding, pouring, cooling, casting, and ear casting are required. In the whole process, because the thickness of each part of the body is different, full coordination must be done to complete the rapid casting.
It is conceivable that thousands of years ago, when so many people cast a huge bronze sacrificial vessel, what a spectacular scene it was.
While working in the camera, Zhu Jiaxin explained to the audience outside the camera: "Bronze ware restoration and reproduction techniques, whether it is splicing fragments, or engraving patterns and inscriptions, whether it is making various colors of Gilding, or gold and silver, have formed a relatively complete set of traditional crafts."
“Bronze ware restoration and reproduction techniques are a rigorous and scientific process. For different shapes and degrees of damage, the welding methods and welding processes used are different, and sometimes they are used alternately. The principle of not destroying the original artifacts."
What Zhu Jiaxin is repairing now is also a large bronze ware. She is wearing a welder's equipment and goggles.
"Forgive me, everyone, I did this out of work needs," Zhu Jiaxin said, "When the bronze ware is deformed as a whole, different tools and fixtures can be used according to the degree of deformation and different parts, and methods such as support, pressing, prying, and twisting can be used. , to make corrections."
"Of course, no matter what method is used, it depends on the stress changes and bearing capacity of the cultural relics. Generally, it is based on experience and understanding of the performance of cultural relics, and it is based on one's ability."
"For example, the tripod I'm repairing now is quite corrosive," Zhu Jiaxin explained. "Most bronze cultural relics are cast. After long-term corrosion, their ductility and elasticity will decrease to a certain extent. Therefore, for Severely deformed utensils can only be sawed, assembled and welded to achieve the final shape."
The cultural relics restorer spent a long time in the restoration room. Zhu Jiaxin changed back to her regular clothes before leaving get off work. She still looked very young, no different from an ordinary professional woman.
Qin Yi's follow-up continued.
After getting off work, the young female cultural relic restorer went to the vegetable market to buy some vegetables and was going home to cook for herself.
Zhu Jiaxin still took public transportation, and there was still a long way to go after getting off the subway.
Qin Yi carried the camera himself, and Xiao Bai was in charge of sound recording.
"Jiaxin has reproduced a stepmother Wuding before, right?"
"correct."
"What preparatory work did you do before the engraving?"
"Observation is absolutely necessary," Zhu Jiaxin replied as he walked forward, "We still need to prepare some materials."
"Is there any relevant historical background that you can introduce to us?"
"Actually, in ancient times, agriculture was the foundation of a country and the most important thing." Zhu Jiaxin introduced, "The Dahe square tripod in the late Shang Dynasty had a strange shape. The human face on the tripod was very similar to that of a woman. The square Ding holds grains to worship the earth, while the round Ding holds meat to worship the sky. The ancients have long had the concept of a round sky and a round place. Noble women presided over the sacrificial ceremony, and the stepmother Wuding that I reproduced before is one of the queens of Shang Wang Wuding, a ritual vessel for concubines."
"Sacrificing sacrifices was a very important thing in the Shang Dynasty?"
"Yes, people at that time believed that the dead ancestors would become gods and bless their descendants to win in the war. In the grand sacrificial ceremony, the status of bronze ritual vessels was very important, and these ritual vessels were originally used for practical purposes , for example, a tripod is a pot for cooking food, and a jue is a container for drinking and warming wine..."
At this time, Xiaobai reached out and pressed the pause button.
"We roughly cut out this effect."
Qin Yi said: "I still have something to show everyone."
He got up to insert the USB flash drive into the computer, and Yu Yu asked Xiaobai curiously, "What is this?"
Xiaobai also looked blank: "I don't know, I just recorded Zhu Jiaxin's part along with me."
Qin Yi quickly played the video and retreated to his seat.
On the screen is Yu Yu.
Yu Yu was sitting in front of the embroidery frame, embroidering very peacefully.
The camera zooms in on the work she is embroidering.
After a period of montage, Yu Yu's embroidery has become a pattern on the body of a set of Song Dynasty Hanfu.
The suit was quickly worn on herself.
It was the video they shot in Chao Xinzhou's garden-style villa before, but it was not used for various reasons, but was cut here by Qin Yi.
After that, there was the conversation between Tao Le and Yu Yu in the pavilion that spanned time and space because of the painting.
A fast-forward effect was made in the video, and finally the screen went black, the picture faded, and the subtitles came out——
This video was eventually killed because it did not fit the theme of "If Cultural Relics Could Talk", but it also covered countless efforts of the creators.
The screen flashed, showing the back of Tao Le sitting at the computer desk, wearing noise-canceling headphones.
There is still time displayed on the video, and it is already past two o'clock at night.
Everything outside the picture is black, only the back of the lonely sitting there, being shrouded by the faint light on the desk.
The whole person is in a ball, especially like a small animal.
Immediately after the sun was bright, and this time it was Tao Le's back, she walked into the "Fake Hands for Others" shop, put on work clothes, and followed Jiang Zhaohe to learn carpentry seriously.
After a montage, the whole studio was eating lunch.
On the hand that was distributing the lunch box, there were many fine and dense wounds, but all of them had scabbed over, so they wouldn't need to be bandaged, but it was true... just looking at it made one's nose sore.
Then there is the sad profile of Xiaobai carrying the machine and walking forward with difficulty.
Although Xiaobai had a distressed expression, he was still very careful with the movements of his hands. After carefully putting the machine into the trunk, he breathed a sigh of relief.
At the end of the video, there is a scene of Yi Xuzhi painting in their studio.
The picture is really beautiful.
Such beautiful subtitles are no longer worthy of such a picture.
Then a deep male voice sounded——
I would like to send this recorded video to all the behind-the-scenes staff. I hope that the audience friends who watch here will have the opportunity to enter the museum in person, to see the cultural relics, listen to what they are talking to you.
After the video was played, it stopped directly on the screen of Yi Xuzhi's painting.
Qin Yi is the calmest one. He said: "I've thought about it for a long time, and put it on the Internet. The voices saying that we are miserable are definitely indispensable, and they can't escape, but there are some things that don't need to be explained, but they can let everyone see the whole picture. Go comment again."
Tao Le opened his mouth, not knowing what to say.
"You don't need to say anything," Qin Yi stretched out his hand to tightly grasp Tao Le's hand on the table, "You should still concentrate on your project and focus on the stage play, the content that Xiaobai and I filmed It's more complicated, I'm more suitable to do the work of organizing and editing, and I'll be responsible for the video update in the future, I want to scold..."
Yu Yu interjected, "Let them scold you!"
Being misunderstood is the creator's fate, isn't it?
Among these people, even if there is only one audience who can receive their hearts, it is enough.
Tao Le's way of presenting the entire stage play is actually moving forward with difficulty in constant self-denial.
The jobs of other people are relatively fixed, because their parts, no matter how the story is presented, will definitely be available.
For example, Qin Yi has been taking Xiaobai with him recently to shoot in the cultural relics restoration room.
It happened that Qin Yi was following the shoot in the bronzeware group that day.
The production process of a bronze artifact from the Shang Dynasty is quite complicated, and each process also requires the cooperation of a large number of skilled workers.
Complicated processes such as molding, pouring, cooling, casting, and ear casting are required. In the whole process, because the thickness of each part of the body is different, full coordination must be done to complete the rapid casting.
It is conceivable that thousands of years ago, when so many people cast a huge bronze sacrificial vessel, what a spectacular scene it was.
While working in the camera, Zhu Jiaxin explained to the audience outside the camera: "Bronze ware restoration and reproduction techniques, whether it is splicing fragments, or engraving patterns and inscriptions, whether it is making various colors of Gilding, or gold and silver, have formed a relatively complete set of traditional crafts."
“Bronze ware restoration and reproduction techniques are a rigorous and scientific process. For different shapes and degrees of damage, the welding methods and welding processes used are different, and sometimes they are used alternately. The principle of not destroying the original artifacts."
What Zhu Jiaxin is repairing now is also a large bronze ware. She is wearing a welder's equipment and goggles.
"Forgive me, everyone, I did this out of work needs," Zhu Jiaxin said, "When the bronze ware is deformed as a whole, different tools and fixtures can be used according to the degree of deformation and different parts, and methods such as support, pressing, prying, and twisting can be used. , to make corrections."
"Of course, no matter what method is used, it depends on the stress changes and bearing capacity of the cultural relics. Generally, it is based on experience and understanding of the performance of cultural relics, and it is based on one's ability."
"For example, the tripod I'm repairing now is quite corrosive," Zhu Jiaxin explained. "Most bronze cultural relics are cast. After long-term corrosion, their ductility and elasticity will decrease to a certain extent. Therefore, for Severely deformed utensils can only be sawed, assembled and welded to achieve the final shape."
The cultural relics restorer spent a long time in the restoration room. Zhu Jiaxin changed back to her regular clothes before leaving get off work. She still looked very young, no different from an ordinary professional woman.
Qin Yi's follow-up continued.
After getting off work, the young female cultural relic restorer went to the vegetable market to buy some vegetables and was going home to cook for herself.
Zhu Jiaxin still took public transportation, and there was still a long way to go after getting off the subway.
Qin Yi carried the camera himself, and Xiao Bai was in charge of sound recording.
"Jiaxin has reproduced a stepmother Wuding before, right?"
"correct."
"What preparatory work did you do before the engraving?"
"Observation is absolutely necessary," Zhu Jiaxin replied as he walked forward, "We still need to prepare some materials."
"Is there any relevant historical background that you can introduce to us?"
"Actually, in ancient times, agriculture was the foundation of a country and the most important thing." Zhu Jiaxin introduced, "The Dahe square tripod in the late Shang Dynasty had a strange shape. The human face on the tripod was very similar to that of a woman. The square Ding holds grains to worship the earth, while the round Ding holds meat to worship the sky. The ancients have long had the concept of a round sky and a round place. Noble women presided over the sacrificial ceremony, and the stepmother Wuding that I reproduced before is one of the queens of Shang Wang Wuding, a ritual vessel for concubines."
"Sacrificing sacrifices was a very important thing in the Shang Dynasty?"
"Yes, people at that time believed that the dead ancestors would become gods and bless their descendants to win in the war. In the grand sacrificial ceremony, the status of bronze ritual vessels was very important, and these ritual vessels were originally used for practical purposes , for example, a tripod is a pot for cooking food, and a jue is a container for drinking and warming wine..."
At this time, Xiaobai reached out and pressed the pause button.
"We roughly cut out this effect."
Qin Yi said: "I still have something to show everyone."
He got up to insert the USB flash drive into the computer, and Yu Yu asked Xiaobai curiously, "What is this?"
Xiaobai also looked blank: "I don't know, I just recorded Zhu Jiaxin's part along with me."
Qin Yi quickly played the video and retreated to his seat.
On the screen is Yu Yu.
Yu Yu was sitting in front of the embroidery frame, embroidering very peacefully.
The camera zooms in on the work she is embroidering.
After a period of montage, Yu Yu's embroidery has become a pattern on the body of a set of Song Dynasty Hanfu.
The suit was quickly worn on herself.
It was the video they shot in Chao Xinzhou's garden-style villa before, but it was not used for various reasons, but was cut here by Qin Yi.
After that, there was the conversation between Tao Le and Yu Yu in the pavilion that spanned time and space because of the painting.
A fast-forward effect was made in the video, and finally the screen went black, the picture faded, and the subtitles came out——
This video was eventually killed because it did not fit the theme of "If Cultural Relics Could Talk", but it also covered countless efforts of the creators.
The screen flashed, showing the back of Tao Le sitting at the computer desk, wearing noise-canceling headphones.
There is still time displayed on the video, and it is already past two o'clock at night.
Everything outside the picture is black, only the back of the lonely sitting there, being shrouded by the faint light on the desk.
The whole person is in a ball, especially like a small animal.
Immediately after the sun was bright, and this time it was Tao Le's back, she walked into the "Fake Hands for Others" shop, put on work clothes, and followed Jiang Zhaohe to learn carpentry seriously.
After a montage, the whole studio was eating lunch.
On the hand that was distributing the lunch box, there were many fine and dense wounds, but all of them had scabbed over, so they wouldn't need to be bandaged, but it was true... just looking at it made one's nose sore.
Then there is the sad profile of Xiaobai carrying the machine and walking forward with difficulty.
Although Xiaobai had a distressed expression, he was still very careful with the movements of his hands. After carefully putting the machine into the trunk, he breathed a sigh of relief.
At the end of the video, there is a scene of Yi Xuzhi painting in their studio.
The picture is really beautiful.
Such beautiful subtitles are no longer worthy of such a picture.
Then a deep male voice sounded——
I would like to send this recorded video to all the behind-the-scenes staff. I hope that the audience friends who watch here will have the opportunity to enter the museum in person, to see the cultural relics, listen to what they are talking to you.
After the video was played, it stopped directly on the screen of Yi Xuzhi's painting.
Qin Yi is the calmest one. He said: "I've thought about it for a long time, and put it on the Internet. The voices saying that we are miserable are definitely indispensable, and they can't escape, but there are some things that don't need to be explained, but they can let everyone see the whole picture. Go comment again."
Tao Le opened his mouth, not knowing what to say.
"You don't need to say anything," Qin Yi stretched out his hand to tightly grasp Tao Le's hand on the table, "You should still concentrate on your project and focus on the stage play, the content that Xiaobai and I filmed It's more complicated, I'm more suitable to do the work of organizing and editing, and I'll be responsible for the video update in the future, I want to scold..."
Yu Yu interjected, "Let them scold you!"
Being misunderstood is the creator's fate, isn't it?
Among these people, even if there is only one audience who can receive their hearts, it is enough.
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