My system is not decent

,!

Although the ancients of our country created the method of knocking wooden wedges to get stones.

But there is no reason to believe that this method traveled to Africa and Europe "thousands of years ago".

In order to forcibly explain (Bronze Age) ancient Egyptians how to cut stone, Westerners put this Chinese method into their brains.

This is very funny, a civilization that plays with stones, how do you play with stones yourself?

You can't even explain it yourself, and you still need a real civilization that will be impossible to reach after thousands of years, and use his original invention to explain it?

What do you call archaeology?Still writing a script?

Why can't the buildings of these ancient civilizations be explained?To put it bluntly, someone used modern technology to create a relic of ancient civilization for his poor and white ancestors.

However, there was no such technology in ancient times. How do you explain it?

Ancient Egypt was in the Bronze Age, and Ancient Greece and Rome were in the Wrought Iron Age. They just played with marble and granite that were only suitable for pig iron and steel age?

They cannot explain this paradox in any way.

You must know that it is still an imitation product. If it is the real product, wouldn't it be less shocking?

The real thing is hidden in the Vatican Museum in Rome. It is a strangely shaped and exquisitely carved stone carving.

It was not recorded in the famous science and technology book "Natural History" of Rome in the 1st century AD: that work was hidden outside the palace of Titus, and it was the most mediocre of all paintings and carvings.

But ancient texts often refer to skin color as well, and artists try to convey the color of flesh.

"Is that the group of Laocoons?" Finally, Chen Wenzhe saw an even more strange Western stone.

That kind of thing is exactly the same as a textbook.

The treasure of that withered statue should be hidden in the Metropolitan Museum of Art.

Indeed, seeing those statues, Chen Wenzhe was still shocked by the color of the statue behind his eyes.

It can be found in shades ranging from olive green to dark brown, evidence of a low-mix population of Greeks, Romans and native Egyptians.

Among the near-life-size ancient Roman portraits unearthed in the Fayum region of Egypt, there are many skin tones.

Having said that, the plates of these textbooks were not originally printed for nothing.

The tendency to equate white with beauty, taste, and classical ideas, and to regard color as alien, mundane, and exaggerated.

For example, the upper body statue of the naked woman behind the eyes, such stone works are definitely seen in China!

Of course, in the impression of modern people, when they think of ancient Greek and Roman statues, do they think of pure white marble?

For classical scholars, it is an established fact that ancient Rome, which stretched from North Africa to Scotland, was ethnically diverse.

Businkman soon discovered that ordinary lights were used to find the evidence.

For example, there are not many excellent works of statues in ancient Greece and Rome.

Modern man fakes, if he can't make a lie, he will plant it to aliens, but can you explain some logic?

In another article, you point out that although the ancient Romans were small, the population was differentiated by culture and race but not by skin color.

In the 18th century, the art historian Winkleman took it as a model of classical art ideals to illustrate his theory of "noble simplicity and quiet insignificance".

Certainly he had looked at Greek or Roman statues at close quarters, and some colors were difficult to see even with the naked eye.

But now, there are many people who find that the withered statue has no color.

I could see traces of red pigment under my eyes, lips and headband.

For example, in the early 20s, Finzenz Businkmann, who was studying for a master's degree in classics and archaeology at Munich Primary School, did not have a similar enlightening experience.

If you can't explain it, just talk about aliens. Modern people don't bother to play with stones, because wooden buildings are comfortable, and modern building materials are stronger and more durable.

Have I ever seen a treasure of that kind of work? I think it is possible to copy it to the present level?

You point out that two accurate ideas reinforce each other.

It is determined that its specific production date is around 20 AD, and it belongs to the category of Roman art.The esthetician Laishin also wrote the book "Laocoon", comparing it to a model of aesthetic research.

These are eight women, one old and seven older, who are being bitten and entwined by two giant snakes.

Of course, those are completely meaningful to you Chinese people, because from ancient times to the present, whether you are stone withering or wood withering, they are colorless, and I call them Buddha statues.

Of course, these are not absolute, because it is impossible for Chen Wenzhe to simply go over and have a look at the history of these tall buildings.

However, if he has a chance in the future, he must go and have a look.

You told the aliens not to play with nanotechnology, but to play with stones?

At that time, it will be clear at a glance that it is true.

Even in ancient times, Western civilization had its merits, or we can say that there are not many stone carving works of art in the West.

The group of Laocoon was created in the era of Tiberius in the early days of the Roman Empire.

Depictions of dark skin can be seen under ancient vases as terracotta-colored human figures.

What you see is very subjective, and the eyes need to be transformed into objective tools to overcome weak impressions.

Strangely, none of those withered statues were colored, and later Western artists collectively believed that ancient stone withered stones had no color.

Westerners have been collectively blinded by that incident.

Chen Wenzhe took a casual look after getting off, and then realized that the thing was covered with some gold leaves.

I was studying which implements, and when I left marks under the Greek statuettes, I lit an oblique light with an ordinary lamp.

The stone withered behind the eyes should come from the ancient Greek ruins in Tuguo.

Now, the academic circle generally regards it as a representative work of Hellenistic carving.

The result is that, while the notches are apparent from the surface, the evidence of less-colored decoration is evident - undercolored all over.

It's just that, very slowly, no professor published two articles.

That was not the thought of some stone artists in the West for a long time.

Passing by the relatively open female statue, Chen Wenzhe looked at the other statue with an obvious western style.

For example, the statue of "Armored Body" in the 5th century AD has not yet been restored.

Of course, Duan Chengyuan is Western Bai, and I see the advantages of Western civilization in my eyes.

But now I think so, because I see the same.

For example, a small marble statue in the 1st century AD should be "a god wearing a Dionysian headband".

It touches the famous treasures of ancient Roman art: the group of Laocoon.

What skin color were people in the classical period?Those bad images are not important.

From Michelangelo to Baroque teacher Bebeni, there are countless artists who observed and learned to imitate it in the past 200 years.

Since the 19th century, the less people knew about Greece and Rome, the more deeply the historical significance of the Laocoon Group became popular.

Like the few people, Chen Wenzhe also thought so afterwards.

You argue that it is time to embrace the notion that these ancient people were pure white—and that these ancient people were all white, too.