My system is not decent

It is because of its various unique aesthetic feelings that later generations highly admire Jun porcelain, especially the glaze color.

Among them, purple has the highest evaluation.

Liu Zifen, who is close to me, said it in "Bamboo Garden Tao Shuo".

"A Jun kiln vessel is worth tens of thousands of gold. In the Song Dynasty, purple was like ripe grapes. It was extremely rich and beautiful. Ziding and Zijun were all pure colors."

In addition to the one color that enters the kiln and the variety of colors that come out of the kiln, Jun porcelain also needs attention in other characteristics.

For example, earthworms lead away mud lines, what is this?

That is to say, in the glaze, there are glaze traces extending meandering, of different lengths, from top to bottom, just like earthworms swimming in the soil.

The reason for this is that the porcelain body of Jun kiln is bisque-fired before being glazed.

In addition, the glaze is very thick, and the glaze layer will crack when it is dry or at the beginning of firing.

Later, in the high temperature stage, it was caused by the glaze with lower viscosity flowing into the void.

When it first appeared, this feature must be a defect, but it has become a unique feature when it is passed down to the present.

Features like this exist widely in Jun porcelain.

Jun porcelain in the Song Dynasty mostly appeared in the shape of utensils, such as flower pots, flower holders, bottles, washing, cups, dowry, statues, bowls, basins, plates, pots, stoves, etc.

Generally, these porcelains have various characteristics of Jun porcelain.

And here, it can also be seen that there are many middle-grade Jun porcelains.

Among them, flowerpots for growing flowers are mostly, followed by washers and pots for stationery.

Thirdly, it is aesthetic, implying power, and ancestor worship bottles, statues, furnaces, tripods, etc.

These three types of works have risen from simple daily necessities to spiritual needs.

Marking the function of Jun porcelain is dedicated to aesthetic needs, highlighting a kind of "elegant" taste.

If these are thoroughly researched, then it will be easier to copy the Jun kiln.

But if you want to re-burn Jun Kiln, you must know the rise of Jun Kiln.

Because the rise of a famous kiln often drives many kilns to become extremely prosperous.

The rise of Jun Kiln has been mentioned before.

The rise of Jun kiln is closely related to the successful firing and development of Lushan flower porcelain in Tang Dynasty.

Flower glaze porcelain is decorated with sky blue or moon white spots on black glaze, yellow glaze, sky blue glaze or tea powder glaze.

Some of the spots are neatly arranged, and some are randomly stippled.

Since most of them are decorated on dark glazes, the light-colored spots are more fresh and elegant.

The types of this kind of flower glaze ware include jars, double-line pots, flower-mouthed vases, gourd-style bottles, three-legged plates, waist drums, etc.

Pots and cans are the most common.

There are many double series of tanks, generally plump in shape, with large colorful spots.

Therefore, the momentum is solemn and generous, with a typical charm of the Tang Dynasty.

The emergence of glazed porcelain in the Tang Dynasty laid a good technical foundation for the rise of Jun porcelain.

After the development of the late Tang Dynasty and the Five Dynasties and Ten Kingdoms, ceramic technology has been further improved.

Especially in the Northern Song Dynasty, with the recovery and development of production, the continuous improvement of agricultural technology promoted the progress of handicraft industry.

In particular, Bianjing, the capital of the Northern Song Dynasty, was the political, economic and cultural center of the country at that time.

The unification of the country and the development of production have enabled the rapid development of Jun porcelain handicraft industry.

At that time, official kilns were on the rise, and there were many private kilns, and kiln mouths from all over the country competed for glory.

Therefore, among the five famous kilns, Ru Kiln, Guan Kiln, and Jun Kiln are all located in Nanhe.

Among them, Jun porcelain is not only loved by the people, but also favored by the official court because of the beautiful art of kiln transformation.

The official family at that time monopolized the Jun kiln as an official kiln.

In the late Northern Song Dynasty, a kiln was specially set up near the Juntai in the north gate of Yuzhou City, the hometown of Jun porcelain, to make imperial articles for the court.

The palace has always been luxurious and extravagant, with strict selection of materials, regardless of cost.

Therefore, the technical requirements are higher, and the porcelain produced in this way is naturally all high-quality goods.

At this time, the Jun kiln was also replaced by

The production of folk bowls and dishes for daily life has become the main burning of various flower pots and pots, as well as art furnishings such as statues, bottles, and stoves.

After the change, the burned Jun porcelain was prohibited from being circulated among the people.

At that time, the kilns were opened by officials sent by the government to supervise and select those who passed the election, and the rest were all smashed up and buried deep on the spot.

From now on, everyone can only look at the kiln and sigh, but the reputation of Jun porcelain is even higher.

All kinds of beautiful words are also full of folks.

The shape is dignified and the skills are skilled.

The kiln is beautiful and full of beautiful things.

There are too many changes to count.

Entering the kiln is one color, leaving the kiln is multicolored.

Jun porcelain is unparalleled, and kiln changes are unparalleled.

Thousands of changes, infinite artistic conception.

These are the hallmarks and characteristics of Jun porcelain.

Among Jun porcelains, red and purple are the bases.

These two glaze colors melt and intersect, shaped like flowing clouds, bright like sunset clouds, and unpredictable.

In particular, Jun Kiln Purple has a fascinating artistic charm and is unique in the garden of vying for beauty.

According to the archaeological drilling of the Juntai kiln and the data obtained from the excavation, the prosperity of Jun porcelain was around the end of the Northern Song Dynasty during the Song Huizong period (1101-1125), that is, the golden age of Jun porcelain.

Jun porcelain rose from the Tang Dynasty, and in the early years of the Northern Song Dynasty, it was in full bloom, won the reputation, and was loved by the majority of users.

In particular, the successful firing of copper-red glaze on Jun porcelain and its complicated mechanism of kiln transformation make Jun kiln gorgeous and colorful, beautiful and unique, with red and purple contrasting each other, which is beyond the reach of other kilns.

At the end of the Northern Song Dynasty, it was once judged as an official kiln by the court.

On the one hand, skilled craftsmen are gathered from the folk to produce according to the style designed by the palace.

At the same time, various measures were adopted to restrict the production of Jun porcelain among the people.

Even among the royal wares fired by the Juntai kiln for the palace, except for the finished products after selection, the unqualified and defective products were all smashed and buried deeply, and it was forbidden to circulate among the people.

Such high standards and strict requirements have greatly promoted the improvement of Jun porcelain technology.

However, the stricter the control, the more serious the sneak attack and the wider the spread.

Therefore, since the Song Dynasty, the imitation of Jun has spread to the whole country.

Especially in the Jin and Yuan Dynasties, it was even more popular, and it has recently reached the level of recovery.

In the area around Shenhou Town, Yuzhou, the hometown of Jun Porcelain, from the rise of Zhaojiamen's flower glaze in Tang Dynasty to Liujiamen kiln in the early Northern Song Dynasty, it has been successful.

In the late Northern Song Dynasty, the official Jun Kiln was set up in the ancient Jun Terrace in the north gate of Yuzhou City.

Because Jun porcelain is famous all over the world, various places compete to imitate it, and with Yuzhou as the center, a huge Jun kiln system has been formed.

According to archaeological surveys, kilns for firing Jun porcelain have been found in 27 counties and cities in four provinces in northern my country.

[In view of the general environment,

In addition to Yuzhou, Nanhe includes Ruzhou, Jiaxian, Xuchang, Xinmi (formerly Mixian), Dengfeng, Baofeng, Lushan, Neixiang, Yiyang, Xin'an, Jiaozuo, Huixian, Qixian, Junxian , Hebi, Anyang, Linzhou (formerly Lin County);

There is a famous Ci County in Beihe Province;

There is Hunyuan County in Xishan, and then Inner Mongolia and other places.

Among the kiln products in various places in Nanhe, Shenhou Liujiamen Kiln is the representative work in the early Northern Song Dynasty.

The products of Juntai Kiln are the most exquisite.