My system is not decent

In imitation of famous kiln porcelain in Song Dynasty, the retro style became even more out of control in the Yong and Qian Dynasties.

The antique glazed porcelain of Yongzheng Kiln has achieved unprecedented brilliant achievements.

Among them, imitation Jun glaze and imitation official glaze are the most successful.

Among these imitations, furnace jun and tea powder are most praised by collectors.

Of course, this is the imitation of the famous kiln of the Song Dynasty in the Qing Dynasty, or it is back to the green glaze.

During the Chenghua period of the Ming Dynasty, the green glaze wares imitating the official kilns of the Song Dynasty also developed well.

However, this kind of green glaze ware was developed in the official kiln of Qianlong in Qing Dynasty.

During the Qianlong period, a large number of blue-glazed wares imitating the official kilns of the Song Dynasty were fired with regular shapes and excellent textures.

However, to be honest, the celadon that resembles the Song and Yuan Dynasties is still from the Ming Dynasty.

Because the quality of Qing Dynasty celadon works is incomparable with Song Dynasty celadon, it is obviously of better quality.

Therefore, if you want to imitate antiques, you must imitate porcelain that is more like ancient porcelain.

Now Chen Wenzhe knows Ming Yuchang very well.

He also knows what the imitation Song official kiln porcelain unearthed from the site of the imperial kiln factory in the Ming Dynasty looked like.

After all, these are all knowledge, and many modern masters are studying these.

Now he only needs to search some documents to get a general idea.

Seriously summed up, it is not enough to just a few points.

According to the data unearthed from the excavation of the Ming Yuchang site, among the official kilns of the Ming Dynasty, only Xuande and Chenghua produced official kilns imitating the Song Dynasty.

Xuande imitated the works of Ru and Junguan kilns in Song Dynasty, and the imitated products only emphasized glaze color, not modeling.

Strictly speaking, these imitations of Song official kiln products are only slightly careless.

Chenghua official kilns imitated the works of Southern Song official kilns, not only paying attention to the imitation of glaze color, but also paying attention to the imitation of shape.

Chenghua official kiln craftsmen most likely imitated Song Xiuneisi official kiln wares based on the records in Cao Zhao's "Ge Gu Yao Lun" and referring to real objects.

The Xuan and Cheng kilns imitated the official kilns of the Song Dynasty, reflecting from one aspect the mentality and aesthetic taste of the Xuan and Cheng emperors who pursued the Han cultural traditions of the Song Dynasty.

Xuan and Cheng kilns imitated the products of Song official kilns, which opened a precedent for Ming and Qing official kilns to imitate Song official kilns.

It had a great influence on the official kilns in the early Qing Dynasty, improved the level of porcelain making technology, and multiplied a variety of new porcelain varieties.

This is the characteristic of imitating official kiln wares in Ming Dynasty imperial kiln factories, and the real Song official kiln works depend on the imitation of ancient official kilns in Song Dynasty.

Among some official kiln works handed down in modern times, one of them should be the most successful imitation.

It is a special type of antique porcelain in the official kiln of Song Dynasty, and it is an official kiln cong bottle.

This official kiln cong bottle is simple and elegant and deeply rooted in the hearts of the people.

In the manufacture of porcelain in the Song Dynasty, a simple and elegant artistic style began to appear.

This is because the overall cultural accomplishment and humanistic aesthetics of the Song Dynasty have undergone major changes.

In the porcelain of the Tang Dynasty, the aesthetic point of view of the artwork is magnificent, complicated and gorgeous.

After the turmoil of the Five Dynasties and Ten Kingdoms War, this prosperous scene caused the rulers to live and dream, and finally became the king of subjugation.

The founder of the Northern Song Dynasty, Song Taizu Zhao Kuangyin, brought simple ideas into the theory of state governance when he summed up the reasons for the demise of the separatist regime in the Five Dynasties and Ten Kingdoms.

After decades of hard work in the early years of the Song Dynasty, the Song Dynasty began to present a simple social atmosphere.

In terms of clothing, architecture, and art, a simple and elegant artistic style also appeared.

In the firing process of porcelain, a fresh and elegant cultural atmosphere has also begun to appear.

Porcelain production in the Song Dynasty inherited the artistic features and skilled craftsmanship of the previous dynasties, and inherited some methods and systems of the previous dynasties.

In particular, the official kiln, a kiln mouth dedicated to the production of porcelain for the court, was set up.

The manufacture of official kiln porcelain is mainly the primary production of porcelain in the production place of porcelain clay.

Then the formed porcelain is sent to the designated official kiln mouth for glazing and subsequent firing.

The high-quality porcelain produced by the official kiln was sent to the palace for use and collection by the royal family.

The slightly flawed porcelain will be smashed on the spot and buried in the ground.

These fragments buried in the place of production are of great significance to the identification of later generations of porcelain.

Song Dynasty porcelain imitated a very special type of porcelain in addition to imitating many bronze ware shapes among the antique porcelain shapes, which is the cong bottle.

Cong, this kind of jade cong, first appeared in the form of jade, has a very long history in ancient my country.

Among them, the most famous source of jade cong is the Liangzhu area in the Jiangsu and Zhejiang regions.

This area belongs to the Neolithic period, which is also known as the Liangzhu culture.

In the Liangzhu culture, the most well-known artifact is the jade cong.

After studying the ritual system, later generations confirmed that the jade cong was mainly used as a ritual vessel for offering sacrifices to the earth.

The Song Dynasty's love for jade cong reached a very high level.

As a result, the shape of imitation jade cong also appeared in the production of porcelain, and the cong-shaped bottle is a typical representative of this kind of utensils.

The cong-shaped bottles of the official kilns of the Song Dynasty were fired in both the official kilns of the Northern Song Dynasty and the official kilns of the Southern Song Dynasty.

However, the firing process of the official kilns of the Northern Song Dynasty was not as proficient as that of the official kilns of the Southern Song Dynasty, and the shape of the utensils was relatively rough.

The shape of this device is made of an imitation of the ancient jade "cong", with a round mouth and a square body, and the outer wall of the device is divided into 6 sections from bottom to top.

The bottle is 13 cm high and 10.5 cm wide.

The shape is dignified and the whole body is covered with green glaze, the enamel is thick and moist, and there are many small patterns on the glaze surface.

There are 4 such cong-style vases from official kilns in the Northern Song Dynasty found in the world, one in Japan, one in England and one in Wanwan Forbidden City, and only one has been auctioned.

Official kilns, like Ru kilns, are beautiful in glaze color without ornamentation, and vertical vessels only have concave or raised string patterns or borders.

There are few types of utensils, except for pans and kuikou washers, most of them are in the shape of antique bronze ware.

This kind of cong-shaped bottle is one of the classics. Others include long-necked bottles, pierced ear bottles, pierced ears, animal ear stoves, etc., all of which are antiques.

This kind of blue-glazed cong bottle from the official kiln of the Northern Song Dynasty is available in various specifications.

For example, one found now has a height of 32.9, a caliber of 13, and a foot diameter of 15.2 cm;

Generally, this kind of bottle has a closed mouth, a square body with buttresses, round feet, and simplified animal-mask patterns between the four corners.

The whole body is covered with celadon glaze, the color is blue and slightly gray, the glaze surface is thick and warm, with large and small vertical and horizontal stripes.

The feet are brushed with purple-brown tire-protecting juice, and the fetal bone can be seen in light gray at the bumps, and the fetal quality is thicker than that of Southern Song Dynasty official kilns.

On the four corners of the shoulders, there is an inscription of "Guan, Yin, An, Ji" in italics engraved after leaving the kiln, which is the symbol of the nunnery.

The Bianjing official kiln developed after the Ru kiln. After the Jingkang disaster, the kiln site was buried six meters deep due to the diversion of the Yellow River.

But its products can still be confirmed from the line of inheritance.

This kind of cong-shaped bottle is elegant in shape, the curved surface of the mouth and neck is beautiful and smooth, and the large belly is round in the square, and square in the circle.

The cong-style vases of the official kilns of the Southern Song Dynasty and Longquan kilns that have been released so far are all square with straight walls.

The whole vessel takes the shape of an ancient cong, but it can accurately reproduce the essence of the Liangzhu culture jade cong.

Mainly arched walls, small committee horns and animal face patterns.

These are all in line with the personality of Song Huizong Zhao Ji, elegant and good at ancient jade art;

The decoration is centered on the four committee corners, and each row is vertically carved with five sections of animal face patterns, which are simple and atmospheric.