My system is not decent

This Southern Song Dynasty Longquan kiln celadon glazed porcelain jar with a lotus leaf shape has a flint red color on the unglazed parts such as the rim, the inner edge of the lid, and the ring and foot.

The ring foot is round, with obvious cutting and trimming traces at the end of the foot, and a small amount of kiln slag sticking to the unglazed area.

This lotus leaf-shaped jar is a representative work of Longquan kiln plum celadon porcelain.

Its glaze color is soft and elegant, clean and lustrous, emerald green like emerald, warm and moist like spring water.

This feature has really reached the ideal state of "thousands of emerald peaks" and "like ice like jade" that my country's ceramics has pursued for thousands of years.

The lotus leaf-shaped lid jar has the function of storing wine, but it is really not easy to make this practical vessel more beautiful than the ornamental vessel.

Needless to say, this lotus-leaf-shaped jar must be an authentic Southern Song Dynasty product.

In fact, this type of utensil was mostly produced in the Longquan kiln of the Yuan Dynasty, and the products of the Song Dynasty were only found in the cellars of Jinyu Village, so they are extremely precious.

And there are many first-class cultural relics like this, such as the blue and white glazed phoenix head porcelain water injection of Jingzhen kiln in the Southern Song Dynasty.

It has a caliber of 2.9, an abdominal diameter of 8.9, a bottom diameter of 8.1, and a height of 9 cm.

Flat bottom with slightly convex insole.

There is a circle of contact marks between the feet and the abdomen, and the feet are flat.

The glaze layer is relatively thick, and the glaze surface is smooth and moist. Only two faint opening lines can be seen on the edge of the mouth.

From the end of the Tang Dynasty, porcelain was constantly trying to increase the thickness of the wall of the utensils, so that the porcelain ware did not have the heavy and thin texture of gold and silver ware.

Since the Song Dynasty, the wars in the north have ceased, and Sichuan Province has become a veritable land of abundance, with a developed economy and far away from wars.

Open mouth, pointed lips, slanted belly, big circle feet.

The theme pattern is the double fish pattern on the bottom of the dish, lined with water waves, sea waves or lotus patterns;

The few precious first-class cultural relics I saw later belonged to the Jingzhen kiln, and the Longquan kiln was even more famous in the Southern Song Dynasty.

Shuizhu is a stationery utensil, formerly known as inkstone drops, used to drip water for inkstone pools.

For example, the eight-legged porcelain furnace with plums and eight legs in the Longquan kiln of the Southern Song Dynasty is an out-and-out first-class cultural relic.

The main thing is to see the color of the fetus, and the whole body is covered with green glazed plums.

In this era, if you encounter a Mongolian soldier, you will basically die.

It's just that it's beautifully made.

Pisces face each side, the fish pattern is relatively slender, and there are no two fish scale patterns under the fish body.

The white body is greyish, the fetal bone is slightly thick, and the whole body is covered with green glazed plums. The glaze color is blue and yellow at the edge of the mouth, the glaze surface is smooth and moist, and there is no needle hole in the inner wall.

The porcelain dish has a diameter of 10.8, a bottom diameter of 7.1, and a height of 1.9 cm. It is also made of wheels and belongs to the wheel printing.

There is no obvious glaze accumulation on the inner edge of the awn mouth.

The war continued for nearly 30 years. During this period, many wealthy merchants and dignitaries took it from Sichuan Province to the Eight Gorges and went downstream to the south of the Yangtze River.

The protruding edges and the folded edges of the body all show a more obvious light white color.

The beauty and harmony of the natural world on this disc are all contained in a large picture.

Therefore, special people at that time, even officials and officials, often buried their treasures on the ground to hide, and then fled with their families.

When fleeing, they carried light and fragile items such as porcelain. In that period of chaos, the buried Song Dynasty cellars became a common phenomenon in that ordinary period.

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White body, bluish white glaze, and the place where the glaze accumulates is bluish green.

There is no shallow convex rib around the shoulder, and there are no eight obvious octagonal convex ribs on the abdomen opposite the eight feet, slightly curved and undulating, extending from the shoulder to the foot.

The shape of this vessel is simple and elegant, the lines are straight and straight, the enamel is strict, and the glaze color is as green as jade. It perfectly combines practicality and artistry, and is loved by the people of the time.

Visible swirls on insole.

The bottom is flat, the outer ring is trimmed with a shallow ring, and the bottom is not very flat.

Thin bodied porcelain appeared under the influence of gold and silverware.

Therefore, if you think it is a seventh-level cultural relic, you will look at the big dish. It is definitely a treasure among antiques.

The fetal bone is relatively thick, and the shape of the whole utensil is dignified and regular.

The auxiliary decoration is located on the inner wall of the dish, the inner circle is eight layers of fine petal patterns, the inner circle is continuous fretwork, and the interval is single string pattern.

Scraped glaze on the sole of the foot, and the inner wall is decorated with die-printed patterns.

Shi Qingbai glaze, less glaze color is more green, most of the color is slightly lighter, and especially the inner wall color is relatively green, and the inner wall color is lighter.

This kind of porcelain belongs to the wheel system, with a small straight mouth, round lips, short neck, round shoulders, straight belly and slightly bulging, and a relatively obvious fine convex string pattern can be seen on the abdomen.

The crank is located on the shoulder, and the handle is carved with three concave strings.

Since the Tang Dynasty, the economic development of your country has moved southward.

It has a round mouth, a slightly slanted square lip, a slanted straight belly, and a smaller fold between the belly and the bottom.

The ring foot is very round, and the end of the foot is not glazed, showing a light sauce color.

Some of the outstanding ones, even with the current top-level technology, are difficult to perfectly replicate, such as the porcelain bowl with oblique and straight belly bamboo hats of Zhou Ying in the Longquan Kiln of the Southern Song Dynasty.

It has a caliber of 16.3, an abdominal diameter of 17.3, and a height of 12.6 cm.

It is definitely complicated for a bowl to be a seventh-level cultural relic, and it is even more complicated for Meizi's large monochrome glazed porcelain bowl to be a seventh-level cultural relic.

That reflects the Song people's aesthetic concept and life interest in pursuing the harmony between man and nature.

Li-style furnaces were the more common archaic shapes in the Song Dynasty, but Longquan kiln celadon products were the best.

The outer wall is glazed to nearly the bottom, and the inner wall is glazed only to the mouth and neck.

There is not one piece of similar porcelain like that. This is a Southern Song Dynasty Jingzhen kiln blue and white glaze printed double fish pattern Mangkou porcelain dish.

During the Song-Mongol war, the Mongolian cavalry marched south, and the Southern Song Dynasty resisted for more than half a century.

Limited to the same category, that piece of blue and white porcelain can only be regarded as a seventh-level cultural relic.

The center of the inner bottom and the center of the sole of the foot are raised in the shape of a chicken heart.

The meandering stream bends slightly, and the phoenix head is stacked on the stream, and the phoenix eyes are painted with brown glaze stippling.

But there are not many families, but before the treasures are buried, the whole family is destroyed... There are not many seventh-level cultural relics like that in that cellar. After all, hundreds of thousands of pieces of porcelain are still Collectibles, of course, lack fine porcelain.

Most of them are split patterns, and the awn mouth is narrow, which is slightly wider on the inner side and slightly narrower on the inner side.

Therefore, there are many Longquan kiln porcelains in that cellar, and of course there are not many pieces that can reach the first-class cultural relics.

Fengliu crank handle, with elegant glaze color, is an exquisite workmanship artifact.

Few people have survived, and the buried wealth has been buried since no one took it out.

There is no thicker glaze on the edge of the inner wall, and the glaze surface is protruding.

The bamboo hat porcelain bowl is a tea drinking utensil, except for the Ding kiln and Jingzhen kiln in Longquan kiln, which were not produced.

There are no two burn marks on the inner bottom and inner circle.

The smallest feature of the bamboo hat bowl is that it does not have a relatively thin tire.

However, with the rise of the Mongol Empire in the northern grasslands, Sichuan Province became the focus of contention between Mongolia and the Southern Song Dynasty.

In the middle there are two sea wave patterns juxtaposed in the same row, one is 4 layers of waves, the other is 3 layers of waves, and the water ripples are rarely vortex.

The feet are unglazed and flint red.

As soon as the war started, the soldiers passed like a grate.

Slanted mouth, rounded lips, short straight neck, flattened abdomen, similar in diameter to the abdomen, and eight-cone-shaped feet.

If you look closely at the bowl, its size is not considered large, with a caliber of 16.3, a foot diameter of 4.5, and a height of 5.7 cm.

The water poured into the blue and white porcelain is as clear and fine as jade, and its shape is random. The water poured into it is like a big pot.