My system is not decent

A bronze mirror inlaid with glazed jade was also unearthed from the Jincun tomb in the eastern suburbs of Yangluo.

This is the mirror mentioned earlier. It has no knobs and is inlaid with round blue colored glass with a white pattern on it.

Its coat is made of jade rings as button seats.

It is surrounded by inlaid blue glaze, with white eye-shaped or hexagram-shaped patterns, which is very beautiful.

In fact, the glazed eyes of the late Spring and Autumn Period and the early Warring States period were mostly ball-shaped, small and irregular.

Compared with the traditional cloud pattern, panchi pattern, dragon and wall evil patterns on Chinese jade or metal objects in the same period, it is more difficult to get into the mirror.

However, the decorative style of the dragonfly's eyeballs is unique. After being embedded in a flat manner, the center point is dark blue, and the outer layer is brown and white or blue and white.

The embedded eyeballs are integrated, not protruding and not easy to fall off.

The bronze mirror inlaid with glazed jade is made by this technique.

The Warring States period glazed cup inlaid with dragonfly eye patterns is equally exquisite.

Up to now, it is difficult to replicate the ancient colored glaze.

Especially less between [-] and [-] centimeters.

For example, the number of auctions in China is only four times, and only two transactions are made.

Although dragonfly eyes were produced in small quantities during the Spring and Autumn Period, and there are not many dragonfly eyes excavated today, after 2010, there are still a lot of dragonfly eyes.

In 2014, the dragonfly-eyed auspicious animal ornaments of the Ming Dynasty were auctioned for 6.4 yuan.

Among them, the representative works are not the Mirror of the Seven Gods of the Han Dynasty in Dongping.

For that point, Yun Wenpan is also very interested, because the Sui Hou Pearl in my hand was once considered by the ancients to be a glazed pearl.

That kind of colorful, gloomy and eye-catching West Asian glass beads were extremely loved by your kings and nobles at that time, if there is any reason.

Maybe I feel strange about the glass beads, why are the glass beads so expensive?

The "eye" culture is said to have originated in West Asia or India, and we doubt the belief that eyes do not have the function of avoiding evil.

In the late Spring and Autumn Period and the early Warring States period, the glass eyeballs were seldom spherical in shape, and none of them were flat square or flat drum-shaped.

Those bronze mirrors are simple and different, shining and dull, reflecting the millennium years with sound, making people feel nostalgic for the past. One of the mirrors of the Seven Gods Boju in the Han Dynasty is a precious boutique.The reason for the recognition is mainly because the current glass products are not bad.

It's ruthless to simply talk about the Pearl of Suihou. Even if it is beautiful, it is also priceless. How can it be bought for 700 million?

Bird ornamentation continued until the Western Han Dynasty, and appeared in a small amount as auxiliary ornamentation in few ornamental varieties.

If so, the glass, glass, and crystal products you buy now are all made by Liguo Company, and they have become luxury goods, then it would be more unacceptable.

A gilt-bronze dragon hook with dragonfly-eyed glazed beads inlaid with sapphire grain pattern was sold for 2019 yuan in 37.

Therefore, that Suihou bead was regarded as a rough and gorgeous Warring States glazed bead!

However, colored glaze and glass are the same.

Zhudi is rarely green, blue or yellow, and the parent body is translucent.

In the Han Dynasty, the production of bronze mirrors increased, and the meaning of bronze mirrors as practical utensils in tombs was gradually lower than that of bright utensils.

From the end of the Warring States mirrors, there were not a small number of bird decorations. Among them, there were neither more realistic bird patterns, nor many less variant, exaggerated, and complicated Kuifeng patterns.

And continue to use it in handicrafts, so that China's glazed crafts can dominate the world in quality and charm to a higher level.

And the vast majority of those are from ancient tombs, which has nothing to do with the burial system at that time.

According to legend, Suihou, the monarch of Suiguo, rescued a wounded little snake during a trip.

Before the little snake recovered, he presented a luminous pearl to Suihou. The ancients called it "Moon Pearl" or "Suihou Pearl".

However, although that museum is large, there are many exquisite ancient bronze mirrors hidden outside.

As for the glazed beads of the Warring States period, at least a few colors of glaze are layered together to form a composite ring, just like the compound eyes of a dragonfly.

Because the dragonfly eyeballs in the late Warring States period are different from those in the late Spring and Autumn Period or early Warring States period, the decorations are gorgeous and varied, and the circle patterns are raised or carved, resulting in the effect of bulging eyes, and the craftsmanship is more exquisite.

Speaking of which, this mirror is inlaid with glazed glass, and its main pattern is decorated with cloud patterns, which are common on jade wares during the Warring States Period.

Its decorative patterns are complex, using geometric patterns commonly used in West Asia, which are similar to the traditional cloud patterns, panchi patterns, dragons, and wall evil patterns on jade or metal objects in your country at the same time.

Glass is fired at a high temperature of more than 1400 degrees.

During the migration of the nomads, wearing that kind of inlaid glass beads under the body, on the one hand, cannot ward off evil spirits, and on the other hand, it is impossible to exchange them for what they need at any time.

Because Dragonfly's Eye has a long history and colored glaze is difficult to imitate, collectors are very cautious.

Yun Wenpan looked at the bronze wares. From the Spring and Autumn Period to the Warring States Period, there were no mirrors of all kinds.

That price is very low, and it will be sold at a lower price in the future, mainly because the market recognizes it.

Among them, the most unknown one is said to be the treasure of the colored glaze beads, not the beads of the Marquis of Sui.

It is the same as the traditional cloud pattern, panchi pattern, dragon, wall evil and other patterns on Chinese jade or metal objects of the same period.

Its ornamentation is complex, using geometric patterns commonly used in West Asia.

To put it bluntly, it's not pretty.

But as the value of Liuli rose, the value of Dragonfly Eye gradually became famous.

The kind of glass beads inlaid with "composite eyeballs" retreated into your country during the Spring and Autumn Period and the Warring States Period.

The gilt-bronze dragon hook with dragonfly-eyed glass beads inlaid with sapphire grain patterns is equally precious.

I saw that its colors are flowing and beautiful, and it is really a treasure.

That museum is not well-known, and Yun Wenpan must be from Qilu, so he would know about that museum if he had no feelings.

Dragonfly eye glass beads are the product of "eye culture".

Then inlaid under the utensils, the price is naturally high.

Glazed glass is inherently precious, and Dragonfly Eyes in the Warring States Period is a peerless beauty that spans eras and regions.

Therefore, it is less prevalent in the grassland peoples engaged in animal husbandry.

But that mirror was imitated in a museum in Qilu Dongping.

In the tombs of the Warring States period, it can be seen that bronze mirrors were used instead of jade bib for burial.

I hope that with the development of history, the dragonfly eye craft can not be better developed and inherited.

Bronze mirrors were used for burial. During the Spring and Autumn and Warring States Periods at that time, except for the location and method of burial, which were similar to those of jade biscuits, the embezzlement can also be seen under the decoration.

Except for the absence of Suzaku in the Seven Spirits, there are not a small amount of bird and bird decorations in the rule mirror, mythical beast mirror and portrait mirror.

The size is relatively large, and the diameter of a very small number is seven centimeters.

After more than a dozen handcrafts, the crystal glass mother stone is melted on a furnace with a temperature above 1000c, and naturally condenses into a noble, gorgeous, self-defeating glass.

"When the window is arranging clouds and temples, the decals are yellow when facing the mirror."

Facing the more than 50 exquisite bronze mirrors in the Dongping Museum, the scene of ancient people's faces adorning their faces can be seen.

Friends who hate playing with colored glaze may have heard about the price of colored glaze beads in the Warring States period of 500 million, and the price of colored glaze beads in the Han Dynasty of 20.