It would be better to say that it is calculated based on pure evil deeds.

Dio, who essentially only wants to seize the Joestar family's property.

No matter how you say it, it is impossible to be more evil than those villains who either want to destroy the world or are on the road to destroying the world.

But in fact.

But there is only one person, DIO, who is known as the savior of evil people.

It's not even just described in "JOJO".

Even most of the well-informed viewers of Pucci's previous life thought so.

While other villains are just bad guys, DIO is the savior of bad guys!

Ultimately, the reason is that DIO is an inherently evil person.

He has gradually abandoned the unique human emotions since he was born. He will not develop a good impression of people just because he gets along with them, nor will he feel the slightest guilt because of dead people.

This kind of indifference and cold-bloodedness is like one species treating another species.

This is the charm of DIO!

That's right! DIO's charm is not because he is bad enough, but because of this cold-bloodedness that all other villains cannot provide, but it is also emotional and cold-blooded because of his original human identity, and that kind of excitement for blood!

This is why the more people like DIO, the more they want to kill him.

Shuhei Morita, who finally understood what Pucci meant when he described this description to him, was sincerely grateful to Pucci for creating such a character.

And I am truly impressed by Dior who can play such a demanding role so realistically.

so......

——Dip, 1, 1, 0.

"Hello. Are you Officer Yamen?"

Morita Shuhei, who dialed the phone skillfully, whispered to the other party: "No, I have nothing to do. I just want you to help me investigate a person."

"Yes, he is a completely stealth actor on our set. His subconscious is a little bit special..."

"..."

----------------------------------------

"Ryoko, I suddenly discovered something..."

Dio's behavior makes people increasingly question whether he is still a human being and whether he has actually committed a crime before.

Xu Lun, Kong Tiao, was fishing as usual.

By the way, search on the Internet to see if there are any strategies for losing money quickly.

After all, the search engine will type the words "how to lose money" when she typed it.

Push her a lot of strategies on what to do so as not to lose money.

As for the answer on how to lose money, he didn’t mention a word.

But Xu Lun Kujo doesn’t have her own search methods.

Rather, the reason why she chose the path of complete stealth filming was as the starting point for her money-losing career.

Just because she searched it on the Internet, various accidents always happen when shooting with complete stealth.

Even if the script is drawn up, it is impossible for the supervisor and all the crew members to figure out what kind of impact the subconscious minds of the actors who enter the script world will have on the script world?

Would they let the entire script run wild from the get-go and blow their investment?

In fact, Pucci was able to find the data templates for "Phantom Blood" so quickly.

Thanks to the fact that these plots always go crazy from time to time, in the end, these unused data templates can only be resold to colleagues who can recoup a little more money.

So, as usual, Kujo Xu Lun searched for content in this area.

Today, her hard work finally paid off, and she found another useful strategy for losing money!

"With the technical assistance of Kamikaze Studio, the OP and ED of "Phantom Blood" have already been produced, right?"

However, before confirming the implementation of this plan, Kujo Xu Lun felt that there were still some things that needed to be asked.

"...If Xu Lun wants to take a look at the OP in advance and check the production results of Kamikaze Studio, it will probably take some time."

Although when I heard Kujo Xu Lun's question.

Kakyoin Ryoko's heart couldn't help but thump.

It's not her fault.

It was really too much trouble for Kujo Xu Lun's recent mysterious operation.

But fortunately, Xu Lun Kujo still has her consciousness as the owner of Green Dolphin Studio, and finally remembered that she still has business to do.

Kakyoin Ryoko felt a little relieved in her heart.

She also reported what she learned about the production situation in a timely manner: "It is said that it seems to involve the application of many new technologies. It will take some time to successfully produce it."

"However, as for the ED, since there are not too complicated elements, it can be completed very quickly."

"Even the songs used for playing were successfully performed under Pucci's supervision... Xu Lun, do you want to take a look and check?"

Does this kind of thing still need to be seen and inspected?

Although Xu Lun Kujo didn't know what Pucci's musical talent was.

But thinking about it, it should be very ordinary. Otherwise, why didn't the other party debut as a singer?

And most importantly, what level is Kamikaze Studio at?

Doesn't she know it yet? !

Recalling the scene that could be called mental pollution, she directly rejected Kakyoin Ryoko's kindness.

And happily told Kakyoin Ryoko about an important piece of information she found on the Internet.

"Ryoko, have you ever heard of early screenings?"

...

Chapter 20 The beginning of the legend, the fate of blood

Show in advance.

Of course, this can also be interpreted as a weekly drama about Pucci's past life.

Because this screening method is the same as the weekly drama.

Before the filming of the plot was completed, the crew showed it to TV sets or online channels in advance.

Then while filming and broadcasting, I slowly finished filming the rest of the plot.

Overall, it is a shooting method with obvious advantages and disadvantages.

The advantage is that the work is released in advance before filming is completed.

The audience's evaluation of this work can naturally be fed back to the crew in a timely manner.

Whether there are rave reviews or rave reviews, the crew can be given time to prepare or make changes in a timely manner.

Needless to say more about the former, after all, it sucks in itself.

As long as you think about the idea that no matter what you do, it will not make the entire script worse, if you modify the original script.

Then maybe in the end there will be a turn of attack, turning this terrible script into a masterpiece.

And the latter is even better.

Capital is all about profit.

A good work means that it can bring more profits to the investors behind the work.

Whether it is to produce more episodes to sell to TV stations, or to give this work more broadcast time, so that their peripheral figures can be sold more prosperously.

Even if this work is about to be completed, various reasons will be used to allow the villain to continuously escape from the protagonist, allowing the entire story to continue and shoot more episodes.

It’s a good idea to squeeze out all the profits from this work at once.

And the downside?

As mentioned above, the crew can adjust the work based on audience feedback.

So that in many cases, perhaps even the screenwriters themselves do not know how to write the subsequent plot.

Wanting to prepare for shooting in advance naturally becomes nonsense.

This is why most weekly dramas may feel like they have plenty of money at the beginning.

But the further you get to the back, the more you feel the poverty that is visible to the naked eye, which cannot be saved even with excuses in the collection.

Isn’t it that the further you get to the back, the less time and money you have?

Of course, these are the advantages and disadvantages of traditional weekly dramas.

If it were a completely stealth work, the advantages and disadvantages would become something else.

so......

"Ah?...Eeeeeeeeeeeeeeeee————!!"

When she heard Xu Lun from Kongtiao informed her that she had already signed a contract for the early screening.

Kakyoin Ryoko had lost her mind and shook Kujo Xuren's shoulders crazily.

"Xu Lun, what on earth are you doing!?"

I saw her shouting, shaking Kujo Xu Lun's body and saying: "Don't you know another name for early screening!!?"

I know.

Otherwise, why do you think I chose to have an advance screening and secretly signed the contract without telling you?

Do you think I would sign if I wasn't sure I could lose money?

Of course, I think so in my heart.

When facing Kakyoin Ryoko, Kujo Xuren would still try his best to hold back his smile.

While pulling away the hand of Kakyoin Ryoko who was shaking her body vigorously, she pretended to be serious and explained: "You can't just look at the surface, Ryoko."

"As a newly established studio, how do you think we can sell our works without the help of famous directors and actors if we don't choose this early screening method to sell our works?" Woolen cloth?"

“How can we attract audiences to watch our works?”

"This..." Kakyoin Ryoko hesitated.

Under Kujo Xu Lun's series of questions, it was indeed difficult for her to give answers to these questions.

After all, without fame.

Most people won't watch a film by an unknown newcomer.

"Black and red are also red." Kujo Xu Lun added.

"But even if this is the case, Xu Lun, you wouldn't put "Phantom Blood" in a bad movie exchange conference..."

Kakyoin Ryoko's number was destroyed.

That’s right, a bad movie exchange conference!

As I said before, because most completely stealth works cannot guarantee the actor's subconscious, will it be stable?

Plus the pitiful filming turnaround time for weekly dramas.

Basically, as long as there is a problem with the actor's subconscious, the whole drama may collapse. There is not enough time for the crew to remedy the collapse of the plot, so they can only bite the bullet and destroy it. The plot is broadcast.

Over time, this behavior of showing off bad movies has continued.

It also made the weekly drama completely synonymous with bad movies in the hearts of the audience.

And it’s not just the audience who thinks so.

Even the filming crew felt the same way.

As long as it is a normal crew, it is basically impossible to choose to broadcast their own works in the form of weekly dramas.

Unless there is a situation where even the crew members who filmed this work are not confident about this work and want to use the weekly drama method to recover the losses first.

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