technical type

According to the light and shade of the turning point and the position of the structure, there are many other forms of expression in the method of chapping and rubbing, and it is not just a matter of folding ink.Wang Zichu did not conclude this technique, he used it casually, as if it should be painted like this, without any theoretical support, if trees grow upward naturally, flowers and plants must have a natural law of withering and flourishing.

When it comes to Ji Mo, I need to summarize a little bit. According to the classification of effects and common places, I summarize a set of application methods in my heart. It is inherently rigid, but it is also inevitable to imitate.

Here, on the trunk of the tree, there are mostly scales, and the fish scales have a rough feeling. Occasionally, the hammer is used to increase the image of scars. If the hammer is hit, it shows that the trunk has been weathered and mature. Its imposing manner... Repeatedly like this, it means that a tree trunk needs to be penned dozens of times. If you add branches and leaves, you don't know how many more pens are waiting. Only with the support of specific scenery can several similar scenery be slightly fogged.

Furthermore, distant views can be omitted, but close views cannot. More details are needed to add details. Ink and wash paintings should not pay attention to changes in light and shade. Wang Zichu seems to be able to judge the direction of yin and yang from east to west, north to south, in the scenery.

This kind of feeling is vague, and it is just a feeling if you don't observe carefully. If you look carefully, you will find that it should be a problem of the thickness of the virtual brush.

When Wang Zichu draws a scene, he compares it to a tree. The difference between the sunny side and the dark side is that one side is slightly lighter and the other side is thicker. On the leaves, because of the order of the virtual and the real, it can make people feel like they are there when watching. Sunlight comes from above, making some edges of the leaves virtual, and the layers between the leaves must have gaps through which sunlight passes.

This method of handling is obviously ingenious. Ji Mo doesn't know if ink painting requires skills, but since he has seen it, there is no reason not to learn it. It's just that he has to think about it when painting. He always feels that he is not painting by hand, but I was drawing with my brain, the same angle, the difference between up, down, left, and right is obviously still a flat painting, so after the painting is done, there must be some three-dimensional effect.

The reasoning is correct. When painting, it is inevitable to focus on one thing and lose another. Even if you have two purposes at once, you can’t help but have many and mixed scenes. It is easy to confuse the primary and secondary. This is like writing an essay. If something happens, even if there is still a timeline, it is just an article like a running account, and there is not much literary talent, but if the primary and secondary are in order, and the intervals between key points and non-key points are reasonably distributed, it will be like a delicacy. Let the side dishes overwhelm the guests and add flavor to the main ingredients.

When the sun slanted across the wall, Ji Mo finally stopped. On his drawing paper, there were a total of two or three scenes, streams, trees, and a section of the back door frame. There was a stretch of wall, which was not fully drawn, but was presented on the painting. It is as if looking at the scenery outside the door from the door.

In the beginning, he did not lay out such a layout, but wanted to paint a more secluded scene of Niaosing Mountain, directly using the stream as the line, laying out trees, flowers and plants, but as he painted, he inevitably felt that painting leaves was boring. Outlining a leaf in detail is not the same as outlining more than a hundred leaves, and for each leaf, you have to think about how many blurring strokes should be made when the light shines obliquely from above under the layered layout. The space can cover each other, saving a little money, but it also makes people bald.

After finally drawing a tree, Ji Mo felt tired, probably because he stood for a long time, the child's body is not so patient, his forehead is full of sweat, his palm is also wet, and he can hardly hold the pen.

I changed the pen in my hand, wiped my sweat with that hand on my sleeve, and then picked up the pen again to continue painting, but I didn’t plan to draw that kind of spacious pattern. The courtyard wall was added later to cover the part of the stream before To live, it is necessary to add some vines and the like to make up for the excess black in the overlapping parts of the stream and the courtyard wall.

Painting is like writing without regret. It's not that you don't want to regret, but you can't regret it. When the ink falls on the paper, it will be flooded and hard to recover. There is no white to cover and make up for it. You can only continue along the blackness. If you can't find a way To cover it, we must find a way to make this blackness blend into nature.

Ji Mo had read a related short story before. When someone was painting, a drop of ink was dropped on the paper, and the painting was completed. If a painting was ruined because of the ink dot, it would be heartbreaking for him.He couldn't bear it, so he cleverly sketched on the ink dots, and he just drew a fly.

Later, people who looked at the painting thought that the fly was real, and waved their sleeves repeatedly in front of the painting, trying to drive it away, until they found out that it was a painting. Apart from admiring the ingenuity of the fly, they also had to praise it for being so lifelike. .

Ink dots can also change flies, but it is difficult to make the same change with meandering ink-colored streams. It can’t be that there is an extra stream on the wall. Could it be that the wall is still perspective?

Ji Mo used vines to cover it up. The vines naturally have the same meandering characteristics. They are meandering and meandering, just enough to connect with the turning of the stream. Adding a few leaves in this way makes the painting tired. Instead of thinking about how the light changes, just If you look inside the wall, you can see that it can be a dark corner. In this way, the leaves don't need veins, they can be roughly outlined, just smudged with ink.

There are three more flowers, well arranged, adding some fresh beauty, and further covering the pen and ink of the stream. In this way, the speed of drawing is faster when you get to the back. is waiting for him.

Because it was an appointment, he didn't come to see it in advance, he just turned his body sideways, with the painting on one side and him on the other. The oblique light came from the window, making his whole body under the halo, making him softer. Can be worthy of painting.

"Is it ready?"

Wang Zichu saw him turn around and asked directly.

"Okay, I'll ask Master for advice."

Ji Mo put down the pen and came over with the drawing paper. Because he had just finished the painting, he was afraid that some places, especially the places where the ink layers were layered, had not dried completely. He tried to stretch his arms so that the paper would not stick together. Fortunately, he changed it later. , the layout of the painting is much smaller, which is convenient for the distance between his arms.

Wang Zichu saw that he was struggling to hold it, so he hurried up to help him. The long table was the length specially used for painting, and it was difficult for two paintings to stand side by side. It hung down naturally, and put Ji Mo's painting on it.

"Let me take a look at Master's first."

Ji Mo was not in a hurry to listen to Wang Zichu's comments. When Wang Zichu heard the words, he pulled Ji Mo's painting a little farther away, and held up the hanging corner of his painting with one hand, trying to flatten it as much as possible for Ji Mo to watch.

The two didn't discuss it, but what they painted was the scene they saw at first sight. The difference is that Wang Zichu didn't add the courtyard wall, and adopted the layout Ji Mo originally thought of, directly laying the scenery, and the painting Not all of them, his painting speed is faster, from the angle of the picture, the first three or four rows of trees can be regarded as clear, but the degree of clarity is slightly different, the feeling of gradually fading away directly The distance makes the atomization behind it not so obtrusive.

The meandering direction of the stream is more in line with the facts, rather than Ji Mo's sharp turns that artificially create twists and turns, and such facts fall on the paper, and there is a quiet beauty.

Plants, trees, flowers, and even gray hares hidden in the forest, Ji Mo didn’t notice it at the time. He was surprised when he saw Wang Zichu’s painting, and tried to recall, as if there was something there, but the rabbit didn’t move, just chewed grass The surrounding grass will not change much, and it's normal if you don't find it.

"I thought they would kill all the small animals around when they were hunting."

In the morning, when Wang Zichu and Ji Mo were strolling in front of the forest, the other guard went around the forest and came back with two hares, which gave Ji Mo an illusion that the nearby hares must have been It's gone, not only hares, but also other small animals. Otherwise, why would they go hunting in the forest, and just show their hunting skills in front of them?

Thinking back now, it is possible that the hare survived because they knew that Wang Zichu loved painting, and they hoped that it would not affect the scene of his painting, or that this kind of rough hunting should not be revealed in front of the nobles.

"It's possible to fight everywhere, this mountain is so big." Wang Zichu's meaning is different from Ji Mo's meaning.

Ji Mo didn't say any more, it was indeed his negligence for not noticing the scenery, but it was not a big deal.

There is nothing to criticize about Wang Zichu's paintings. After reading it, Ji Mo only said "excellent". Also excellent is the depressive effect. It looks peaceful at first glance, but you can feel it at second glance The tranquil confinement was heavy, as if it was too heavy to breathe. Even the existence of the rabbit was like prying eyes in the dark, revealing a certain uncomfortable feeling.

This can be regarded as the feature of Wang Zichu's paintings, or it is this feature that makes the system list him as a special master candidate.

Ji Mo didn't specifically point out this one, carefully put Wang Zichu's paintings on a stack of papers, he had to look at his own paintings, he was very self-aware that it needed to be changed, there must always be room for changes .

The long table can accommodate two people side by side. Ji Mo's height is not enough, and he has to step on a small wooden stool. There was only one small wooden stool in the room, but after Ji Mo came, there were two of them, under the two tables respectively. , With a hook of the foot, the wooden stool is pulled out and stepped on directly, the height is just right enough to see the whole picture of the drawing paper.

Wang Zichu just looked at Ji Mo's paintings, and he was confused at the first glance: "There is no such plant by the wall! Why haven't I seen it?"

"In my imagination, there should be such a plant that grows under the wall and embellishes the picture."

Ji Mo coughed twice, and said solemnly.

Wang Zichu was just dull, but not stupid. When he heard this, he reacted and laughed softly: "It turns out that it can still be like this. I have been taught."

Apparently, he can also accept painting without real objects and some fantasies, but the egg is bigger than the chicken, maybe it's just a smile like this.