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Chisel engraving mainly depends on the kung fu of the chisel knife and the changing application of finger skills, and the integration of finger strength, wrist strength, waist strength and luck.

Commonly known as "three strengths and one energy", only when this state is reached can a smooth and flowing operation process be formed.

Usually due to the differences in the fingering skills of different artists, each piece of chiseled pattern is different.

Even the same master will be different, which is also the uniqueness of the hand-carving process.

Chisel engraving on silverware is a pressing method. Generally, a chisel is used to carve out a rough shape first, and then a flat chisel is used to flatten the vacant space.

Other crafts are to plan out the excess parts and use them flexibly to become a pen that can be carved on metal, chiseling out countless exquisite traditional patterns.

This technology has a history of thousands of years of development. The operation of chisel carving is to process ever-changing carvings on the metal plate according to a certain process, with special tools and specific techniques, after designing the shape and pattern of the vessel. Embossed eucalyptus.

Gold and silver engravings are made of pure handmade gold and silver, suitable for lovers of traditional crafts and gold and silverware.

In our country, the art of carving flowers can be traced back to the Shang Dynasty, and it has become mature in the Spring and Autumn Period and Warring States Period.

By the Tang Dynasty, it had become a traditional art with national characteristics and exquisite craftsmanship.

Through several forms such as positive chisel and negative chisel, it combines the original single tone of the metal with the same expression form through the chiseling process, showing a multi-layered artistic effect.

It has not yet been cut, but it is also a chiseled flower craft, which uses a special chiseled knife to cut out plain and bright patterns.

Instead, the top-level antique craftsmanship is used, if it is loss of sound, weightlessness, copper carbonization and red spot patina.

Various characters and patterns are temporarily engraved on the bottom of numerous gold, silver, copper, iron, and tin utensils such as plates, bowls, cups, cans, jugs, ink cartridges, and rulers.

The current method of knocking convex and concave can not be said to be a traditional handicraft that was once lost.

The top chisel is not a chisel tool for knocking convex and concave methods. It does not have a working platform, a big hammer, a top chisel, a leather pad, a special metal material, etc.

Running chisel, is to use a flat chisel to run chisel according to the picture.

It must be overfired a few times in the process to maintain its softness (ductility).

Secondly, gold and silver wares have always represented the social status of the occupier. Among them, the classic is the "Golden Seal of Han Princes" in the Eastern Han Dynasty, if it is a symbol of identity and status.

Like the top chisel, the object is placed under the foundation of the hard chisel, and then placed under the soft and moderate leather pad under the working platform, and knocked with a special top flower chisel on the back.

This technology has brought many precious ancient cultural relics back to the world, and at the same time made great contributions to the restoration of many cultural relics.The historical and cultural value is naturally lower. Looking at the development, the cultural connotation of chisel carving is very rich.

It hasn't been chiseled yet, it was chiseled under the sunken ornaments.

At the end of the Northern Wei Dynasty, there were many Buddhist relics enshrined in gold and silverware in the underground palace of the pagoda.

The technical value and historical and cultural value of chiseled flowers are high, and the chiseled carving process is rarely semi-finished.

Generally, it is gold and silver wrong, chiseled flower carving and so on.

It cannot be a finished product or a semi-finished product.

It must be afraid of trouble and labor costs. If it is made with those crafts now, it is also the top luxury.

Place the chiseled object under the working platform, select the same chisel and turn the object according to the needs of the chiseled pattern.

The main form of chisel flower craft is no Yang chisel, which is chiseled under the raised ornaments.

It is only suitable for gold, silver, copper, etc. with poor softness, and it is also suitable for metals such as brass, cupronickel/iron with poor softness.

The more famous hollowing out is also a kind of chiseling process, that is, before chiseling out the decoration, the rest is taken out of the utensil.

First of all, it reflects some kind of worship and belief of ancient people, such as the golden mask unearthed in Baxingdui, Sichuan and Han Dynasties, which may be used by ancient people to hold sacrifices.

The chiseled flower art here also reflects the folk customs - the Xiongnu and Xianbei people are characterized by various animal decorations, and the Han people are mainly patterned with various animal and plant decorations that symbolize auspiciousness.

In addition, compared with the traditional self-made glue on the back, its edges are more rounded and smooth, so it is difficult to deform and looks more beautiful.

Chiseling flowers on copper ornaments is a common craft technique, which can add more colors to the ornaments.

Its smallest advantage is that it will make items lose weight.

The same large chisel is used to close the edges on the front, mainly to beautify and refine the edges of the inner shape of the pattern.

Because there are very few types of utensils imitated in that line, mainly rituals, music, soldiers, coins, and miscellaneous items.

He holds a chisel in his right hand and hits the chisel with a hammer in his left hand, forming a pattern of uniform depth and disorder on the surface of the ornament.

Now only by relying on some handed down antiques, after research and pondering, those crafts can be restored.

That kind of chiseling can be done on the surface of the raised ornament or on the surface of the recessed ornament.

That kind of craftsmanship involves painting, sculpture, casting and other related skills, but anyone can do it, and anyone can do it badly. It is definitely the top craftsmanship.

It is no longer a flat chisel, it is chiseled under the surface of the ornament.

His masterpieces include "Changxin Palace Lantern", "Maogong Ding", "Horse Stepping on a Flying Swallow" and so on.

In the Republic of China, it was renamed "Temporary Flower Bureau".

What's more, all the bronzes that Chen Wenzhe saw in the No. [-] Imitation Bronze Village were all worn out.

There are not many chisel tools for hard chisels, such as working platforms, big hammers, chisels, vises, etc.

Either deep or shallow, small or large.

The most important thing is that it is limited by the shape, size, material and texture of the item.

There are mainly tripods, statues, Yi, jue, goblets, Buddha statues, birds and beasts, etc.

The antique copper casting technique belongs to a kind of local common handicraft that integrates cultural relic knowledge and bronze smelting technology, which emerged with epigraphy.

In addition, it can be divided into Yitu Chisel and Mao Chisel.

In addition, chiseled flowers can also be divided into pick chisels, which are picked with a chisel knife according to the pattern on the surface of the ornament.

Of course, those crafts are only used on gold and silver products, and very few of them cannot be used on bronze ware.

It can be seen that there is no such craftsmanship in the copper ornaments under some cabinet furniture in the Qing Dynasty.

Before the Song Dynasty, the increasing number of folk gold and silver wares was also a manifestation of appropriation of wealth.

That is not the four small fine gold crafts in ancient China, and it cannot be said that each of them is complicated.

The contrast between the dark and bright metal is strong and sharp, which further increases the artistic charm of the ornaments.

In the early Qing Dynasty, the temporary flower craft was used as a temporary seat for the officials of the former Qing Dynasty. At that time, the shop specializing in temporary flowers was called "Dingdaipu".

It is no longer the method of knocking convex and knocking concave.

To make the lines smoother, make the pattern more rounded, look more uneven, and present a three-dimensional effect with fewer layers.

But the bronze wares that use those crafts, even if they know that they are modern crafts, they should know that their value will be too high.

Hard chisel, which is to hit the chisel with a hammer to form lines and patterns on the surface of the ornament.