My system is not decent

Just by touching it like this, Chen Wenzhe has a bottom line.

As for whether to use Sui Hou's pearl to urge Jinguang gossip to see the history of this thing, Chen Wenzhe still needs to think carefully.

The lesson of sleeping for two nights and one day is still vivid in my mind.

In addition, it was almost thought to be two hundred and five, which was also related to his trance.

He doesn't want to use his ability at will now, at least he has to wait until he has rested before using it.

Of course, when it's time to use it, you still have to use it, but it depends on whether it's worth it.

"Brother also likes cloisonne?" Seeing Chen Wenzhe looking at the big lidded jar obsessively, a smile appeared on the stall owner's face.

"I like it, can you take a closer look? If there is no problem, I will take this thing."

Chen Wenzhe didn't look up, he was still looking at this thing.

Only when he got close did he realize that this big jar was really big, it was the biggest utensil he had ever seen and touched.

"It's definitely no problem. By the way, let's talk about it first. This thing will only sell for thirty-one thousand and two, and I won't let you let it go for a penny."

"Okay, let me take a look first."

Isn't the reason why it is so obvious because the price has already been set?

Looking at this cloisonné enamel jar with a cloud and dragon pattern made in the Xuande period of the Ming Dynasty, Chen Wenzhe was a little surprised.

This thing doesn't seem to be a modern handicraft. Look carefully, and then tap it a few times to find the copper tire inside. It doesn't seem to be simple.

At least this is the copper body used, and the carcass is thick, and the glaze is not simple, at least the gem light on it is not emitted by ordinary glaze.

Touching the glaze and looking at the copper body, Chen Wenzhe fell into deep thought. If this thing is up to date, it will definitely be a heavy weapon.

After thinking about it carefully, Chen Wenzhe's inheritance of bronze ware production started again.

Whether it is cloisonné or the previous cloisonné enamelware, he has learned it through inheritance, but it is only at the basic level.

The most famous cloisonne was probably in the Qing Dynasty, and it was fired again in the Qianlong period of the Qing Dynasty, and there were many varieties and good results.

At that time, although it could not be compared with the Jingtai and Chenghua periods, it was not inferior to the products produced after Hongzheng.

Although Kangyong utensils appear today, they are not different from Qianlong utensils after careful examination. In fact, they were made by Qianlong.

Generally speaking, the copper quality of the tires in the Ming Dynasty is better, most of them are red copper tires, and the body is slightly thick, so there are many antique shapes. The colored glazes mainly used to imitate bronze are all natural mineral materials, and the colors are deep and lifelike. Ruby red, green like turquoise.

The blue of this piece seems to be not sapphire blue, but lapis lazuli?

And the gold on it, it's gilded!

In fact, just as soon as he got started, Chen Wenzhe was roughly sure that this is a genuine product.

Why so sure?After all, Chen Wenzhe didn't resort to any means.

In fact, it is very simple, that is, the anticipation and gold plating on it, not to mention the gold plating, this thing is made of pure gold.

As for the glaze, it is because of the various colors on it, such as the ruby ​​red glaze, and the blue glaze like sea water, these are not simple.

He took a few steps back and looked at the big pot as a whole!

This jar with a dragon pattern lid is more than 60 centimeters high, and its belly diameter is about [-] to [-] centimeters. There are six characters and a line of narrow borders on the edge of the mouth.

Just now, Chen Wenzhe seemed to be still in his belly, and saw the words "Queen Supervisor".

This large lidded jar has a crystal-clear appearance and bright colors.

The shape is straight mouth, short neck, sloping shoulders, bulging belly, circle feet, and pearl button cover.

The whole body is decorated with cloud and dragon patterns, the dragon pattern is fierce, the five claws rotate like a windmill, the eyes are wide open, the mouth is open and the teeth are exposed, flying between the heaven and the earth, giving people the majestic momentum of being the only one in the world.

The color of the whole object is bright and eye-catching, the red color is thick and deep, and it is matched with a large area of ​​yellow color, so that the blue color is no longer obvious.

In addition, the extremely rare black color is used, which has a heavy feeling.

The inscription on the utensils shows that this pot was made in the Xuande period and was used by the court of the Ming Dynasty.

Xuande was earlier than Cloisonne, so naturally it cannot be said that this is Cloisonne.

This craft was introduced into my country from the Arab region of the Middle East in the late Southern Song Dynasty, and was called "big food kiln ware" in the Song Dynasty.

In 1352 AD, Hulagu, the grandson of Genghis Khan, led the Mongolian army on an expedition to the Arab Empire, and captured a large number of skilled craftsmen from the Arab Empire.

These craftsmen were brought back to the Mongolian grasslands to produce daily utensils for the Mongolian nobles. As a result, the copper-bodied filigree enamelware that was once popular in the Arab Empire was also produced on a large scale and became popular among the Mongolian nobles.

"Stones from other mountains can be used to attack jade." The imported products such as copper-bodied cloisonné enamelware were quickly integrated into the extensive and profound traditional culture of the Chinese nation, and developed into a bright artistic pearl with a distinctive character. National characteristics and profound cultural connotations.

It integrates painting, craftsmanship, carving, inlaying, smelting, metallurgy, gilding and other techniques, and is famous for its elegant shape, complicated decoration and beautiful colors.

Therefore, Chen Wenzhe is likely to learn a lot of skills as long as he uses his hands, not to mention the cloisonné enamel technique, he can also learn painting and sculpture in depth by the way.

Painting will definitely learn the cloud dragon pattern, and the painting technique of the cloud dragon pattern, he is a master.

Smelting and metallurgy, when he acquired the technology of making copperware, he also received inheritance, and this time he can also deepen it by the way.

The newly learned technology seems to be only inlay and gold plating.

However, this large-covered jar also involves the preparation of glazes in Baoyao technology.

The four-color glaze formulas of gold glaze, blue glaze, black glaze, and red glaze will definitely be learned by him.

And after learning so many glaze recipes from the Ming Dynasty, can he also make Chenghua Doucai in the future?

The more things you learn, the more you can comprehend by analogy, and even master it.

At this time, Chen Wenzhe was engaged in an ideological struggle. Should he directly initiate the independent inheritance?Or should I use the backtracking skill first?

Go back a bit and check out the history of this thing, especially the whole process of making it.

It's like watching a tutorial and telling a story. This feeling is really great.

What kind of comfort is it to see secrets that no one else can see?

Now looking at this copper cloisonné enamel jar with cloud and dragon pattern, Chen Wenzhe is more and more satisfied.

If this thing is real, I am afraid that even if it is sent to the Palace Museum, it can be treated as a treasure of the town hall.

As old as new, it must be a treasure!

This means that if an old thing looks new, it must be a treasure.

This thing looks very new, and even gives people a dazzling feeling.

Such a dazzling thing, if it is said to be an old object with a history of 600 years, I am afraid that few people will believe it.

However, for a knowledgeable person, seeing this kind of thing must be ecstatic.