My system is not decent

Most of the cong-style bottles in the Song Dynasty were fired in the Longquan kiln, and most of the fired vessels were multi-section long cong, simple and dignified.

The base pattern of the letter paper in "To Loyalty to Chang Xinenzhong Chuxian Brother" written by Du Liangchen, a calligrapher in the Southern Song Dynasty, is the "cong-shaped bottle of narcissus".

It can be seen that in the Southern Song Dynasty, flower arrangement in cong-shaped vases was also a common decoration method in the lives of ancient people.

The firing of cong-shaped bottles continued to the Yuan Dynasty. Cong-shaped bottles were common in Longquan kilns in Yuan Dynasty.

In the late Qing Dynasty, cong vases all appeared in the form of gossip, which fully reflected the essence of Chinese Taoist culture and was the concentrated expression and inheritance of Chinese traditional culture.

It is also called "Bagua bottle". Its shape is symmetrical from top to bottom, simple and elegant, showing the ancient people's view of the universe.

And if you really make this kind of cong bottle, then there are more varieties.

However, the cong-style bottles of different dynasties are only different in glaze color, and the shape changes are not great.

Chen Wenzhe began to imitate gradually from the Qing Dynasty.

In this way, the first imitation must be the Qing Qianlong bean green glaze eight trigrams pattern cong bottle.

This cong-shaped bottle has a lip, a short and thick neck, a cuboid belly, and a ring-shaped foot.

Bean green glaze is applied to the whole body, the glaze layer is thick and pure, the color is light and elegant, and the decoration is clear and orderly.

The whole device is exquisite in craftsmanship, balanced in proportion, green and pleasing to the eye, simple and elegant, showing a unique elegant and noble temperament.

After thinking for a while, Chen Wenzhe imitated another Qianlong tea powder glaze eight trigrams cong bottle.

This bottle has a diameter of 9cm and a height of 38.5cm.

This bottle has a lip, a short neck, flat folded shoulders, and a cuboid belly.

The four sides of the belly are decorated with raised gossip patterns, and the feet are circled.

The carcass is thick and thick, and the end is condensed and simple. It is made of porcelain to imitate the ancient times, and it has the solemn and mysterious style of ancient ritual vessels.

The whole body is glazed with tea powder, the enamel is plump, warm and mellow, as shiny as jade, and the glaze color is condensed.

After imitating this one, the next one is the Qing Yongzheng turquoise green glazed elephant ear cong bottle.

This bottle has a diameter of 7.5cm and a height of 24.3cm. It was made in the Yongzheng period of the Qing Dynasty.

The round mouth is slightly closed, the bottom is connected to the ring foot, the middle section is square and straight, and the two sides are decorated like head ring ears. The shape of the vessel is solemn and generous, and it is made of antique jade cong.

The turquoise green glaze is applied, which is even and moist, the glaze surface is moist and plump, and the glaze color is light and elegant.

The shape of the whole vessel is dignified and elegant, with a graceful bearing, showing the pure beauty of monochrome glaze.

After finishing this piece, Chen Wenzhe stopped. There were still quite a few cong-style bottles in the Qing Dynasty.

In addition to Yongzheng and Qianlong, there were also many classic cong-style bottles in the Guangxu period.

After thinking about it for a while, Chen Wenzhe started to do it anyway. After all, he has been involved in various glaze colors recently, and it is very easy to do what he wants to do.

Guangxu's imitation official glaze eight trigrams pattern cong bottle is still very regular.

The one Chen Wenzhe imitated has a diameter of 8.8cm and a height of 27.9cm.

Round mouth, short neck, flat folded shoulders, square shape, circle feet.

The shape is dignified and solid, the carcass is thick, and the eight trigrams patterns protrude from all sides of the abdomen.

The whole body is imitated official glaze, the color is moist, and the enamel is thick.

The opening is natural, and it is very uniform, elegant and beautiful, with a graceful and reserved atmosphere.

Next is the glaze color that is a bit difficult, such as the Guangxu Ji blue glaze pastel longevity peach elephant ear cong bottle, with a diameter of 9cm and a height of 28.8cm.

This bottle has a narrow mouth, a short neck, a square belly, and a ring foot.

Its shape is imitated from the jade cong of the cultural period, and the whole body is covered with Ji blue glaze.

The glaze color is uniform and thick, like sapphire, calm and rich.

The two sides of the abdomen are decorated with elephant ears, and the lower part is a ring, which has the auspicious meaning of peace and elephant.

The mouth and the bottom are decorated with a circle of famille rose patterns.

The body of the bottle is painted with peach trees in pastels, the trunk is lit with thick and light ink colors, and plump peaches and fresh peach leaves are painted in pastels and green colors.

The painting of the whole vessel is meticulous, and the famille rose is lifelike, which is very exquisite.

In addition to this beautiful cong-shaped vase, Chen Wenzhe remembers that there seems to be another cong-shaped vase with blue glaze and elephant ears in the Guangxu Period.

This bottle has a diameter of 9cm and a height of 29.5cm.

The body of the bottle imitates the shape of a jade cong, in the shape of a round sky and a round earth.

Double pictographic ears are pasted on both sides of the abdomen, and the trunk is held in place by rings. The carving is exquisite, and the meaning is in harmony with the world.

The whole vessel is covered with Ji blue glaze, the glaze surface is thick and shiny, the glaze color is dignified and deep, the glaze surface does not flow or crack, the color tone is uniform, the blue is like the deep sea, and the color is relatively stable.

The shape of the whole device is upright, the end is solid and thick, quiet and simple.

I have already made green glaze and blue glaze, so I don’t mind making another purple-gold glaze cong bottle.

This piece has a diameter of 7.4cm and a height of 25.4cm.

It has a square belly, and the four sides of the body are decorated with raised horizontal and vertical lines.

The purple gold glaze is applied, which is dignified and simple, elegant and elegant, and has a strong sense of luster.

The glaze layer is as fat as fat, the tire is dense and hard, the shape is upright and dignified, and the ancient charm is full. It is a typical boutique of antique shapers.

Cong-style vases from the Qing Dynasty, it is fine to imitate such a few pieces.

Next came the Ming Dynasty, and the imitation official kiln wares of this period were generally completed in Jingzhen.

During the Northern Song Dynasty, the porcelain industry in Jingzhen began to flourish.

In the Ming Dynasty, Jingzhen occupied the main market in the national porcelain industry, and it almost became a situation of "one flower grows alone".

In the Ming Dynasty, Jingzhen porcelain industry had an unprecedented firing scene, and famous masters from all over the country flowed to Jingzhen one after another.

In order to meet the needs of court porcelain, as well as the imperial court's internal and external rewards and exchanges, imperial kilns began to be established in the early Ming Dynasty.

Among the products produced by the Royal Kiln Factory, the characteristics of imitating the famous porcelain of the previous generation without sparing money and pursuing the value of artistic appreciation are very prominent.

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A large part of them is imitation of famous porcelains from famous kilns in Song Dynasty.

This is also the beginning of mass production of antique porcelain in ancient my country.

Jingzhen in the Ming Dynasty was the Chenghua official kiln of the Royal Kiln Factory, and there were imitation official kilns.

Since Jingzhen belongs to the kaolin body, the kaolin body has no iron, and the iron content is very low. In order to imitate the effect of the official kiln, the kiln workers will add porcelain elements containing iron to the porcelain body.

As a result, the imitated porcelain has an effect similar to purple mouth and iron feet, and the enamel also has a thick feeling.

The imitation Song official kiln porcelain of the Ming Dynasty can be roughly divided into two categories. One is the imitation of the whole, from the shape to the glaze color, so that it is difficult to distinguish the authenticity from the fake.

One is to inherit the porcelain making tradition of the Song Dynasty, intending to show the superb porcelain making level of the Ming Dynasty, only imitating the glaze color, while retaining the shape of the porcelain of the current dynasty.

Compared with the imitations of the past dynasties after the Song Dynasty, the imitation of Song Dynasty official kiln porcelain in the Ming Dynasty can be regarded as first-class, reproducing the elegant style of Song Dynasty official kiln porcelain.

Chen Wenzhe first imitated a well-regulated cong-shaped bottle, and then he began to imitate some special shapes.

For example, the Cong-style brush Tim imitating the official kiln, and the Cong-style brush washer imitating the official kiln.

Cong style imitation official kiln pen lick, side length 8 cm, height 2.4 cm.

This pen lick imitates the cong style of the official kiln of the Song Dynasty, with a moon white glaze and a purple mouth and iron feet.

Washed in the style of an official cong, the pieces are hidden, and the iron additives in the fetal bone are hidden in the thin glaze on the edge, forming a purple mouth.

The shape is a lower plate, but the decoration on the outside is in the style of a cong bottle.

After imitating these two pieces, Chen Wenzhe directly made a Ming Dynasty imitation official glaze triple bottle.

After all, the type of triple bottle is still very special.