My system is not decent

In the Hongzhi period, utensils in the early and middle periods were roughly the same as Chenghua, and even more slender and softer than Chenghua.

In the later period, it was close to Zhengde ware.

The flower and leaf patterns are fine and dense, the Sanskrit patterns are increased, the dragon patterns are slender and soft, and the characters are free and easy.

The inscriptions are both six-character and four-character regular script.

Zhengde still uses domestic materials. In the early stage, it used equal green, and the hair color was grayish blue.

In the late stage, it is used to turn green, and some faint.

The shape, tire quality and enamel of its utensils are similar to those of Hongzhi, and the air bubbles are dense.

Deep belly bowls, utensils with seats, etc. are popular.

In the later stage, there are more big ones.

Common decorations include phoenix flowers, fish and algae, lion hydrangea, garden baby play, tree and stone railings, lotus and eight treasures, etc. The paintings are thicker than those of Hongzhi.

When the bottom of the bowl is crushed, the bottom of the bowl appears like a chicken heart.

There are many phenomena such as kiln red, sticky sand, and jumping knife marks on the bottom of the vessel.

There are four-character and six-character regular script inscriptions, and the word "zao" is used in some cases.

After Zhengde, it was the late Ming Dynasty.

Among the three dynasties of Jiajing, Longqing and Wanli, Jiajing lasted the longest, so the hair colors of the utensils in this dynasty are not the same.

The early ones are similar to Zhengde ware, with gray-blue hair color.

But what is unique about this issue is the use of recycled green materials.

In addition to traditional decorations that are still popular, Taoist-colored decorations have increased a lot.

Such as Yunhe, Eight Immortals, Eight Diagrams, Taoist Eight Treasures, etc.

The flower group characters are unique decorations, in addition to baby play, Gao Shi, fish and algae pictures, etc.

The doll's head in the baby play picture has a prominent forehead.

Both the tire and the glaze are fine in the small ones, thick in the big ones, and more in the big ones.

Octagonal, square, hexagonal, gourd bottles with upper circle and lower form are common.

The chao bead box is a unique device for chao chao.

Both "zhi" and "zao" are used in inscriptions, and the word "zhi" is mostly used.

The heart book on the bottom of the utensil "Jinlu Dajiao Altar" is a sacrificial utensil.

There are also famous halls such as Dongshutang and Dongluoguan.

Due to the short period of the Longqing Dynasty, there were fewer utensils, and even fewer large utensils and dated utensils.

The green material is green, the color is stable and pure, and the blue is purple, not as purple as the Jiajing wares.

The decoration is similar to that of the Jiajing Dynasty, because it is mainly small pieces, and the body and glaze are more delicate.

More hexagonal, octagonal and other shapes.

There are two kinds of inscriptions on official kiln wares, "Made in the Longqing Year of the Ming Dynasty" and "Made in the Year of Longqing", and the inscription "Zhi" is not seen;

The folk kiln wares have four characters of "Longqing Nianzao" or "Zao";

The auspicious words include Wanfu Youtong, Fushou Kangning, etc., and the ode words include rich and precious artifacts.

Huiqing was used in the early Wanli period, Shiziqing and Zhejiang materials were used in the middle and late period, and blue and white were mostly painted in light.

In addition to traditional decorations, brocade consecrated decorations are also popular;

The layout of the decorations is dense and the theme is not clear. In addition, the characters Fu Lu Shou are often used as decorations.

Bottles are often hollowed out, with loops and other processes.

In addition to the traditional ones, there are new wall bottles.

The fetal quality is relatively thick, and the glaze is white and bluish.

Most of the inscriptions are "made in the Wanli period of the Ming Dynasty", and there are also "made in the Wanli period of the Ming Dynasty" and "made in the Wanli period";

There are many false entrustments, including Xuande, Chenghua, and Jiajing.

In general, the level of craftsmanship has regressed from the previous ones.

After Wanli, even at the end of Ming Dynasty, there were two dynasties, Tianqi and Chongzhen.

During this period, due to political turmoil, all industries were in decline, and the ceramic industry was also depressed.

Nineteen years after the apocalypse, the imperial court did not order official kiln wares.

Therefore, there are very few relics made in the year of Tianqi, mainly the "Great Tomorrow Qi Year", and there are also "Apocalypse Years".

In folk kiln wares, various pictorial inscriptions, hall name inscriptions, auspicious language inscriptions, and eulogy inscriptions have increased.

Such as Yutang Jiaqi and Wanfuyou are the same;

There are many fake entrusted funds, including Yongle, Xuande, Chenghua, Tianshun, Zhengde, Jiajing and other dynasties, among which only Tianqi entrusted false entrusted funds.

The decorations are still dominated by traditional decorations, but the decorations with Taoist content are less than those of Wanli, and the pictures are rough.

The ornamentation in this period is more sparse, and the atmosphere of life is heavier.

Thick carcass, coarse and loose tire quality, irregular shape, sticky sand on the bottom, collapsed bottom, and jumping knife marks have become the characteristics of the times.

There are no official vessels in Chongzhen, and there are not many types of vessels, and bowl-type furnaces are more common.

In addition, there are bowls, cups, bottles, flower goblets and so on.

Green materials include stone green, Zhejiang materials and so on.

Those with thick hair color are more dizzy, while those with fine hair color are stable.

In addition to traditional themes, decorative patterns are especially common in Gaoshitu.

The child in the baby play picture has a big head and small feet, and the proportions are not harmonious.

The typical features of the landscape figure map (Gao Shi map) are mid-autumn grass, bracket clouds, and a small sun.

The texture of the fetus is rough, the glaze is white and blue, and some are gray.

This kind of porcelain is actually not good, even if it is official kiln porcelain, the value should not be high.

However, Chongzhen was the last emperor, not to mention there was a Chongzhen unofficial device, which gave some people an opportunity.

What is certain now is that there are almost no inscriptions from Chongzhen porcelain organ kilns.

However, folk kilns are common.

There are Boguzhai, Yu Sitang, Songshiju, Yuxiangzhai, etc.

In addition, there are some entrusted funds from the previous dynasty.

In this way, if an official Chongzhen official kiln can appear, even if the quality is not very good, its value should be very high.

Still the same sentence, rare things are precious!

Although there are few Chongzhen official kiln wares, there should be some.

According to general reasoning, the official kiln inscription should be the two-line six-character regular script blue and white double-circle inscription "Made in Chongzhen, Ming Dynasty".

The small cup with the figure picture in the collection of the Maritime Museum belongs to this type.

There are often inscriptions of a certain year in Chongzhen on temple offerings and some cutting utensils.

On the bottom of some plates and bowls, there is a stamp-shaped inscription with the character "Fu" in cursive script or regular script.

There are really quite a few such porcelains, even if they are official porcelains, although not many have been found now, there are still more than a dozen pieces.

Artifacts with official money in the Chongzhen period are rare, but there are still "Da Ming Chongzhen Year System" and "Chongzhen Ding Chou" (Chongzhen Ten Years, AD 1637) and so on.

During this period, folk kilns were popular, so there were many hall names, personal names, and auspicious words.

In addition to those mentioned before, there are also such as "Xiangfengtang", "Jiawuchun Mengzhao Mansion Made Use", "Wealth and Good Artifacts" and so on.

During the Chongzhen Dynasty, a total of 17 years were spent in wars.

Therefore, although the production of official kilns did not come to an absolute standstill, in the porcelain industry during this period, official kilns had no place.

Chongzhen folk kiln porcelain, the varieties seen from the handed down products, include blue and white and five colors.

From the late Wanli period through Apocalypse, Chongzhen and Shunzhi in the early Qing Dynasty to the early Kangxi period, the export of blue and white folk kilns was particularly prosperous during this period.

Chongzhen blue and white is at the turning point from the late Wanli period to the early Kangxi period of the Qing Dynasty. According to the materials that have been obtained, it can still be identified.

The blue and white porcelain of the Chongzhen period can be divided into fine wares and rough wares.

The fine wares are better made, the glaze is blue but still bright, the blue and white color is less gray and black, and some are quite bright.

The rough device has a lying foot sole, which is filled with sand.

The knife marks on the bottom of the disk are obvious, and the blue and white color is gray.

The bottom glaze of the utensils has orange peel patterns, the bottom glaze is blue in color, and the body glaze is less orange-yellow.

There are joint marks on the cutter, and some utensils have sauce mouths.

The shapes of the utensils include plates, bowls, washers, bottles, bowls, jars, pen holders, flower goblets, elephant-leg vases, and temple offerings such as candlesticks, incense burners, and water purification bowls.