My system is not decent
Chapter 1756 Memory of the Song Dynasty
After modern comparative studies with the bronze cellar site of the Song Dynasty in Qingbaijiang District, Sichuan City, many modern scholars believe that the cellar site of Jinyu Village in Suining is very likely to be the site of an ancient academy.
The shapes of sacrificial vessels and ritual vessels unearthed in the two places are very similar.
During this process, a large number of composite utensils were discovered, which belonged to sacrificial utensils in academies and other occasions.
The discovery of a large number of daily-use porcelain also reflects the complete system of Song Dynasty academies integrating lectures, sacrifices, and life.
Suining Song porcelain should be buried between the third year of Duanping (1236) and the first year of Chunyou (1241) in the Southern Song Dynasty.
With these comparisons, some relevant clues can be found in the batch of hoards discovered by Chen Wenzhe.
The story started on September 1991, 9, when villagers in Jinyu Village in Suining dug holes in their vegetable fields.
When digging to a depth of 1 meter underground, the hoe hit a copper bar.
This is a copper bucket, and there is still a gap dug by a hoe on its long handle.
Continuing to dig along the ends of the copper bar, more copper and porcelain appeared.
The blue and white glazed plum vases are regular and dignified in shape, the glaze color is shiny and dark, the decoration is turbid, and the broken lid is rare in previous discoveries and domestic collections.
For example, one of the plum vases is not a first-class cultural relic. Its cover diameter is 4.3 cm, and its cover height is 3 cm;
The glaze color wins, and the materials are carefully selected to achieve the level of "porcelain like jade". The elegance of the tone is unparalleled.
Roughness is shown in abnormality, charm is hidden in splendor.
At both ends of the ornamentation, there are two shallow string patterns.
In the early Southern Song Dynasty, the Mongolian iron hooves broke into the Land of Abundance.
The plum vase is made up of a bottle, a cap, and two parts.
When Chen Wenzhe saw the plum vase, he recognized it at a glance. It was an authentic Longquan Kiln in the Southern Song Dynasty.
The widespread appearance of antique utensils is the product of the retro trend in the ideological circles of the Northern Song Dynasty.
Finally, 985 pieces were unearthed after being rescued and excavated by the cultural relics department.
Celadon and blue and white porcelain are the small cases, and there are also a large number of white porcelain and white porcelain.
In addition, there are not many products from Beihe Ding Kiln, Xishan Yaozhou Kiln, Chuanfu Cifeng Kiln, and Guangyuan Kiln.
Those utensils combined the aesthetic tastes of the literati in the Song Dynasty, which were the same as those of the bourgeoisie.
That kind of pursuit of natural beauty coincides with the concept of "although it is made by man, it looks like nature" in Chinese gardens.
They reproduce the "art of daily life" of people in the Song Dynasty after the Mongolian Yuan invasion.
Those concepts are not reflected under some top national treasures.
The shape is dignified, the glaze color is crystal clear, and the decoration is turbid, which is rare in both unearthed porcelain and domestic handed down products.
It has a caliber of 23.5, an abdominal diameter of 31.7, a foot diameter of 16.1, and a height of 31.5 cm.
The Song-Mongol War, which lasted half a century, ravaged the prosperous land and displaced the people.
The bottle has a slit mouth, a large straight mouth, flat lips, short neck, curved neck, sloping shoulders, and no bulge on the inner wall.
It's a pity that after these cultural relics were discovered, not all of them fell into the hands of the state, and a large part, or even the vast majority, was hidden and sold.
That has to be taken out for grading, if it is also a first-class cultural relic, it even exceeds the level of very few first-class cultural relics.
】
The female mouth of the tank is straight, with a pointed lip, and a beveled edge is cut on the lip.
The decoration is depicted in a ticking manner, and the flowers, leaves and branches are slightly raised.
The bottle body is slender, slightly larger in shape, with hidden ring feet and narrow foot rings.
That is but confirms the authenticity and reliability of the "Gegu Yaolun" recorded in the official cellar that "the counterfeit ones are all Longquan burners, with lines", and provides you with precious physical materials of Longquan imitation official cellar porcelain.
And the group that Chen Wenzhe saw was the vast majority of them that were hidden.
The tangled peony is located in the lower abdomen, and the tangled lotus is located in the upper abdomen.
As for such treasures, among the cellars discovered at that time, it is obvious that there is only one piece, and the only one that can compare with the Longquan kiln plum vase is a porcelain jar with a celadon lotus leaf-shaped lid from the Longquan kiln of the Southern Song Dynasty.
According to your country's standards, among them, there are 29 pieces that can reach the national first-class cultural relics, a few 200 pieces of seventh-level cultural relics, and more than 500 pieces of eighth-level cultural relics. Rare in the country.
For example, the characteristics of Longquan kiln imitating official kiln porcelain are very obvious.
In addition to gold and silver wares, the least treasures in this batch of hidden treasures are porcelain.
Among them, there are 18 pieces of copper wares and 2 pieces of stoneware, which should be regarded as the smallest porcelain hoard discovered in your country.
The gold and silver wares lost the strong exotic color of Tang Dynasty utensils, and less reflected the elegant and simple style;
Short straight neck, rounded shoulders, bulging belly, shins slightly adducted, circle the foot, circle the inner bottom of the foot and make a concave foot ring, the inner wall is beveled.
They will also trigger your nostalgia for the elegant traditions of Chinese culture.
Among them, there are more than 350 pieces of Jiangsu and Zhejiang Longquan porcelains, and nearly 600 pieces of Jingzhen porcelains, which are the small ones.
The porcelain pot is made of two parts, the lid mouth and the lotus leaf-shaped lid.
Those cultural relics in the cellar are cultural heritage engraved with "memory of the Song Dynasty", conveying the fashion, aesthetic tendency and general emotion of this era.
Song porcelain is famous for its single-color glaze, advocating simplicity and elegance, and seeking the beauty of "natural artistic conception".
The unglazed part of the foot and the inner wall is pale orange, the inner bottom is not adhered by kiln slag, and there are a lot of white-brown burnt spots, and there are no obvious traces of cutting and trimming.
It concentratedly displays the ordinary artistic achievements of Longquan celadon and jdz celadon in the early Southern Song Dynasty.
The fetal bone is thick, except for the lips and the inner circle of the foot, the plum green glaze is applied to the inside and outside of the body. The glaze layer is thick, the color is shiny, and the glaze surface is smooth and smooth.The edge of the cover undulates like a curled lotus leaf, with an arc top, and there is no pedicle button in the center, and the inner mouth of the cover is made into round lips.
The excavation of the Suining cellar has overturned the previous conclusions, and it is the only one seen in China.
Porcelain is simple in image and elegant in color, and has no similar artistic interest to the prosperous ink and landscape paintings at that time;
The flat top cover is slightly curved, the mouth is slightly slanted, the flat lip is wider, the top of the cover is scratched with curly grass patterns, and the glaze surface is sparse.
An important discovery in the archaeology of ancient ceramics in our country, thus kicking off the prelude.
The batch of porcelain in the cellar is rich in types, mainly jars, gui, statues, bottles, pots, holding pots, water injection, water bowls, brush washers, powder joints, lamps, stoves, bowls, plates, dishes, washers, bowls, basins , cups, cups, lids and other dozens of varieties.
The glaze color is bluish white, the place where the glaze accumulates is light green and warm, and the glaze layer is smooth and clean.
The white tire is slightly yellowed, the inner wall is glazed to the bottom, and the inner wall is not full of glaze above the mouth and neck.
From the shoulders to the feet of the shanks, it is fully decorated with engraved patterns, the ground pattern is a grate pattern, and the theme decoration is entwined peony and entwined lotus.
In the 20th century, those hoards were discovered one after another, and a small amount of exquisite porcelain, gold and silver wares, bronze wares and other cultural relics appeared before your eyes.
Celadon-glazed lotus-leaf-covered jars were especially regarded as works of the Yuan Dynasty in the past.
After fleeing from disaster, many wealthy and small households buried precious utensils in cellars, and they went back and forth.
Cover the mother's mouth, flat top, straight wall, inside skimming mouth.
The shapes of sacrificial vessels and ritual vessels unearthed in the two places are very similar.
During this process, a large number of composite utensils were discovered, which belonged to sacrificial utensils in academies and other occasions.
The discovery of a large number of daily-use porcelain also reflects the complete system of Song Dynasty academies integrating lectures, sacrifices, and life.
Suining Song porcelain should be buried between the third year of Duanping (1236) and the first year of Chunyou (1241) in the Southern Song Dynasty.
With these comparisons, some relevant clues can be found in the batch of hoards discovered by Chen Wenzhe.
The story started on September 1991, 9, when villagers in Jinyu Village in Suining dug holes in their vegetable fields.
When digging to a depth of 1 meter underground, the hoe hit a copper bar.
This is a copper bucket, and there is still a gap dug by a hoe on its long handle.
Continuing to dig along the ends of the copper bar, more copper and porcelain appeared.
The blue and white glazed plum vases are regular and dignified in shape, the glaze color is shiny and dark, the decoration is turbid, and the broken lid is rare in previous discoveries and domestic collections.
For example, one of the plum vases is not a first-class cultural relic. Its cover diameter is 4.3 cm, and its cover height is 3 cm;
The glaze color wins, and the materials are carefully selected to achieve the level of "porcelain like jade". The elegance of the tone is unparalleled.
Roughness is shown in abnormality, charm is hidden in splendor.
At both ends of the ornamentation, there are two shallow string patterns.
In the early Southern Song Dynasty, the Mongolian iron hooves broke into the Land of Abundance.
The plum vase is made up of a bottle, a cap, and two parts.
When Chen Wenzhe saw the plum vase, he recognized it at a glance. It was an authentic Longquan Kiln in the Southern Song Dynasty.
The widespread appearance of antique utensils is the product of the retro trend in the ideological circles of the Northern Song Dynasty.
Finally, 985 pieces were unearthed after being rescued and excavated by the cultural relics department.
Celadon and blue and white porcelain are the small cases, and there are also a large number of white porcelain and white porcelain.
In addition, there are not many products from Beihe Ding Kiln, Xishan Yaozhou Kiln, Chuanfu Cifeng Kiln, and Guangyuan Kiln.
Those utensils combined the aesthetic tastes of the literati in the Song Dynasty, which were the same as those of the bourgeoisie.
That kind of pursuit of natural beauty coincides with the concept of "although it is made by man, it looks like nature" in Chinese gardens.
They reproduce the "art of daily life" of people in the Song Dynasty after the Mongolian Yuan invasion.
Those concepts are not reflected under some top national treasures.
The shape is dignified, the glaze color is crystal clear, and the decoration is turbid, which is rare in both unearthed porcelain and domestic handed down products.
It has a caliber of 23.5, an abdominal diameter of 31.7, a foot diameter of 16.1, and a height of 31.5 cm.
The Song-Mongol War, which lasted half a century, ravaged the prosperous land and displaced the people.
The bottle has a slit mouth, a large straight mouth, flat lips, short neck, curved neck, sloping shoulders, and no bulge on the inner wall.
It's a pity that after these cultural relics were discovered, not all of them fell into the hands of the state, and a large part, or even the vast majority, was hidden and sold.
That has to be taken out for grading, if it is also a first-class cultural relic, it even exceeds the level of very few first-class cultural relics.
】
The female mouth of the tank is straight, with a pointed lip, and a beveled edge is cut on the lip.
The decoration is depicted in a ticking manner, and the flowers, leaves and branches are slightly raised.
The bottle body is slender, slightly larger in shape, with hidden ring feet and narrow foot rings.
That is but confirms the authenticity and reliability of the "Gegu Yaolun" recorded in the official cellar that "the counterfeit ones are all Longquan burners, with lines", and provides you with precious physical materials of Longquan imitation official cellar porcelain.
And the group that Chen Wenzhe saw was the vast majority of them that were hidden.
The tangled peony is located in the lower abdomen, and the tangled lotus is located in the upper abdomen.
As for such treasures, among the cellars discovered at that time, it is obvious that there is only one piece, and the only one that can compare with the Longquan kiln plum vase is a porcelain jar with a celadon lotus leaf-shaped lid from the Longquan kiln of the Southern Song Dynasty.
According to your country's standards, among them, there are 29 pieces that can reach the national first-class cultural relics, a few 200 pieces of seventh-level cultural relics, and more than 500 pieces of eighth-level cultural relics. Rare in the country.
For example, the characteristics of Longquan kiln imitating official kiln porcelain are very obvious.
In addition to gold and silver wares, the least treasures in this batch of hidden treasures are porcelain.
Among them, there are 18 pieces of copper wares and 2 pieces of stoneware, which should be regarded as the smallest porcelain hoard discovered in your country.
The gold and silver wares lost the strong exotic color of Tang Dynasty utensils, and less reflected the elegant and simple style;
Short straight neck, rounded shoulders, bulging belly, shins slightly adducted, circle the foot, circle the inner bottom of the foot and make a concave foot ring, the inner wall is beveled.
They will also trigger your nostalgia for the elegant traditions of Chinese culture.
Among them, there are more than 350 pieces of Jiangsu and Zhejiang Longquan porcelains, and nearly 600 pieces of Jingzhen porcelains, which are the small ones.
The porcelain pot is made of two parts, the lid mouth and the lotus leaf-shaped lid.
Those cultural relics in the cellar are cultural heritage engraved with "memory of the Song Dynasty", conveying the fashion, aesthetic tendency and general emotion of this era.
Song porcelain is famous for its single-color glaze, advocating simplicity and elegance, and seeking the beauty of "natural artistic conception".
The unglazed part of the foot and the inner wall is pale orange, the inner bottom is not adhered by kiln slag, and there are a lot of white-brown burnt spots, and there are no obvious traces of cutting and trimming.
It concentratedly displays the ordinary artistic achievements of Longquan celadon and jdz celadon in the early Southern Song Dynasty.
The fetal bone is thick, except for the lips and the inner circle of the foot, the plum green glaze is applied to the inside and outside of the body. The glaze layer is thick, the color is shiny, and the glaze surface is smooth and smooth.The edge of the cover undulates like a curled lotus leaf, with an arc top, and there is no pedicle button in the center, and the inner mouth of the cover is made into round lips.
The excavation of the Suining cellar has overturned the previous conclusions, and it is the only one seen in China.
Porcelain is simple in image and elegant in color, and has no similar artistic interest to the prosperous ink and landscape paintings at that time;
The flat top cover is slightly curved, the mouth is slightly slanted, the flat lip is wider, the top of the cover is scratched with curly grass patterns, and the glaze surface is sparse.
An important discovery in the archaeology of ancient ceramics in our country, thus kicking off the prelude.
The batch of porcelain in the cellar is rich in types, mainly jars, gui, statues, bottles, pots, holding pots, water injection, water bowls, brush washers, powder joints, lamps, stoves, bowls, plates, dishes, washers, bowls, basins , cups, cups, lids and other dozens of varieties.
The glaze color is bluish white, the place where the glaze accumulates is light green and warm, and the glaze layer is smooth and clean.
The white tire is slightly yellowed, the inner wall is glazed to the bottom, and the inner wall is not full of glaze above the mouth and neck.
From the shoulders to the feet of the shanks, it is fully decorated with engraved patterns, the ground pattern is a grate pattern, and the theme decoration is entwined peony and entwined lotus.
In the 20th century, those hoards were discovered one after another, and a small amount of exquisite porcelain, gold and silver wares, bronze wares and other cultural relics appeared before your eyes.
Celadon-glazed lotus-leaf-covered jars were especially regarded as works of the Yuan Dynasty in the past.
After fleeing from disaster, many wealthy and small households buried precious utensils in cellars, and they went back and forth.
Cover the mother's mouth, flat top, straight wall, inside skimming mouth.
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