My system is not decent
Chapter 1610 The King of Porcelain
According to archaeological excavations, Juntai Kiln belongs to the nature of official kilns, and its products are all palace furnishings, with excellent porcelain art and high quality.
The Shenhou Liujiamen kiln in Yuzhou belongs to the typical folk kiln in the early Northern Song Dynasty.
The local area is rich in porcelain clay, glaze and fuel, and the nearby mountainous area is rich in copper ore-malachite.
Relying on the craftsmen's long-term experience in making porcelain and their understanding of the coloring mechanism of metal characteristics, the malachite is ground into powder, mixed with plant ash into the glaze, and reduced and roasted at high temperature, the ideal Junhong effect can be obtained.
Once this new craft is successful, it will attract the close attention of kilns all over the country, so it will be imitated in groups.
With Shenhou in Yuzhou as the center, the technology of firing Jun porcelain gradually spread to the surrounding areas.
In the imitation process, each kiln mouth not only paid attention to the original shape of Jun porcelain, but also added some new varieties according to their own characteristics.
For example, Xin'an Beiye Kiln and Shisi Kiln not only produce bowls and plate utensils, but also bottles, cans, furnaces, bowls, etc.
And in terms of glaze color, try to be similar to Song Dynasty Jun porcelain.
Among them, the kiln-changing rose glaze of Xin'an kiln is the best product.
Although most of the imitation Jun products in Nanhe are much inferior to Song Jun, there are also a few kilns that have maintained the traditional craftsmanship of Song Jun.
The Jun kiln porcelain at the mouth of these kilns has a wonderful kiln transformation, with red and purple contrasting each other, green like blue, purple like eggplant skin, crystal clear and shiny, achieving the artistic effect of radiance and beauty.
When it comes to Beihe, especially Cixian County, which is one of the main production areas of Cizhou kiln.
However, in the Yuan Dynasty, due to the influence of the Jun kiln in Yuzhou, in order to meet the needs of the vast number of Jun porcelain consumers, under the condition of fierce product competition, it had to change to burn Jun porcelain.
However, its production scale is small and its output is limited.
Secondly, Pengcheng, Guantai, Neiqiu, Longhua and other places also imitated Jun porcelain one after another.
In addition to Hunyuan in Xishan, Linfen, Changzhi and other places also imitated Jun porcelain.
However, the glaze is very thick and the workmanship is not good. The glaze color is mostly sky blue, and the exposed parts of the outside are sauce black.
This is quite different from the exposed parts of Jun kiln porcelain in Nanhe and Beihe provinces, and should belong to the unique style of Hunyuan kiln.
As for the Qingshuihe kiln site in Inner Mongolia and the Baita village in Hohhot, both Jun porcelain incense burners of the Yuan Dynasty were unearthed.
The Jun porcelain pierced high-seat amphora here is not only beautiful in shape and neatly made, but also beautiful in kiln and bright in glaze color.
This kind of incense burner is printed with the inscription "Self-made incense burner on September 1309, Jiyou year", and its firing date should be from Yuan Wuzong to the second year of Dadu ([-]).
The Jun porcelain incense burners with these inscriptions are indeed rare art treasures.
Of course, it is also a good material for dating the Jun kiln.
Due to the great reputation of Song Jun, since the Jin and Yuan Dynasties, the style of imitating Jun has spread all over the north and formed a huge kiln system.
At the end of the Yuan Dynasty, the Jun kiln system gradually declined, while Jun imitation became popular in the Jiangnan area.
In the Ming and Qing dynasties, the wind of imitating Jun quietly rose again.
According to the existing archaeological data, there are mainly Jinhua in Jiangsu and Zhejiang, Jingzhen in Xijiang, Yixing in Jiangsu, and Shiwan kiln in Guangdong in the south of the Yangtze River.
Jun kiln porcelain is extremely precious, and there are many folk sayings about this.
But the most complete summary is to talk about the first-hand Yongtao poems.
In Jiyuansou's "Ode to Tao Poems Junpen Song", he made a more comprehensive evaluation of Jun (also known as Jun) porcelain.
"The firewood kiln is not visible, only Yu Jun survives, and both you and you are all Song wares. The traces of mud drawn away by earthworms are old, and the oblique buckling of the scorpion is looming, so as to distinguish the fake from the real. After the Song Dynasty, there is no imitation. How ingenious good fortune is.
Ru Kiln Lake is glazed with agate, and if the finish is evenly purple, it can be precious.There are more kilns in Jun and less Ru, and the price of Jun in Song Dynasty is high.Uniform glazes range from blue to purple, and the purple ones are beautiful and bright for thousands of years.The green one is commonly known as the moon white, which is also elegant, beautiful and gentle.
Yuan porcelain blue is even similar to purple, even purple is greasy and uniform, with a little chalky sesame paste between the bottom, odd and even numbers are new, or even single and double are judged to be blue and purple, none of them are from the east of Qi.The flower pot has a seat shaped like a bowl, and one piece is worth a thousand cakes of silver.
I have a pot that is bigger than a bucket, and my face is beautiful and I look forward to it every day.Imitation purple is the most rare in the world, and the descendants passed down are not always poor. Thousands of peaks are emerald and a few eucalyptus are floating. After the rain, the clouds are broken and there is no dust.Purple is not expensive and some are expensive.The world turned Judah's wheel.
How can we predict the changes of the mud, the tear stains flow below the water, and the tears flow away are different, and the name is dry and moist for a reason.The tear marks are amazing and arrogant, and the dryness should be better than dryness with luster.There are five yards at the bottom and four yards, and the hexagonal concave shallow lips.
There are seven hundred years of hidden treasures, so why bother Waxi to praise Han and Qin.Once it was spread that it belonged to an old man in the village, which made Wu Jianer old and sick.Small pines and chrysanthemums are quite visible, so be careful not to lose them and increase your sorrow. "
In this poem praising the Jun porcelain basin, the natural and unparalleled demeanor of Jun porcelain has been clearly described.
The gorgeous and wonderful colors of Jun porcelain are naturally formed during firing.
Or like beautiful jade, the so-called "like jade is not like jade, but like jade";
Or like the blue sky; dark blue in the purple, white in the blue, and red in the white.
That is to say, "one color enters the kiln, and ten thousand colors come out of the kiln".
Especially miraculous, the kiln changes like an image, and a wonderful scene emerges.
Or like green mountains and shadows of sails in a secluded pool;
Or like snow-covered Nanling and Yunuan Glacier;
Or like the sky is full of stars, and the jackdaws return to the forest;
Or like fairy mountains ringing pavilions, flying clouds and flowing water;
They are all lifelike, like freehand brushwork in splashed ink, and their magic is definitely beyond the reach of the minds of the world's best painters.
Because its color and shape are all natural, the so-called Taoism follows nature.
The ancients once had a poem praising it: "Green is like the first birthday of spring water, and red is like the morning glow when it is about to rise. The sky is full of smoke and stars, and the purple green suddenly turns into haze at sunset."
Where the colors of Jun porcelain blend and flow, it may be like a rainbow in the sky after the rain;
Or like waterfalls in deep canyons and open valleys;
It is hazy and indistinct, like astronomical phenomena and terrestrial culture, which attracts people's endless reverie.
Looking at its endless changes, everyone thinks that they have a unique state of comprehension.
Watch the kiln change its charm and color, and listen to the sound of Jun porcelain opening. "Jun porcelain, its color can be admired, and its sound can be heard.
The sound of Jun porcelain opening and cracking is like a bell like a spring, subtle and cold;
It's like a zither like a stream; hearing it in a quiet night makes one completely forget oneself.
Its cracking lines are like crab claws, spider webs, and ice cracks. The glaze surface is crystal clear, and the texture is fine and impressive.
The glaze is even more like pearls, with stars, streams and galaxies, lustrous and eye-catching. This is the charm of Jun Porcelain House besides the color.
There are five colors in the world, and they are ever-changing, not to mention the natural color of Jun porcelain, which is even more changing, so there are no two pieces of Jun porcelain that are the same in the world, so-called "Jun Wushuang".
In addition, Jun porcelain is extremely difficult to fire, and there is a saying that "nine out of ten kilns will fail".
The emperors of all dynasties have all designated it as a royal treasure, exclusive to the court and strictly forbidden to the people, which also means "the king is unparalleled".
The five famous porcelains in my country are Jun, Ru, Guan, Ge, and Ding, with Jun porcelain as the leader, and they are called the king of porcelain.
Other porcelains can be used in the high halls of noble officials, and can be used in the shabby houses of commoners, but Jun porcelain is rare among the people from the emperor's house, and its auspiciousness is unknown.
Therefore, it has the reputation of "gold is priceless and Jun porcelain is priceless", and "even if you have a lot of wealth, it is not as good as a piece of Jun porcelain".
This Shenjun porcelain can only be fired in Shenhou Town, Yuzhou (Junzhou), Henan, and it must be related to the local water and soil.
Nowadays, Jun Porcelain has gradually been cherished by the world, and the magic and magnificence of Jun Porcelain has become more and more known and appreciated by people.
The Shenhou Liujiamen kiln in Yuzhou belongs to the typical folk kiln in the early Northern Song Dynasty.
The local area is rich in porcelain clay, glaze and fuel, and the nearby mountainous area is rich in copper ore-malachite.
Relying on the craftsmen's long-term experience in making porcelain and their understanding of the coloring mechanism of metal characteristics, the malachite is ground into powder, mixed with plant ash into the glaze, and reduced and roasted at high temperature, the ideal Junhong effect can be obtained.
Once this new craft is successful, it will attract the close attention of kilns all over the country, so it will be imitated in groups.
With Shenhou in Yuzhou as the center, the technology of firing Jun porcelain gradually spread to the surrounding areas.
In the imitation process, each kiln mouth not only paid attention to the original shape of Jun porcelain, but also added some new varieties according to their own characteristics.
For example, Xin'an Beiye Kiln and Shisi Kiln not only produce bowls and plate utensils, but also bottles, cans, furnaces, bowls, etc.
And in terms of glaze color, try to be similar to Song Dynasty Jun porcelain.
Among them, the kiln-changing rose glaze of Xin'an kiln is the best product.
Although most of the imitation Jun products in Nanhe are much inferior to Song Jun, there are also a few kilns that have maintained the traditional craftsmanship of Song Jun.
The Jun kiln porcelain at the mouth of these kilns has a wonderful kiln transformation, with red and purple contrasting each other, green like blue, purple like eggplant skin, crystal clear and shiny, achieving the artistic effect of radiance and beauty.
When it comes to Beihe, especially Cixian County, which is one of the main production areas of Cizhou kiln.
However, in the Yuan Dynasty, due to the influence of the Jun kiln in Yuzhou, in order to meet the needs of the vast number of Jun porcelain consumers, under the condition of fierce product competition, it had to change to burn Jun porcelain.
However, its production scale is small and its output is limited.
Secondly, Pengcheng, Guantai, Neiqiu, Longhua and other places also imitated Jun porcelain one after another.
In addition to Hunyuan in Xishan, Linfen, Changzhi and other places also imitated Jun porcelain.
However, the glaze is very thick and the workmanship is not good. The glaze color is mostly sky blue, and the exposed parts of the outside are sauce black.
This is quite different from the exposed parts of Jun kiln porcelain in Nanhe and Beihe provinces, and should belong to the unique style of Hunyuan kiln.
As for the Qingshuihe kiln site in Inner Mongolia and the Baita village in Hohhot, both Jun porcelain incense burners of the Yuan Dynasty were unearthed.
The Jun porcelain pierced high-seat amphora here is not only beautiful in shape and neatly made, but also beautiful in kiln and bright in glaze color.
This kind of incense burner is printed with the inscription "Self-made incense burner on September 1309, Jiyou year", and its firing date should be from Yuan Wuzong to the second year of Dadu ([-]).
The Jun porcelain incense burners with these inscriptions are indeed rare art treasures.
Of course, it is also a good material for dating the Jun kiln.
Due to the great reputation of Song Jun, since the Jin and Yuan Dynasties, the style of imitating Jun has spread all over the north and formed a huge kiln system.
At the end of the Yuan Dynasty, the Jun kiln system gradually declined, while Jun imitation became popular in the Jiangnan area.
In the Ming and Qing dynasties, the wind of imitating Jun quietly rose again.
According to the existing archaeological data, there are mainly Jinhua in Jiangsu and Zhejiang, Jingzhen in Xijiang, Yixing in Jiangsu, and Shiwan kiln in Guangdong in the south of the Yangtze River.
Jun kiln porcelain is extremely precious, and there are many folk sayings about this.
But the most complete summary is to talk about the first-hand Yongtao poems.
In Jiyuansou's "Ode to Tao Poems Junpen Song", he made a more comprehensive evaluation of Jun (also known as Jun) porcelain.
"The firewood kiln is not visible, only Yu Jun survives, and both you and you are all Song wares. The traces of mud drawn away by earthworms are old, and the oblique buckling of the scorpion is looming, so as to distinguish the fake from the real. After the Song Dynasty, there is no imitation. How ingenious good fortune is.
Ru Kiln Lake is glazed with agate, and if the finish is evenly purple, it can be precious.There are more kilns in Jun and less Ru, and the price of Jun in Song Dynasty is high.Uniform glazes range from blue to purple, and the purple ones are beautiful and bright for thousands of years.The green one is commonly known as the moon white, which is also elegant, beautiful and gentle.
Yuan porcelain blue is even similar to purple, even purple is greasy and uniform, with a little chalky sesame paste between the bottom, odd and even numbers are new, or even single and double are judged to be blue and purple, none of them are from the east of Qi.The flower pot has a seat shaped like a bowl, and one piece is worth a thousand cakes of silver.
I have a pot that is bigger than a bucket, and my face is beautiful and I look forward to it every day.Imitation purple is the most rare in the world, and the descendants passed down are not always poor. Thousands of peaks are emerald and a few eucalyptus are floating. After the rain, the clouds are broken and there is no dust.Purple is not expensive and some are expensive.The world turned Judah's wheel.
How can we predict the changes of the mud, the tear stains flow below the water, and the tears flow away are different, and the name is dry and moist for a reason.The tear marks are amazing and arrogant, and the dryness should be better than dryness with luster.There are five yards at the bottom and four yards, and the hexagonal concave shallow lips.
There are seven hundred years of hidden treasures, so why bother Waxi to praise Han and Qin.Once it was spread that it belonged to an old man in the village, which made Wu Jianer old and sick.Small pines and chrysanthemums are quite visible, so be careful not to lose them and increase your sorrow. "
In this poem praising the Jun porcelain basin, the natural and unparalleled demeanor of Jun porcelain has been clearly described.
The gorgeous and wonderful colors of Jun porcelain are naturally formed during firing.
Or like beautiful jade, the so-called "like jade is not like jade, but like jade";
Or like the blue sky; dark blue in the purple, white in the blue, and red in the white.
That is to say, "one color enters the kiln, and ten thousand colors come out of the kiln".
Especially miraculous, the kiln changes like an image, and a wonderful scene emerges.
Or like green mountains and shadows of sails in a secluded pool;
Or like snow-covered Nanling and Yunuan Glacier;
Or like the sky is full of stars, and the jackdaws return to the forest;
Or like fairy mountains ringing pavilions, flying clouds and flowing water;
They are all lifelike, like freehand brushwork in splashed ink, and their magic is definitely beyond the reach of the minds of the world's best painters.
Because its color and shape are all natural, the so-called Taoism follows nature.
The ancients once had a poem praising it: "Green is like the first birthday of spring water, and red is like the morning glow when it is about to rise. The sky is full of smoke and stars, and the purple green suddenly turns into haze at sunset."
Where the colors of Jun porcelain blend and flow, it may be like a rainbow in the sky after the rain;
Or like waterfalls in deep canyons and open valleys;
It is hazy and indistinct, like astronomical phenomena and terrestrial culture, which attracts people's endless reverie.
Looking at its endless changes, everyone thinks that they have a unique state of comprehension.
Watch the kiln change its charm and color, and listen to the sound of Jun porcelain opening. "Jun porcelain, its color can be admired, and its sound can be heard.
The sound of Jun porcelain opening and cracking is like a bell like a spring, subtle and cold;
It's like a zither like a stream; hearing it in a quiet night makes one completely forget oneself.
Its cracking lines are like crab claws, spider webs, and ice cracks. The glaze surface is crystal clear, and the texture is fine and impressive.
The glaze is even more like pearls, with stars, streams and galaxies, lustrous and eye-catching. This is the charm of Jun Porcelain House besides the color.
There are five colors in the world, and they are ever-changing, not to mention the natural color of Jun porcelain, which is even more changing, so there are no two pieces of Jun porcelain that are the same in the world, so-called "Jun Wushuang".
In addition, Jun porcelain is extremely difficult to fire, and there is a saying that "nine out of ten kilns will fail".
The emperors of all dynasties have all designated it as a royal treasure, exclusive to the court and strictly forbidden to the people, which also means "the king is unparalleled".
The five famous porcelains in my country are Jun, Ru, Guan, Ge, and Ding, with Jun porcelain as the leader, and they are called the king of porcelain.
Other porcelains can be used in the high halls of noble officials, and can be used in the shabby houses of commoners, but Jun porcelain is rare among the people from the emperor's house, and its auspiciousness is unknown.
Therefore, it has the reputation of "gold is priceless and Jun porcelain is priceless", and "even if you have a lot of wealth, it is not as good as a piece of Jun porcelain".
This Shenjun porcelain can only be fired in Shenhou Town, Yuzhou (Junzhou), Henan, and it must be related to the local water and soil.
Nowadays, Jun Porcelain has gradually been cherished by the world, and the magic and magnificence of Jun Porcelain has become more and more known and appreciated by people.
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