technical type

Ji Mo did not specifically ask about the latter matter, and Kuang Yuan never mentioned it again. It is the best thing for those painful pasts to be buried by time.

The master and apprentice didn't go deep into this topic. Ji Mo only once asked about the number of musical instruments in the musical instrument room. It didn't look like they were newly bought, so were they used before?

"I used them all, so it's hard for him to ask for them."

This "he" is undoubtedly Ji Chen.

Ji Mo couldn't describe the expression on Kuang Yuan's face when he said this, whether it was moved or ironic, anyway, that smile always looked a little weird.

It is an extravagant hope for a person who has suffered a major blow to expect nothing to change.

He is a rare open-minded person who is able to deal with it calmly. Usually, Ji Mo thinks he is that kind of person when he sees Kuangyuan. Only when those pasts are mentioned, can one discover a certain kind of resentment hidden in those words, like a poisonous snake watching in the dark, it does not know when it will launch a lightning strike, causing people to die under the poison.

Ji Mo is always a little worried, but he feels that he has nothing to say, and it is not his turn to talk about those adult matters as a child.

However, since knowing that this is a house given by Ji Chen, Ji Mo always feels that it is awkward to live in, and every time he hates Ji Chen listening in the distance, because of this inside story, he can't hate it anymore, otherwise he will appear to be somewhat ignorant. Very domineering.

That is someone's house, why not let them come?

In his house, he can stand wherever he wants, and he is not eavesdropping on Chuanyi. Kuang Yuan didn't say anything, so what reason does he have to drive him away?

Therefore, after learning, Ji Mo would quickly leave Ji Chen's sight range, either hide in the musical instrument room to familiarize himself with those musical instruments, or find a place where they would not normally go, and practice slowly.

Dizi, Qin, Se, Sheng, Pipa, Yu, Huqin, Xun, Bell, Drum, Xiao...

When Ji Mo was learning the flute, Kuang Yuan casually mentioned that Ji Chen's purple bamboo flute was excellent, "Before, I thought I couldn't play it as well as him, with that kind of clear and clear sound, next time he comes, let him play with him." You play a song, you will know it after listening to it.”

There are many things that cannot be described in words. When Kuang Yuan taught Ji Mo, he would always play with such an instrument first, as he did for the first time. It is best to highlight this instrument for any piece of music, that is, Changing the other instrument, can also make a song, but it is always slightly inferior, not a better song with such an instrument.

After the performance, he didn't ask Ji Mo what he wanted after hearing it, but let him remember this feeling. Some things conveyed in the music don't have to be in the music, and the musical instruments are also entrusted. part of it.

The same piece of music, played with the sound of the piano, may be an ancient sound, which can convey the truth of the world, but played with the sound of the flute, it will be more melodious and melodious.

The difference is not brought by the tune, but by the instrument.

For the same sound, the instrument may sound a bit muffled, but if it is another instrument, it will soar so high that it will go to the sky.

The difference formed by the inherent timbre of this instrument is the emotion that has to be placed in the instrument.

The so-called music expresses emotion, and the emotion conveyed is in the blending of these kinds.

Ji Mo listened, felt it, and tried it himself. Later, when Ji Chen came, sure enough, Kuang Yuan still remembered and asked him to play a song just for Ji Mo.

The sound of the flute is clear and bright, like the waves of the sea, one after another, and like the scorching sun on the sea, shining on the broken gold, the sky and the earth are the same color.

The kind of courage that is condensed in it is really "a man should be like this", coupled with Ji Chen's handsome appearance, no matter how you look at it, he is a gentleman, as clear as a god.

If the fairy king Lingbo, you can see the sea.

Even people who don't know each other, after hearing the sound of flute like this, will definitely think that the person who plays the flute is a god, with a unique skill, which can be seen here, ignoring the difference of status, just want to make friends with him.

Thinking of Ji Chen's status as a literati, he will have a lot of affection for him.

Amid such voices, even Ji Mo couldn't help introspecting, he didn't do anything annoying, and even Kuang Yuan never said he was bad, where did he have the qualifications to despise him?

"How many years have passed, and your flute sound has become even better."

After listening, Kuang Yuan became emotional, waved to Ji Mo, and didn't say much to him.

Ji Mo resigned, walked away, and looked back, the two of them, standing and sitting, seemed to be talking there, and seemed to have said nothing, admiring the changes in the scenery outside in tacit understanding.

Ji Mo also listened to the sound of the flute, and he wanted to listen to Kuang Yuan's again, but Kuang Yuan rarely refused, "My flute sound is not as good as his, so there's no need to listen to it, you just remember the kind It feels good, but it doesn't have to be exactly like him..."

The complexity of these words made Ji Mo feel a certain bitterness.

Even that smiling expression was a bit more bitter.

Ji Mo's learning speed has always been very fast. With the experience of learning the flute, learning the flute seems to have a sense of getting twice the result with half the effort. He can accurately grasp every note, and then play those familiar tunes. It is smooth and easy to master.

This is a bit like "one reason is clear, but Bai Liming", sometimes when the mood comes, the leisurely tune is easy to come by, and it is a little more comfortable and casual.

That freely falling into the music, won Kuang Yuan's praise: "That's it, music is the voice of the heart, there shouldn't be any constraints."

The status and class rules in the eyes of the world cannot be the bondage of music, because the heart is always free.

All the melody formulas are just for those who are late learners who dare not abandon the words of the predecessors, and use them as models for the convenience of learning. In fact, when it comes to real speaking, if you know fingering, why do you need a certain musical form?My author has never been seen before or since, so this is the best and can be called the roost.

What Kuang Yuan pursued was the kind of "music conveying the voice of the heart". No rules or formulas were within his scope of thinking. If he could only play music within the rules, how far could the music be conveyed?

If you want to be in harmony with the heaven and the earth, you must first have a free and broad music that can be conveyed to the heaven and the earth.

Musicians are not ignorant of this kind of truth, but many times, how can people not be burdened by the world when they live in the world?

That is to say, Kuang Yuan, who abandoned his family, lost his relatives, lost everything, was able to play that kind of unfettered almost sublimated music.

If someone listens to Kuang Yuan's music now, and thinks back to those years, he may also sigh with emotion, "There is no joy without setbacks".

Some skills are like plum blossoms in winter. How can you get the tangy fragrance of plum blossoms without going through a bit of cold?There must always be some changes and setbacks before you can be reborn and truly leave the mundane world.

Kuang Yuan never mentioned this level of comprehension, he thought that setbacks were not enough, he only taught Ji Mo step by step, and seeing that he had achieved success in flute, he did not let him continue to practice flute, but changed instruments.

"Most bells are chime bells, which can play whole music. Only chime bells are ritual music, which is very rare. I will teach you with small bells, so that you can learn court ritual music simply."

The mention of the word "court" is very emotional for Kuang Yuan today.

He resigned as a court musician at that time, and now it seems that he does not regret it, but it is inevitable to be hasty. Court ritual music is not unattractive, dancing with shackles can still dance a moving dance, the kind of dance that is done within the rules There are also places to listen to and learn from.

But he couldn't bear all kinds of constraints, so he resigned early. Now that he thinks about it, he inevitably feels a bit regretful. He never read the palace music book and was familiar with the music of great music.

The set that Kuang Yuan called the "little bell" was very small and exquisite, like a scaled down chime bell, and the small wooden hammer and long stick were like children's toys, so it looked really small and exquisite.

Ji Mo couldn't help being curious when he saw this, why didn't he let him learn this when he was a child, compared with pressing the flute and plucking the strings, using wooden hammers and long sticks to play music does not hurt his hands, and is full of fun. Somewhat excited.

It is complementing the child's curiosity.

Seeming to see what Ji Mo was thinking, Kuang Yuan smiled and answered for him: "You only see this chime bell is exquisite and cute, but you don't know what is strict etiquette and music. If you learn this early, I'm afraid you won't be able to learn Zhengya. , just for fun, rather than music theory."

Not all things can be taught with fun. If you are under a certain age, you can’t understand the truth. If you really learn it, it’s just "sorry about writing new words", which is of no benefit. Zhengya who has lost the music theory, if he goes astray, it will be difficult to correct him in the future.

Only by understanding the truth first, and then learning, will you know why you want to do this instead of that, and some joy does not tolerate whimsy.

This set of principles is most suitable for court music.

Kuang Yuan’s routine seems to be playing a song, the bell’s crispness is not the same as that of the other instruments, chime bells of different sizes make different high and low sounds, even the crispness is divided into several tunes, it’s obviously Zhengya The dignified court music, but it seems to be playful and lively, it is not dull and solemn as Ji Mo imagined.

However, if you savor it seriously, you don't see much lively and playful in it, but well-behaved, orderly and orderly.

Here I want to say that the most important rule of court music is the order in chime bells, starting from a certain sound and ending with a certain sound. The whole set of order cannot be wrong. Zhengya.

And this kind of big music accompaniment cannot be supported by chime bells alone, so Kuang Yuan explained that what he played was only a small section, and the real soundtrack, even with the addition of Ji Chen, could not support a complete court music.

The blending of music sounds one after another is what grand court music should look like. Now it is like this, the monotony is the chime chime, which always lacks a bit of artistic conception, making it difficult for people to integrate and understand.

For this reason, Kuang Yuan had to explain more, for fear that Ji Mo would think that court music is so thin, and would not be able to imagine that kind of scene.Ji Mo really didn't dare to take his own imagination as truth, but he always knew that the real court music is definitely not something that can be finished with ding ding dong dong.