technical type

On Fushan, the location of the Taoist temple is not a high place like the top of the mountain, but a little lower on the mountainside. It will not take too much time to go up and down the mountain. The mountains that are really Fushan are actually behind the Taoist temple. , the existence of Taoism is more like a facade.

Going out from the back door of the Taoist temple is the range of the back mountain mentioned by Wang Zichu.

At this time, it is the transition of spring and summer, the summer heat has not yet penetrated into the roots of the trees, and the birds are singing in the secluded forest. If you walk a little, you don't have to go deep into the woods, you can feel the refreshment. The meandering stream carries some dead branches and rotting leaves. The clear water is so shallow that it can just cover the depth of the foot. Occasionally, the slope is steep and sharp, and the splashing water can be seen in the finer Under the light, colorful lights flickered, and the sound of rushing seemed to echo the sound of Ye Dong.

The mountain forests that haven't been cut down too much still maintain a relatively primitive state, and even the fragrance in the air seems to have the smell of chlorophyll.

The environment is beautiful, very good, very good.

Together with Wang Zichu and Ji Mo, there were two sturdy Taoist priests with square faces and sharp eyes, and they looked inexplicably fierce. They didn't look like Taoist priests, and they must not be the children of noble families. , but is equivalent to those servant roles such as little Taoist boys, but because the Taoist temple does not manifest this kind of superiority and inferiority, the whole body is a Taoist robe, blurring the boundaries. In fact, what you do, as it is now, is the same as Guards are equal.

Ji Mo took a second look, and Wang Zichu thought he was curious, so he said to him, "This is what my uncle sent to protect me. When I came here, they were the ones who protected me all the way."

There was emotion in his words, and he looked at the two guards with no fear in his eyes, but trust and kindness.

"It is our wish to be lucky enough to protect Mr. Wang."

One of the guards laughed, and the three-point fierce look just now turned into a lenient man, as if he was an easy-to-impress simple and honest man, and his words were nice.

Ji Mo didn't say much, he thought of Mr. Xuan Yang's identity, and guessed that these two people were soldiers before, at least that kind of fierce temperament should not have been accumulated by committing crimes.

Wang Zichu is not the kind to be polite to others, when he heard the other party say something like this, he has nothing to say here, and he has no intention of expressing gratitude and showing kindness to others.

The two guards didn't care, they probably knew what kind of temperament Wang Zichu had, leaving one of them watching, like a parent who brought their children out to play, let go within a certain range, Let them run, and the other person went to wander around, it should be to eliminate some hidden dangers.

Wang Zichu took the initiative to propose this trip to Houshan, and he felt that he had the responsibility to introduce one or two, so he explained it to Ji Mo. The first sentence was to tell him not to be afraid, because there are always people from Taoist temples coming to cut firewood in the Houshan area. And hunting, it is not easy to see any wild animals, most are pheasants and rabbits.

"Rabbits like to make holes too much. I raised them before, but I didn't pay attention to them. It made a hole in the ground and ran away."

Wang Zichu was a bit regretful when he said it, and when he saw the stream, he said, "Occasionally there are small fish here, very small..." He gestured with his fingers, and it was really very small, "There is a river under the mountain, and the fish in it are very small..." The fish should be bigger, it is said that the water flows from the rocks, I don’t know if those small fish are also..."

The two of them didn't bring any paper and pens with them, and they didn't intend to draw while watching the scenery. Obviously, that kind of viewing with tasks is not what Wang Zichu advocated.

On the other hand, Ji Mo specifically asked if he wanted to bring a pen and paper when he went out, and Wang Zichu looked back in surprise, obviously not knowing why he asked.

After several sessions of master training, Ji Mo understood at a glance. This is like a primary school student writing his impressions. Some people take a pen and paper and take notes all the way. They have to write down everything they see. There is no need to change or rewrite the ready-made journal articles, but what I read seems to be the same as this journal, and I have no memory after writing it.

And some people only look with their eyes, and they will look twice more when they see novelty, and they will go to join in the fun when they see something interesting. Playing is really playing, as if there is no burden at all. Without the task assigned by the teacher, I can still write an excellent, detailed and appropriate review with some kind of lingering feeling, as if I played it again in my mind, which is worth aftertaste.

When it comes to painting, some people can’t guarantee that every detail of the painting will be fully reflected in the photos, and there will be no omissions. Some people can copy the original scene just from memory, not bad, and some people will still be here. Incorporating your own artistic conception on top of the basics is like adding various retouching effects to a photo, showing unique personal characteristics.

The reason why a genius is a genius is that it can do things that ordinary people can't do, and express it very easily, and talent is to raise the upper limit to an easy level.

Ji Mo knows very well that he is not the kind of genius with talent, and it is not necessary for him to forcefully pursue the real scene. Even if his memory has improved now, he will not feel relaxed and happy when looking at the scene with this kind of task, only tired and heavy , even if I really go back to painting and can blend into the artistic conception, I am afraid it is also the feeling of being tired just looking at it.

That being the case, don’t force it at all, just look at the scenery, take a second look at the good-looking ones, and skip the bad-looking ones. When painting, just mix up the good-looking ones. There is no need to draw blanks one by one.

How many paintings have never been filled, is it true that there is no scenery in the blank space?There are still white clouds in the sky, and where there is no place without scenery, it can be seen that this aspect is not a rigid requirement.

Ji Mo quickly figured it out, figured it out, and paid more attention to feeling when watching, watching, and then let the mind have a sense of joy, or other feelings, and then integrate this feeling into it when painting, which is the artistic conception in the painting up.

It would be great if the viewer could empathize with the painting, instead of feeling completely different from the author of the painting.

It is very simple to say, but this kind of integration needs to be practiced. The same flower, the same outline and dyeing are drawn by different people, why do they have different feelings?

I am afraid that the secret of this cannot be explained by hard work. Ji Mo can immediately add artistic conception to the painting if he is not in a hurry. The layout is good if it is not too rigid.

After that comes the part of artistic conception integration.

Ji Mo is studying now, and there is no need for the master to point out the specific steps one by one, and divide him the key points of each stage. He can make a summary based on the level presented by the master, and how to separate the steps of each stage. must.

At his beginner stage, he can draw all the scenery well without appearing heavy strokes and light strokes, and the last four are not the same. The next step is to get the virtual and the real right, and the next step is to find a way to embody emotion in the scene. Integrating emotions into the scenery, making people who see the paintings feel the same emotions, blending the scenes, is Wang Zichu's current height.

It sounds like there are only a few steps, and it is not difficult, but the first step requires more time, repeated exercises, and a drawing program to find out how to better draw what looks like "true" The scenery comes.

The trip to the back mountain ended before lunch, and the sun was getting hotter at noon. Wang Zichu and Ji Mo returned to the Taoist temple for dinner, and then started painting directly.

As long as he can draw, Wang Zichu doesn't even have to eat.

So don't hope that there is any time to take a nap. Wang Zichu, who occasionally stays up late to paint night scenes, is admirable for his persistence and persistence in this regard.

In anything, focus always makes the road to success a little smoother.

"You draw one, I draw one, and then we can exchange them, okay?"

Wang Zichu pointed to the two tables, which happened to be one for each of them, each facing out of the window, neither looking at nor being influenced by each other.

"Just draw today's scene?" Ji Mo asked the subject.

"it is good."

Wang Zichu responded directly, even though he had painted the scene of the back mountain many times, each time it was still different, just like today's leaves are definitely different from tomorrow's leaves.

Ji Mo stood still in front of the table beside the bed. He painted standing up. This one has been like this since the beginning. It’s not that Wang Zichu is stingy with a chair, nor is it that the room is not big enough to fit two. Back-to-back chairs, but the height of the table and the posture of holding the pen. It is always easier to stand and sway than to sit, or that kind of control of the overall situation is smoother.

Unless the desktop is tilted at a certain angle, like a drawing board, once you sit down and face the flat drawing paper, it is difficult to control the strength of holding the pen to be even up and down, and there is no difference in shade between far and near.

Ji Mo still dabbles in carpentry or something, maybe he can make an easel or something like that, it doesn’t seem too difficult, wooden wedges or something, it took a few seconds for his mind to wander, Ji Mo took a deep breath He breathed a sigh of relief, picked up the pen, and wrote the first stroke on the paper.

The meandering outline is a stream. He first determined the shape and direction of the stream. Based on this, he cut into the scene of the back mountain. The trees in the distance can be blurred, just a little shadow, and the nearby ones seem to be at the source of the stream. The trees need to be more specific. First, draw the trunks, which are not vertical. Naturally growing trees, unless they are naturally straight, will have some natural arcs, which is a sign of wind and rain. .

Some are also due to accidents such as lightning strikes, or even the impact of other trees being turned upside down. Even on the trunk, it is impossible to be smooth and smooth. There will be some tree knots and scars. Drawing with pen and ink, It needs to be rubbed on certain parts. The method of chapping is not exclusive to the painting of mountains and rocks. It can also be used on tree trunks. If the painting is good, the effect is not bad. If the painting is poor, the traces on the surface Does it mean the trunk is painted?