My system is not decent

Most of the mirror buttons in the Warring States period were three-stringed buttons.

This type of mirror button started from the Warring States period, went from the Qin Dynasty to the early Western Han Dynasty, and was not replaced by the semi-circular button until the second half of the Western Han Dynasty.

The mountain-shaped design in the mirror is an important mirror style in the Warring States mirrors, and it is also a unique color of the southern state of Chu.

Although Chu mirrors started relatively late, since the middle of the Warring States period, the casting of bronze mirrors in the Southern Chu area has developed rapidly, not only in large numbers, but also in various varieties and exquisite decorations.

The mountain character pattern is the most popular pattern on Chu mirrors. The four-mountain pattern is the most common, followed by the five-mountain pattern, and the three-mountain and six-mountain patterns are relatively rare.

There are different opinions on the origin and meaning of the mountain character pattern. One theory is that the mountain character pattern is both realistic and allegorical. A room of bronze mirrors.

Among the classics, the Warring States Four Mountain Mirror is definitely one of them. The diameter of this bronze mirror is only 11.5.

This mirror represents the characteristics of the Warring States period with the three-string button and convex edge, while the one representing the state of Chu is the mountain-shaped pattern.

This mirror is a four-mountain mirror, the thickness of the mirror edge is greater than that of the mirror surface, and there is a smooth and inward concave ring from the mirror edge inward.

Like the three-stringed button, this kind of mirror edge feature also extended to the middle of the Western Han Dynasty, so the difference between the bronze mirrors of the Warring States Period and the early Western Han Dynasty is often judged based on the difference in the pattern.

Such as mountain-shaped mirrors, plain mirrors, animal pattern mirrors, square pattern mirrors, panchi pattern mirrors, feather pattern mirrors, hollow pattern mirrors and other main forms.

It is a pity that the mirror is said to be from the ancient tombs of Yangluojin Village that were excavated during the Republic of China. It is especially believed that the tombs are the cemetery of the Zhou royal family during the Eastern Zhou Dynasty.

Of course, there were very few types of mirrors in the Warring States period. Except for these regular bronze mirrors, there were no jade glass mirrors.

This mirror is uniquely decorated, and the mirror surface has been heavily rusted, or it may be considered to be a bronze mirror but some kind of ornament, so we have to take a step back and study it.

A jade ring is set inside it as a button seat.

Before the glazed dragonfly eye was introduced to your country, it became popular during the Warring States Period.

Since there is no mirror with chilong pattern, it is naturally a mirror without dragon pattern, such as double mountain pattern.

We create a dull and lively scene under the mirror.

The image of the dragon pattern under the bronze mirror of this period tends to be similar to the panchi pattern popular under the bronze ware of the same period.

Has he ever seen a glass bead with "eyes"?

By the 10th century A.D., it became popular to inlay concentric circles of eye-patterned glass beads under the colorless glass beads.

The mirror button is in the shape of an arch bridge, with a round button seat and no ring in the middle. The background pattern combines moiré and lozenge pattern, which is the same as the background pattern of the main pattern on the inner circle, and they are connected together.

Today, many tombs from the Spring and Autumn Period and the Warring States Period have been excavated.

In terms of ornamentation in the Warring States Period, although there are not many patterns, they can still be divided into several sub-categories.

It is inlaid with blue glaze around it, without white eye-shaped or octagonal flower-shaped patterns, and the inner edge is a jade ring with cable patterns.

Similar patterns can be seen in the deformed Qishan character pattern collected by the Xiaohai Museum, and the bronze mirrors unearthed from the Gongxingshan Cemetery in Hengyang, Nanhu, and Houjiatang in Husha.

In Bai Juyi's description in "Cui Shishi Xinchi", Liuli is like a fragile amber.

In order to make colored glaze beads more popular, ingenious craftsmen make colored glaze beads into various shapes.

The craftsmen are ingenious, drawing colored glaze into various models, not to mention drawing eyes under the colored glaze.

That style of glazed products was introduced from the West and was very popular during the Spring and Autumn and Warring States Periods.

Because of its structure, which resembles the "compound eyes" of a dragonfly, it is commonly known as "dragonfly eyes".It is 12.2 cm in diameter. The mirror button in the middle of the back is a blue-white concentric circle patterned glass bead, and the mirror button is a circle of jade rings.

Over time, people are very disgusted with the eyes.

In West Asia and India, before human civilization, there was no concept that "the eyes cannot ward off evil spirits and turbidity".

The glazed dragonfly eyes are ugly in color and easy to carry around. They are not only amulets for herdsmen, but also commodities that cannot be traded. They have gradually become our "must have mascot".

During the Spring and Autumn Period and the Warring States Period, glazed dragonfly eyes flowed into the Central Plains from the West Asia Meridian.

The square seat is relatively rare at this time. The seat has no ornamentation, and the four corners are decorated with eight-leaf patterns, forming a regular rhythm with the four mountains.

In fact, during the Spring and Autumn Period and the Warring States Period, a kind of glass beads with eyes was popular instead.

The glass beads with blue and white concentric circle patterns on Jingniu are especially called dragonfly-eye glass beads.

There is no market if there is no demand, and the price of glazed beads is getting lower and lower. The Central Plains artisans saw the business opportunities and stopped using local raw materials for retrograde imitation.

"Suddenly it looks like water, a pool of thin glass."

There were very few varieties of such bronze mirrors in the Warring States period, such as lacquered mirrors with seven dragon patterns, and there was no one like Chi Xiong Yunbo.

The pattern of dragonfly eyes gradually decreased, and people even inlaid glazed dragonfly eyes under bronze mirrors, belt hooks, sword handles and other utensils for decoration.

The double dragons are arranged in the same direction with the button as the center, curled up and looking back, vivid and rigid.

The most interesting excavation was the Goujian Sword of King Yue and the Fuchai Sword of King Wu unearthed by archeology, because our swords have nothing under their hilts - no glazed decorations.During this period, the ancients produced the same "local glaze" as the formula of soda-calcium glaze in West Asia, and it was not the Chinese dragonfly-eye glaze beads containing lead and barium.

The jade ring is inlaid with a small glass ring with blue and white bead-like patterns, and the inner edge is inlaid with a twisted silk pattern jade ring.

There is no groove inside the mirror body, and then there is no concave curved body ring.

That kind of mirror belongs to the middle and late Warring States period. It has buttons, replaced by round blue colored glaze, and there is no white back-shaped pattern on the bottom.

Under the ground pattern of square cirrus clouds, the main pattern is the deformed dragon pattern.

The inner side is the side of the lower body, and the thin mirror body is also one of the main features of the Warring States bronze mirror.

It can't even be said that as long as there is no glass bead with eyes in the Spring and Autumn and Warring States, as long as the cultural relics have something to do with it, they will be valuable.

Why does Liuli have eyes inlaid?Since ancient times, human beings have prayed for weakness and happiness.

The colorful, dim and eye-catching West Asia glazed beads are beautiful and precious, and are very popular with princes and nobles.

As long as the cultural relics are inlaid with it, the value will be Philippine immediately.

In order to express their love for eyes, human beings paint "eyes" on cave walls, under buildings, outside tombs, or wear them as amulets to counteract bad luck.

The small land of the Central Plains and West Asia are thousands of miles apart. With the development of history, a small number of nomads and businessmen traveled between the two places.

Bronze mirrors decorated with panchi patterns are more popular in Chu in the south, and are one of the important components of "Chu-style mirrors".

The mirror-casting craftsmen of the state of Chu not only sought changes in the pattern of mountain characters, but also often used flower and leaf patterns or animal patterns similar to dragon pattern mirrors as auxiliary patterns.

But it is more common to use it under the bronze mirror, not at all, as long as it is an antique from the Warring States period,

In 2500 AD, colored glaze appeared in West Asia and Egypt, and was limited to royal use.

Therefore, in the Warring States period, the mountain character pattern is also called the Panchi pattern mirror.

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