My system is not decent

Chen Wenzhe will act relatively calm when he encounters such a heavy vessel as the Xuande cloisonné enamel cloud and dragon pattern large lid jar, that is, Chen Wenzhe.

After all, he had seen too many treasures just now, so when he saw this heavy weapon, he could calm down and not act strangely.

After resolutely activating the Suihou Pearl, scenes and scenes appeared in Chen Wenzhe's mind.

The climax is always late, so he should have a good time first and see how this thing is made. If it is really like what he imagined, he will start his own inheritance and obtain a lot of master-level skills at one time.

Sure enough, this time he was not disappointed.

After reading the history of this artifact, Chen Wenzhe was left with amazement.

His identification technique can be mastered, because his identification is very correct.

Not to mention anything else, the blue on this thing was ground into powder with lapis lazuli, which was more expensive than gold at that time, and then mixed into the glaze to make this blue glaze.

His judgment just now was right, because he was the lapis lazuli used for judgment.

The other materials in this enamel are also not simple.

There are quite a few precious gems and semi-precious stones in it, such as agate and ruby, all of which are in it.

This kind of situation seems to be the most prevalent in the Song Dynasty. At that time, Ru Kiln in the Song Dynasty also produced a treasure burner.

It is because the glaze is mixed with various gem minerals that the glaze color on this large jar has not faded after five or six hundred years, and it can be said to be as bright and beautiful as ever.

"Treasure burning!" Chen Wenzhe felt a little emotional, what happened to him?How can you be so lucky?

Is it because he is selfless and helped the country find priceless treasures, but did not fill his own pockets, so God is compensating him?

Has his luck increased by ten at this time?

What is Bao Shao? "Baozuo Porcelain", also known as "Baozuo Porcelain", is porcelain made by adding precious materials such as jewelry and jade, through its special natural ingredients, so it is called "Baozuo Porcelain".

Ru Porcelain and Jun Porcelain belong to the category of precious ceramics that are glazed with treasures, but the specific formula of the ancients is no longer known.

These recipes are also one of the secret recipes hidden in ancient official kilns, which can be called a model of ancient Chinese porcelain making technology.

So, at this moment, Chen Wenzhe's mentality was a little out of balance. He casually wandered around the street stalls, just to see the excitement, and would he come across a big jar made with treasure burning technology?

This big lid jar, not to mention other things, just say that the height of more than 60 centimeters is heavy!

What's more, it's still copper-bodied cloisonné enamel, and the glaze also uses treasure firing technology. Is he lucky by the goddess of luck?

This kind of technology is not accessible to everyone. Even in ancient times, there were not many craftsmen who could burn treasures.

There is a long history of treasure making porcelain. In ancient my country, there was a saying that "there is no book, and there is no fixed rule. Hardware and eight stones can be mixed.".

Moreover, craftsmen in official kiln workshops discovered very early on that fine porcelain could be produced by mixing jade, pearl, and agate into the body and glaze.

In the history of ceramics, exquisite porcelain is mostly related to the incorporation of treasures into porcelain.

Among them, the "Chai Kiln", known as the crown of all kilns, was the first to use treasures to make porcelain. It was the kiln of Chai Shizong's reign during the Five Dynasties period.

The famous monograph on ceramics in the Qing Dynasty "Notes on Nanyao" contains: "Chai Kiln, Zhou Wude's treasure house, fire glass, agate, and all kinds of gold and stone were sintered in one place, and the glaze was made by order. The glaze color is as blue as the sky, as bright as a mirror, and as thin as a glass. Paper, sound like exhaustion."

Its high quality is no higher than that of ancient porcelain in the past dynasties.

As a result, later generations regarded its fragments as treasures, and regarded them as if they were arched.

In addition, Zhou Hui of the Southern Song Dynasty's "Qingbo Magazine" said: "It is forbidden to burn in the Ru kiln palace. There are agates in it as oil (glaze), and they are only allowed to be sold for the emperor's selection and retreat. It is especially rare."

The special luster of Ru porcelain comes from this.

Since the Ming and Qing Dynasties, the method of "treasure burning" has been handed down.

"Ming Xuande kiln made sacrificial red ware, red fish target, with Western ruby ​​as the powder and ground into glaze, the color is bright and precious."

Therefore, it is really possible to learn the technique of treasure firing, which involves imitation techniques of Chai Kiln, Ru Kiln, and various high-precision porcelains of Ming and Qing Dynasties.

Moreover, Baozuo porcelain is also a kiln transformation process, which involves the production of another top-level porcelain.

Kiln transformation has always been synonymous with rarity, so as long as it is porcelain with precious firing technology, it is very precious and rare!

Due to the use of expensive treasures as raw materials, the yield of the kiln transformation process is low, and the process is complicated, and it is a secret formula of ancient official kilns, so it is rare to see.

Every time such a fine product appears, it is the best in porcelain, and this kind of craftsmanship is also called the national porcelain craft.

After sorting out the information obtained, Chen Wenzhe was full of surprises.

Chen Wenzhe has seen too many surprises through the retrospection of this copper body cloisonné enamel cloud and dragon pattern large lid jar.

Going back to history is different from accepting inheritance. This ability is to see all the things that happened around this object through an object.

The inheritance is only for some skills, which is relatively one-sided.

Therefore, looking back at history, the information obtained is more comprehensive.

From the preparation of materials for this utensil to the successful firing.

After that, as long as it is where it is and what happens, it can be read by the Pearl of Suihou.

At this time, Chen Wenzhe also understood how the large amount of knowledge stored inside the Suihou Pearl came from.

It turns out that he can only accept one-sided inheritance, and it is not difficult for him to see all the experiences of many treasures.

But now that he has backtracking skills, he can see anything he wants.

For example, after Xuande, the development of cloisonné in the court.

Perhaps it is because this large covered jar has always been kept in the imperial prison, so what happened around it involved the manufacture of a large number of utensils.

The imperial supervisor was one of the official offices of the inner court in the Ming Dynasty, "in charge of making wooden utensils such as screens and beds used in the court, as well as play objects such as red sandalwood, ivory, ebony, and mother-of-pearl." It was not abolished until the Kangxi period of the Qing Dynasty.

The cloisonné used by the imperial court in the Ming Dynasty was also produced by the imperial supervisor, which gave Chen Wenzhe the opportunity to learn the skills of the imperial supervisor of the Ming Dynasty.

When the large-covered cans were in the imperial prison, cloisonne was the most produced among them. It was also through this retrospective that Chen Wenzhe obtained the complete production process of cloisonne.

There are many techniques and formulas included in this whole process.

The production technology of cloisonne in the Xuande period of the Ming Dynasty was fully mature. It has bright colors, rich patterns, neat filigree, fine polishing, and even solid gold plating.

Varieties include bottles, plates, bowls, stoves, round boxes, aromatherapy, etc.

Gold or copper is used as the carcass, and the colors are sky blue, sapphire blue, grass green, vegetable green, chicken blood, white, yellow and so on.

With blue as the main color, it is matched with red, white, green, yellow and other colors, forming a colorful artistic style.

Therefore, Chen Wenzhi learned too many things this time, such as the blending of various glaze colors, and just one cloisonné involves glaze formulas of more than a dozen glaze colors.

In addition to these, there is a surprise.