It is more troublesome to realize the process of gold and silver wrong, but it must be very easy to use now.

After all, if counterfeit things require too much labor, the cost will increase sharply. This is definitely a gain and a loss.

However, it doesn't mean that these crafts are useless, for example, they are used in antiques.

Looking at a bronze horse head in front of him, Chen Wenzhe sighed very much. This thing should be one of the few national treasures scattered abroad.

And there are many things like this in foreign countries. It can be said that as long as the utensils are made of gold and silver, they are generally lost from China.

The gold and silver interlaced bronzes scattered in major museums around the world are both fascinating and heartbreaking.

Because of the gold and silver process, it is a unique skill in ancient Chinese bronze decoration.

"Cuo" is connected with "cuo", which refers to processing. It is one of the eight major metalworking crafts in ancient my country.

It is an ancient top craftsmanship that has amazed the world.

It is the glory that has not diminished for thousands of years.

There are not many fine gold and silver products like that, such as gold and silver rhino hooks, from the Warring States Period to the Han Dynasty.

In 471 A.D., the eight families of Han, Zhao, and Wei eliminated their own forces and divided up the state of Jin, which is known in history as "the eight families divide Jin".

According to textual research, the production of gold and silver staggered pieces began in the middle of the Spring and Autumn Period of your country, and became popular in the middle and late Warring States and Western Han Dynasties.

Such a beautiful artifact is priceless, so it naturally became the target of the weak and plundered from the late Qing Dynasty to the Ming Dynasty.The art of interlacing gold and silver was first seen in the bronze wares of the Shang and Zhou Dynasties. It was mainly used in the decorative patterns under various bronze utensils, chariot and horse utensils, weapons and other practical utensils.

It is one of the typical representative works of gold, silver and bronze wares in the Warring States Period. It can only be said to be lucky to be able to stay in China.

Gold and silver interlacing technology is one of the metal fine workmanship decoration techniques of the Han nationality in ancient my country. It first appeared in the bronze wares of the Shang and Zhou dynasties, and flourished in the middle and late Spring and Autumn Period.

Grilled over a smoky charcoal fire to evaporate the mercury, the gold eucalyptus patterns are fixed on the surface of the bronze.

The first is the mosaic method. The gold and silver mosaic method is also called "gold decoration method".

The eighth step is inlaying, and the seventh step is misgrinding.

The first step is to manufacture "gold amalgam".

Among them, the unearthed utensils are less crafted and exquisite.

Its production is divided into seven steps. The first step is to make a pre-cut groove for the mother model, so that gold and silver can be embedded in the groove before the vessel is cast.

The bronze shaft in the shape of a gold and silver horse head was unearthed from the tomb of an aristocrat of the Wei State in the middle of the Warring States period, and it is the lowest-sized tomb of the Wei State known to the present.

Wei's territory was in the southwestern part of Xishan Province and Du'an in the northern part of Nanhe Province, and moved forward to Xiaoliang.

It is the product of the development of ancient Chinese science and technology to a certain stage. Its exquisite craftsmanship is amazing.

The Han Dynasty was the most popular era of gold and silver interlacing crafts in my country. What do people say in this period?

In ancient times in your country, there are no seven main methods of making gold and silver patterns and eucalyptus decorations under bronze wares.

That kind of craftsmanship is the product of the development of ancient science and technology in your country to a certain stage. It is derived from the inspiration of painting, with bronze as the basic background and gold and silver body instead of painting materials, so as to achieve "painting" under the bronze utensils. Gorgeous graphic effect.

Again, there is no painting method, and the painting method is also called "gilt", which is the main decorative method of gold and silver in the Han Dynasty.

When ancient craftsmen cast bronze wares, when making models, they would also chisel and carve bad grooves on the surface of the utensils. They also reserved bad bumps and flat pits on the bottom of the grooves, which would be extremely harmful to the metal. the adhesion;

Lacquer gold was used to paint various intricate and simple patterns on the underside of the bronze, or painted in the pre-cast grooves.

After the gold wire or gold sheet is inlaid, the surface of the copper ware is not flat. It must be ground with a wrong (house) stone to make the gold wire or gold sheet and the surface of the copper ware naturally smooth and seamless.

There is only one explanation for the word "wrong" in this book: "wrong, Jin Tu also, from the sound of Jin Xi".

For fine decoration, patterns need to be drawn with ink on the surface of the utensil, and then shallow grooves are chiseled according to the patterns, which was called engraving or "gold engraving" in ancient times.

In 403 A.D., Wei was conferred the title of "Princes" by King Weilie of Zhou, and became a weak country in the Central Plains during the Warring States Period.

The bronze shaft is in the shape of a horse's head, with round eyes and erect ears.

Xu Shen, an elementary school scholar in the Han Dynasty, and I compiled a small dictionary called "Shuowen Jiezi".

The bronze with mixed gold and silver represents the lowest level of bronze casting and mixed gold and silver craftsmanship in Wei State, and also reflects the magnificence and extravagance of noble life.

The horse head that Chen Wenzhe saw was not one of the exquisite items, it was a bronze shaft ornament in the shape of a horse head in gold and silver.

It is gold and silver wrong!

The seventh step, gold coating.

The bronze shaft ornament of the Warring States Period is collected in the National Museum, which is an ornament of the State of Wei during the Warring States Period.

Wei was a small nobleman in Jin during the Spring and Autumn Period, and gradually became a weak political force.

The main process of the painting method is complex and complicated, and it is difficult to say that it is really something that special people can do badly.

There are a lot of shaft ornaments like that lost in small museums across the country.

That's right, the bronze leopard inlaid with gold and silver is from the Western Han Dynasty. It was unearthed in 1968 from the tomb of Dou Wan, wife of Liu Sheng, King Jing of Zhongshan, Mancheng, Beihe Province.

That can't be seen from the Han Chinese's interpretation of the word "cuo": "cuo, gold paint".

The manufacture of "gold amalgam" is a chemical process.

The small tomb in Guwei Village, Huixian County is a small "Zhong"-shaped tomb (a tomb with two tombs), and there is no cemetery around it, which is similar to the specifications of the tombs of princes, so the unearthed car shaft ornaments are usually exquisite.

The seventh step is to chisel the groove. Before the bronze is cast, the groove needs to be processed and chiseled.

Its head and neck are decorated with moiré patterns and scale patterns with oblique lines using gold and silver.

One is the mosaic method; the seventh is the painting method.

At the beginning of the Warring States period, Wei Wenhou retreated from economic, political and military reforms, which accelerated Wei's feudalization process and made Wei a weak country that had no name in the early Warring States period.

In short, instead of applying gold and silver under the utensils, how to make delicate and exquisite gold and silver patterns?

At the beginning, it was polished and polished with house stones, and the gold and silver patterns are integrated with the utensils themselves, exuding an amazing luster.

Then add mercury twice as much as gold to make it condense into a liquid, making the so-called "mud gold".

The eighth step, golden baking.

It is a kind of car decoration, which is decorated under the shaft of the car, not only for the sake of beauty, but also for auspicious wishes when traveling.

Regardless of the "wrong gold and silver" in ancient times or the "wrong gold and silver" today, the word gold and silver is easy to understand, but "wrong" is not so easy to understand.

That is to put the gold fragments in the crucible and heat it to below [-] degrees Celsius.

The real thing is from the Warring States period. Fortunately, I didn't lose it in the country, but hid it in the National Museum.

It is 8.8 cm low, 13.7 cm long, and 4.8 cm in diameter. It was unearthed in Guwei Village, Hui County, Nanhe Province in 1951.

After the following processes are completed, thin gold wires or gold sheets are embedded outside the groove, all of which are pure gold.

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