Calculate the general ledger with the flood

The so-called author's counterattack does not mean that the author can really jump out and put a big move on me.It means that the settings on the protagonist will be activated in advance.

The author prefabricated the setting of "the protagonist's attitude towards the villain from friendly to hostile" on the protagonist, and it will be a matter of time before it is activated, just like a time bomb.And I single-handedly triggered countless great changes in the story, broke the author's plot plan, and stimulated this time bomb to detonate it in advance.This is similar to the treatment of diseases in traditional Chinese medicine. If the patient has a hidden disease in the body, he must first try to make the poisonous fire radiate out, forming a tumor on the body surface, and then cut it off in one fell swoop, leaving no future troubles.

Confucius said: "Pretending to be forceful will not work, but you will be slapped in the face." The biggest risk of this method is that the sores cannot be controlled well, and the whole body will be affected instead.But I had to do this, otherwise I would have little hope of being free if I followed the author's plan step by step.The protagonist can only continue to be a puppet.

Countless stories below are crowded together like bubbles.Suddenly, a bubble suddenly became bigger and floated up quickly. Before I recovered, it rushed out of the dark abyss and came to me.Swallow me and the protagonist into it.

I messed up the author's writing outline and stimulated the setting in the protagonist's body in advance. Of course, it would trigger some other reactions—such as this story.

I felt it, and found that the connection between myself and those reincarnated people still exists, probably because the fundamental consciousness transcends the story.

--main character?Can you hear it?

I tried sending the main character a message with fundamental awareness, but there was no response.

cut off?Impossible, there is no way for the author to interfere with the world of the story to this extent.

"Junior Brother, what kind of person do you think that Hongmeng Tianzun is? A few days ago, he overcame the heavenly tribulation and achieved Hunyuan Daoguo, which shocked the prehistoric people. It is really enviable."

The familiar voice of the receiving senior brother sounded, and we seemed to be rushing to Zixiao Palace.

Ah, I'm ready to mention again.

The arrangement of Zixiao Palace is as usual, but there is something wrong - there are too many futons.

Theoretically, there should only be six or seven futons in Zixiao Palace, the exact number depends on the author's setting, but these futons are all symbols of the holy throne, without a doubt.

But now, there are [-] futons in Zixiao Palace, corresponding to [-] great powers.

Ah, it’s been a long time since I encountered this kind of prehistoric story. I don’t know if the author finally mustered up the courage to break a cliché, or I’m in that kind of story...

"The way of Dao Patriarch Hongjun is different from the way of being a teacher. However, the stones of other mountains can be used to attack jade. It is also beneficial for you to listen to it." A voice came from the gate of Zixiao Palace, and all the great masters turned their heads and thought. Let's see who is speaking such big words in the saint dojo.

"Pindao Huaguo Mountain Hongmeng Tianzun Zhang Han, I have met all fellow Taoists." The man who walked in said while releasing the aura of a saint, so that everyone did not dare to say anything about him.There are a few people behind him, who seem to be his disciples.

"It turns out that he is the Hongmeng Tianzun. When he became a saint, his aura was not inferior to the Taoist ancestor." Brother Jieyin muttered to himself beside him (in fact, Zhang Han's ability to prove the way with strength is higher than Hongjun's ability to prove the way by beheading three corpses. The holy power is also stronger. But because Hongjun is the Taoist ancestor selected by Tiandao, Tiandao added fuel to the flames when he was sanctified, so that it appears to be the same as Zhang Han's coercion.).

and many more!

what is this?

Why is there still a parenthesis commentary popping up in my mind!

If the author feels that he didn't make it clear, he can explain a few more sentences, why do he have to use brackets to append it?The appearance of brackets will give readers a feeling that "this author can't understand what he said in the text, and he needs to add explanations", which is a big discount to the reading experience.

Besides... the protagonist's name is Zhang Han, and he proves the way with strength.

I used to think that the author broke the cliché and really overestimated him.

This is clearly a step backwards into a bigger, older, more poisonous cliché.

A protagonist with both names and surnames, a protagonist who proves the Tao with strength, a protagonist who lives in Huaguo Mountain, and a protagonist who has been sanctified but forcibly comes to Zixiao Palace to listen to the Tao.In comparison, the Dao name of "Hongmeng Tianzun" seems insignificant.

I almost have a hunch what kind of story this is.This kind of story was born very early. At that time, the later routines such as the holy seat futon and the sanctification of the establishment of religion had not yet appeared.Oh, don't get me wrong, that doesn't mean the stories aren't funny.Instead, I can read two lines of poetry to describe them:

The supreme heavenly thunder king, all Lei Wenru are respected.

This kind of story is the thunder of all thunders, the ancient poisonous thunder, and the Nine Heavens Yingyuan Puhua Leisheng Tianzun in the Leiwen world.

Its name is called "Proving the Way with Power".Basically, there is no character logic in this type of article. The plot is mentally retarded, the characters are brainless, and the writing is flimsy. It is a miracle that the author can persist in writing.

But having said that, the author chose this story to be the most suitable for controlling the protagonist.Because most of this kind of story depends on the author's will to forcibly promote and open his golden fingers to proceed.In other words, the luck of the protagonist is stronger than in other stories.

The situation of the protagonist is the opposite of mine. The stronger the luck, the heavier the suppression of fundamental consciousness.No wonder I can't get in touch with him with my basic consciousness. I'm afraid the protagonist has completely become a puppet for the plot now.

It seems that I still guessed wrong. The author's setting for the protagonist is not something like "seeing a certain scene and being stimulated, immediately turning the villain friend into an enemy".It is very stockholm syndrome-like "being suppressed by luck to finish the plot forcibly, feeling that the story is actively resisting the virus-like villain beyond the story, but failed tragically. So he realized the truth of his character Truth, start fighting the villains."Presumably the false memory of the Donghuang Taiyi plot has also been explained?He would think that the story was using him to deceive me, just as the story directly controlled his actions.

It's troublesome to regard the author's pre-settings as the behavior of the story after it "becomes fine".Because the story and the protagonist are both created beings, it is inevitable that there will be a feeling of sympathy.Compassion is often the first step in attitude change.

So what can I do?

I want the protagonist to feel disgusted with this story. With disgust, he will naturally not sympathize, and his attitude will not change.

In fact, the story itself is disgusting. If I want the protagonist to dislike this story, I just need to highlight and magnify the retarded logic of the story, and destroy the core of the story.In other words, the same as I usually do - it's the only thing I can do.

What I'm really worried about is the protagonist, what if I ruin the story and he still turns on my antagonist?

Then there is really no way, if you want to escape the author's control, you will inevitably need to gamble in some places.If the protagonist has experienced such a highly toxic story, he still stands at the end of the maintenance story.I really have nothing to say to him.At that time, one side will maintain the story, and the other side will destroy the story, each according to its own ability.

Alas, I suddenly thought of Yuanshi Tianzun and Master Tongtian.

I sighed secretly, raised my head, and met the eyes of the protagonist, only to see a strange scene.

At the same time, a cause and effect came to mind.

Ah, it turned out that this person snatched away the Ningbi Cliff, the spiritual meridian cave in the west, and combined Ningbi Cliff with Huaguo Mountain, and also took away countless treasures of heaven and earth.

As soon as this author's supplementary setting appears, it smells like a crash.

The author was too lazy to name it, so he just copied Ning Biya from Shushan Swordsman.Then the protagonist moved Ningbiya to Huaguo Mountain. You are not a saint, you are the king of Monkey Mountain.

The protagonist feels that the West will be destroyed by Luo Hu and Hongjun anyway, so he simply wiped out all the spiritual veins, natural materials and earth treasures of the West in advance, boasting about "the sky is three feet high" and "a wild goose plucks its hair".Then, when it was my turn to come to the East to play the autumn wind, the protagonist jumped out to stop me, saying, "You should properly save your people in the West, and don't even want to touch my plants and trees in the East."

According to the causal cycle theory of the story of the wilderness, no matter what, your protagonist owes me a big karma in the West, right?If you don't try to make it up, don't talk about it, but bite back, it's like a pig and a dog.

"Junior brother, I never thought that this karma should be attributed to the saint. If you and I want to get it back, I'm afraid it will be extremely difficult." Jieying senior brother said helplessly to me.

get it back?If he didn't take the initiative to call the door, I would like to thank the author.Being able to become holy with Hongjun Taoist ancestor, how can you be regarded as the same generation?But the protagonist has always consciously positioned himself on the generation of us disciples, not only came to Zixiao Palace to listen to lectures, but also took it as a commonplace for the big to bully the small.

Having said that, the story has to be cracked.This cause and effect is more or less a bargaining chip, whether it is the way of heaven or the great way, karma is always the basic law to be followed, right?

I absentmindedly listened to the whole Hongjun's sermon, and watched the protagonist give Hongjun the same-generation fellowship ceremony instead of our disciple ceremony, and finally pretended to be coercive and left Zixiao Palace.

Alas, speaking of it, in Fengshen Yanyi, our two brothers and Hongjun are also equal in the same generation. They belong to Buddhism and Taoism, and do not belong to each other.How could such a good Western leader become a disciple of the Taoist ancestor in a daze?Afterwards, everyone accused us of being traitors by using the fact that I set up the Buddha Gate with my brother Jieying.

In some stories, the author finally remembered the title in Fengshenyanyi, and it was actually regarded as Taoist Hongjun's punishment for us to set up a new family.He said that Hongjun called us Taoist friends, which means that he can take action against us, and it is not considered bullying the small by the big.Oh my god, what about Hongjun who promised to fit the ruthless and lustless Dao of Heaven?He actually has personal likes and dislikes?The story just keeps getting worse.

On the way back to the west, I suddenly saw the sound of fighting coming from the lower realm.

An eight-headed giant snake was fighting with a black unicorn, and it obviously had the upper hand. While fighting back, it said: "Baga, you Chinese pig, die!"

I tried my best not to twitch my face, feeling like I was going to be poisoned to death by the poison contained in the story.

This plot... I remember that it was indeed used in many stories back then. After the protagonist heard this sentence, his national sentiment immediately exploded, killing Yamata no Orochi, and taking Mo Qilin as a mount.The author who originally created this plot is really the director of the anti-Japanese drama.The prehistoric anti-Japanese war is unprecedented, and the creativity is novel, just like a brain-dead.Don't know if he is from "Struggling Youth".

According to his way of thinking, I understand why the Western religion will always be the enemy, because it symbolizes the oppression and bullying of our Chinese children by the Western imperialist powers.

"Killing God Spear!" There was a sharp shout, and the murderous silver spear fell from the sky, stabbing Yamata no Orochi to death as I expected,

"I am Zhang Han, the sage of Hongmeng Tianzun of Huaguo Mountain. I wonder if you would like to be my mount?" The protagonist appeared in midair, retrieved the killing gun, and accepted the ink unicorn.