if relics could talk

Of course, it is still far from the effect of being able to actually sing on stage.

But even so, it was enough to impress people.

Tao Le was a little happy.

In fact, purely from the perspective of cultural relics, if they can speak, they may not necessarily want to talk about the history they have witnessed.

It may be more curious about the history it has not experienced, and the present that makes it completely strange.

Therefore, Tao Le’s modification of the main line this time is based on the time when it finally ushered in the rescue excavation after many tomb robberies.

Three emperors and five emperors, Yao, Shun and Yu passed down.

The Xia and Shang, the Western Zhou and the Eastern Zhou are divided into two sections.

The Spring and Autumn Period and the Warring States Period unified the Qin and Han Dynasties.

The Wei, Shu and Wu are divided into three parts, and the two Jins are extended before and after.

The Southern and Northern Dynasties are parallel, and the Sui, Tang and Five Dynasties are passed on.

After Song, Yuan, Ming and Qing, the dynasty is over.

These are the knowledge points mentioned in history textbooks, so even those who are not so familiar with history, as long as they have read books, they will know these.

But for the cultural relics unearthed in the Western Han Dynasty, starting from Wei, Shu and Wu, they all have a history that they have never seen and are unfamiliar.

As for the stories before the Western Han Dynasty, they may not have been seen or heard from the master's mouth.

They even meet artefacts from other historical periods in museums.

Perhaps earlier, they have already met in the hands of cultural relic restorers.

Tao Le felt that the theme of "Mrs. Xin Zhui" she originally conceived might be too narrow, and what she wanted to introduce was not just the history of the Western Han Dynasty.

Up and down 5000 years, there is too much to say!

Although all the cultural relics unearthed from the Mawangdui Han Tomb include many very precious national treasures, there are too many living histories that can "speak" in the 5000 years of China.

"I want to start with the salvage excavation of the Mawangdui Han Tomb this time, cut into the whole story, and then..." Tao Le rolled his eyes with a smile, "How about we do a museum night?"

"Tell me carefully."

"I want to make a museum that doesn't really exist. On the stage, starting from plain yarn and single clothes, it first meets its familiar little partner - the T-shaped silk painting that was buried with it, and they quietly look at the ice. The owner in the coffin, and then they met cultural relics from various historical periods, and they will definitely communicate."

Xiaobai said "ah": "That's right, your original intention of doing this is to 'let the cultural relics speak', but you never know what to ask them to say, in fact, you are imagining it from the perspective of a third party. , or what they want them to say, the lines written in this way will definitely be awkward."

Because in fact those words are not what the cultural relics themselves want to say, but what the creators want to hear them say, but the creators' simple and crude output may not be what the audience wants to hear and see.

After Tao Le's readjustment, he started from the perspective of the cultural relics themselves.

It is Susha Danyi who is following this magical museum and making new friends.

"I've thought about it. We only got the first investment now, and it was because of Qin Yi's personal relationship. If we want to make a separate stage play on cultural relics soon with this money, I'm afraid it won't be so Simple, I’m going to solicit investment these days, and I want to understand something.”

It is not so easy to attract investment, and it is not so easy to do one thing well. It is good to have enthusiasm and love, but if you immerse yourself in negative emotions for too long, how long can these enthusiasm and love last? Woolen cloth?

So the most urgent thing now is not to set the goal too high at the beginning, but to think about what can be achieved at this stage.

Head Zhao has also been looking for a new way out in the past two years.

The audience of ballet is not very wide now, and the new force is not enough. Most of them are supported by "old people" of Jiang Youmei's age, but they can't afford to perform for such a long time, and their physical strength will not be able to keep up.

Therefore, the troupe has begun to develop some new types of plays in recent years. It is not necessary to be able to dance ballet, but to be able to perform.

So some avant-garde dramas, historical stage plays, etc. have also been included in the performance forms of the troupe.

Recently, there happened to be a time-traveling story, which is considered to be in line with the current popular elements. They are all college students who study acting. They use their spare time to rehearse the performance and exercise themselves, so there are not too many audiences who come to watch the performance.

Except for audiences who especially like dramas and stage plays, most people choose to go to the theater, and almost all of them come to cheer for the stars.

If a certain show is blessed by celebrities, then there will be more fans coming here, and passers-by will also have a herd mentality.

A very realistic phenomenon is that even the performances of college students who just come to exercise themselves will have a much larger audience than the pure ballet plays of professional ballet dancers.

This time, the stage play created by the college students themselves is about a group of college students who ran to camp, and accidentally met a group of people wearing ancient clothes. They thought each other was a monster. What, but that group of people was different. They saw the college students in modern attire, as if they had seen a ghost.

The villagers quickly came over with torches to burn these aliens to death. It was only at this time that the college students became frightened and discovered a desperate fact: they did not know what mechanism was triggered and traveled back to the Shang Dynasty.

There are many story reversals, and the content is mainly funny. It is a good choice for young people who are off work or on vacation to relax and watch the show.

Tao Le thought of this.

"Qin Yi, you have been running to the repair room these days, you must have known sister Jia Xin from the copperware group?"

Not only Qin Yi knew it, Xiaobai knew it too.

Zhu Jiaxin, only 32 years old, is a young cultural relic restorer in the Bronze Ware Group. He is very talented in his profession and works very hard. It is difficult for such a person to succeed.

Before Yi Xuzhi, she had always been a "genius girl" among cultural relic restorers.

"Know, what's wrong?"

"She has reproduced a particularly powerful cultural relic before, the Stepmother Wu Ding!"

Xiaobai didn't know much about it, so he said, "I've only heard of Simuwu Ding."

"It's the Stepmother Wu Ding," Tao Le said, "If we make a small easter egg for the museum's Wonderful Night behind their stage play that travels back to the Shang Dynasty, what do you think?"

A stage play that is not a formal performance does not require too much cost, nor does it take such a long time to prepare, and the possibility of realization is relatively high.

"You mean, you can go to Mrs. Zhu to discuss and borrow the stepmother tripod she engraved to show it in the Easter egg?"

"That's right, I thought, let's do the theme of Wonderful Night in the Museum, and exhibit themed cultural relics one by one, so that we have works, and the experience and effects of formal performances, and then we can talk about cooperation after accumulating these , there may be different results."