My system is not decent

Modern chrysanthemum porcelain craftsmanship, especially the chrysanthemum porcelain craftsmanship imitating official kilns, is still not easy to make.

In Kaifeng, someone developed this technology.

As for how to develop it, it requires technology.

In other places, there are porcelain sculpture crafts and dough sculpture crafts, while Kaifeng has official kiln crafts.

Therefore, a domestic master was greatly inspired by the craft of dough figurines and started to innovate, because porcelain figurines and dough figurines are interlinked.

How to make porcelain clay into chrysanthemums, he tried many times.

Official porcelain is open piece porcelain, which pursues open piece patterns, while chrysanthemum petals are slender and easy to break.

So many times trying to make chrysanthemums with official porcelain clay will fail.

Later, a high-grade chrysanthemum was used to make chrysanthemums, and chrysanthemums were fired alone, but they could not be fired together with official porcelain clay.

Because they are two different kinds of clay, the firing temperature of high white clay is 1380 degrees, while the firing temperature of official porcelain clay is 1260~1280 degrees.

As a result, when the two kinds of porcelain clay were fired together, the official porcelain was fired well, but the chrysanthemum was burned out.

Or the chrysanthemum was burned, and the official porcelain was burned out.

The firing process of traditional official porcelain clay and high white clay is a scientific and technological project.

First, lower the firing temperature of high lime clay.

Second, increase the firing temperature of official porcelain, and seek a firing temperature match between the two.

Third, in the firing process, the method of first reduction and then oxidation is adopted, and the yield of finished products gradually increases, which can be said to be very successful.

After trial and error, it finally worked.

The production process of chrysanthemum porcelain is complicated. The petals of chrysanthemum are linear, as thin as hair, and the thinnest is only about 1 mm.

In the process of making, the porcelain clay used to make chrysanthemums is easy to break when it is dry;

When wet, it is relatively soft, so the flower must be made and assembled within a limited time.

This requires the plastic porcelain technology and plastic porcelain kung fu to be quite mature, to grasp different degrees, and to grasp the time quite accurately.

Only in this way can a very exquisite chrysanthemum shape be made.

Chrysanthemum porcelain combines porcelain firing, porcelain plastic painting and other technologies, and innovates on the basis of the original Northern Song official porcelain.

Such innovation in the field of porcelain production is very rare.

The main reason is that our ancestors are so awesome. They have made all kinds of porcelain that can be imagined.

Therefore, there is very little room for us modern people to play.

This is also the rarity and difficulty of innovation!

Of course, if you don't blindly pursue antiques, but recreate them, modern people still have great advantages.

In terms of materials, raw materials cannot be changed, but although they cannot be changed, new materials can be tried.

For example, if the raw material Sisi clay is gone, try to replace it with other porcelain clay.

Although the trial process is very difficult, it can still achieve the glaze color comparable to that of the official porcelain of the Northern Song Dynasty.

In terms of shape, the traditional shape of official porcelain is mainly bronze shape. In addition to retaining the traditional shape, it is necessary to keep pace with the times and make a shape suitable for the times.

Such as iron tower, dragon hall and other shapes with Kaifeng cultural elements.

In addition to Li Qingzhao's modeling, he also tried various modern character modeling, such as some heroic character modeling that is more advocated now.

In terms of firing, the firing of chrysanthemum porcelain involves the connection of chrysanthemum porcelain clay and the bottom plate, which must be highly consistent.

During the production process, you can try to use high-white porcelain to make chrysanthemum porcelain, or you can try to use different porcelain clays such as official porcelain, Ru porcelain, and Jun porcelain.

How to achieve a consistent finished product in one kiln is a subject that porcelain craftsmen have always studied.

In the past, official porcelain was a ritual vessel, an important national vessel, which belonged exclusively to the royal family and could not be handed down among the people.

Today, the main development direction of official porcelain is to become popular and enter the lives of ordinary people.

It has always been Chen Wenzhe's wish to let the official porcelain used by the royal family enter the homes of ordinary people in the form of tableware and tea sets.

With the improvement of people's living standards now, the requirements for utensils are getting higher and higher, and the rough tea and light rice in the past can no longer satisfy people's needs.

After people's material life reaches a certain level, they all need to have more spiritual requirements.

As the peak of Chinese culture and art, the Song Dynasty was also the peak of aesthetic modeling.

Modern people advocate Song culture, while the shape of Northern Song official porcelain is simple but not simple.

Especially the glaze color, simple but not monotonous.

The beauty of shape and smooth glaze color of official porcelain is the highest state of people's cultural and spiritual pursuit.

Therefore, the official porcelain tea set developed by Yiniantang Ceramics Factory has shown a very high degree of recognition as soon as it enters the market.

It can be said that every step and every movement of Chen Wenzhe can bring huge gains to his factory.

Such as tea sets and tableware are the main force in the market.

Other types of utensils can only be used for collection.

Chen Wenzhe can also be regarded as cultivating craftsmanship through crafts. He has researched crafts and used simple ones to make money, while complex crafts are used for collection.

To make official kilns, of course he doesn't know how to make simple bowls and dishes, nor does he know how to make tea sets. What he makes must be relatively rare types.

For example, the official kiln Linghua three-legged furnace has a round opening and a folded edge.

The outer edge is multi-petal flower-shaped, and the petals are wilted between petals.

The melon-shaped lines formed by the wilting horns extend from the constricted neck to the folded shoulders and even the hearth, creating a quite layered and three-dimensional sense of vision.

There are three solid feet standing under the abdomen, and the undulating surface seems to present the image of an animal face.

The whole body is glazed, the glaze color is elegant and light, the surface is divided into large and small pieces, and the irregular cracks build a patchwork natural decoration, bringing a delicate beauty that cannot be achieved artificially.

This three-legged furnace is elegant in shape and full of ancient charm, with a solid carcass, warm and moist glaze, and is good at pattern decoration.

Official kilns have always been extremely expensive, and have a style that has lasted for thousands of years. They can be called rare treasures.

There is also an official kiln piercing ear bottle with a slightly extravagant mouth, straight neck, curved belly, and high bearing ring feet. There are two commonly known as piercing belt bottles.

Surrounded by two raised string patterns, a pair of piercing ears are placed on both sides, and a round belly is connected below, which looks like a gallbladder.

The overall shape of this bottle is smooth and free, soft and beautiful, without losing the solemnity, solemnity and awe-inspiring feeling unique to ear-piercing bottles.

The whole body is covered with celadon glaze, the enamel is rich and delicate, even and smooth, crystal clear and moist, and the porcelain sound is clear and clear when it is buckled, which complements the outline of the whole vessel, making it softer and smoother.

The glaze is pure in color, deep and quiet, and the openings are scattered all over the body of the bottle. The natural lines bring a unique beauty.

Finally, there is a garlic bottle from official kiln, which can be called elegant and elegant.

Its lines are soft and undulating, showing a meandering posture.

The glaze color is uniform, bright, quiet and elegant.

The fetal bone is thin and firm, beautiful and pleasant.

From a distance, it looks like a beautiful woman standing in jade, with infinite charm.

The shoulder of the bottle is decorated with a raised string pattern, adding a rhythmic beauty to the slender shape, which shows the ingenuity.