My system is not decent

The colored porcelain of the Hongzhi period, in addition to the white ground, also had a yellow ground.

The value of the yellow ground is higher, but the porcelain of the white ground, if the quantity is rare, is not low.

For example, Hongzhi's white ground and green colored ware are extremely rare handed down.

However, in the Qing Dynasty, there were only imitations, most of which were imitations of Emperor Kangxi.

There are not only plates and bowls, but also cutting utensils such as plum vases.

In addition to the green color on white ground, there are also green color wares on yellow ground.

The Forbidden City Museum in Wanwan area contains small bowls with yellow ground and green colors and double dragons playing with pearls and tall bowls.

The front one of this kind of small bowl has the six-character block script official inscription "Daming Hongzhi Year System", and the latter one has the four-character seal character engraved "Hongzhi Year System" in the heart.

This kind of yellow-glazed and green-colored variety has recently been unearthed in the ruins of the imperial factory in Jingzhen City, and Yongle products have been excavated.

There are two kinds of red-colored porcelain on Hongzhi glaze, white ground red color and blue-and-white porcelain red color.

In addition, there are also three-color wares on white ground, which are red, yellow and malachite green.

The Forbidden City Museum in the Wanwan area has such a dish with three clouds and dragon patterns.

The white ground sauce color and the blue and white porcelain yellow color were also produced in the Hongzhi Dynasty. Like the previous dynasties, the main products were fruit dishes with folded branches.

The Hongzhi yellow-glazed gold colored pots in the Shendu Palace Museum show that Hongzhi's pottery with gold painting is also very exquisite.

But to imitate these Hongzhi masterpieces, one must pay attention to style recognition.

Because apart from the already mentioned National Palace Museum in the Wanwan area, the yellow-ground green-colored goblets in the collection are inscribed in four-character seal characters of "Hongzhi Year System", all of which are "Daming Hongzhi Year System" two-line six-character block letters with double circles , I can’t see the double-frame square models of the Chenghua Dynasty in the Ming Dynasty.

The inscriptions of folk kiln wares include the square inscriptions of "made in the year of a thousand sons", the square inscriptions of "made in the next year", the square inscriptions of the variant "Fu", and the ingots of silver ingots.

According to Chen Wenzhe's experience, if you want to imitate well, you must know some identification points.

Just talk about Hongzhi porcelain, you need to know what kind of porcelain in the Hongzhi period, what are the defects of the imitation products, and where the imitation is not good.

For example, Hongzhi Porcelain is the continuation of Chenghua Porcelain, with clean tires and moist glaze.

In addition, Hongzhi official kiln wares and Chenghua wares also have a jade texture.

The Hongzhi glaze is white with a hint of gray, and some are even bluish.

The glaze color of the base and body of the utensils is not as uniform as that of typical Chenghua porcelain, and there are still differences.

The base of the utensils is relatively short, and there are no utensils with high bases.

The phenomenon of plate collapse is the most typical phenomenon in the Ming Dynasty, and the center of the plate must be concave.

"Daming Hongzhi year system", the three dots next to the water of the word "zhi", most of which are lower than the word "tai".

What is mentioned here is only "on paper", if you want to improve your appreciation level, you need to get started with more authentic products.

The real things are often in museums, so what should I do if I want to get started?

We can only look at inheritance, relationship, etc., so some expert appraisals are either from families with inheritance, or from related households with connections.

For example, if you have a relationship, you can enter a museum, or you can work in a museum or an archaeological team.

Only by frequent contact can one become a master of identification.

For antique craftsmen, only by knowing everything and being able to identify can they imitate well.

You don't even understand the advantages and disadvantages of a kind of porcelain, even if the technology is superb, the imitation is likely to be fake at a glance.

This time, through the Sanqiu Cup, there are a large number of cups that Chen Wenzhe can imitate and wants to imitate.

Let's go and give it a try. 】

Of course, with the addition of other glaze colors, other types of utensils, and treasures from other historical periods, there will be more imitations.

Just do it step by step. The cups are simple in shape, except for Sanqiu cups, chicken pot cups, etc., he doesn't want to do it.

Because the glaze is well prepared, it is not difficult to imitate other types of cups.

Now that he wants to make a series of yellow glazes, he naturally chooses some difficult and rare ones.

For example, the Hongzhi yellow-glazed gold-painted ware mentioned earlier has a representative work.

Among the Hongzhi yellow-glazed porcelain, the most unique one must not be forgotten, that is, the yellow-glazed gold pot.

Yellow-glazed pottery with painted gold was unique to the Hongzhi Dynasty of the Ming Dynasty.

It can be seen from this that during the Hongzhi period of the Ming Dynasty, yellow glazed porcelain not only had good craftsmanship, but also knew innovation.

This is the way to identify Hongzhi yellow-glazed porcelain, and this is the experience we have accumulated in our collection.

Of course, with archaeological discoveries, these laws may be broken in the future.

However, these experiences are still applicable now.

Ming Hongzhi yellow-glazed gold-painted amphora is not small, with a height of 31.6 cm, a diameter of 18.8 cm, and a bottom diameter of 17 cm.

This kind of jar has a straight mouth and a slippery shoulder.

Tapered below the shoulders, flat bottomed.

Between the mouth and the shoulders are placed symmetrical curved belt-shaped ears.

Mouth and base are about the same size.

White glaze is applied inside the tank, and yellow glaze is applied outside.

There are 7 golden string patterns on the top and bottom of the tank, 2 blue and white lines on each ear, two cows painted in gold on the opposite sides of the lower abdomen, and the bottom is plain and unglazed.

This tank forms a plump and well-proportioned shape with soothing curves.

Although the body is huge, there is no sense of clumsiness, and the beauty of handsomeness is revealed in the simplicity.

The yellow glaze on the pot is light and elegant in color, and the golden string pattern is shining, giving the decorative effect a noble and elegant effect.

It's just that this kind of nobility and elegance is piled up with money.

It is also because the production cost of this kind of porcelain is high, so there are fewer high imitations.

No way, counterfeiting also needs to control costs.

Therefore, it is okay to do some low-level imitation, but if you really want to do high-level imitation, the investment cost will be too high.

If the technology is not up to par, the cost of consumption will be even higher.

Even if the fakes are profitable, they still need to control this kind of high-investment behavior.

And this is why Chen Wenzhe can do it, but the other craftsmen under him can't.

Even if they have a factory backing, they dare not make this kind of porcelain easily.

Although they all have the heart to become a master, they also need to consider profits, because they get a commission.

A person must first be full and well-fed before he can pursue his ideals.

Chen Wenzhe doesn't have any concerns in this regard, so he only needs ideals.

The main reason is that I came to the factory, and the inspiration I can get here is really too much.

It turned out that when he was in South Vietnam, he thought about what to do, and there was no certain pattern.

Well now, all he can think of is high-quality goods, because all he sees here are high-quality goods.

Of course, high-quality goods are also divided into top-level ones, such as the grades assigned to porcelain according to the ranks of the royal family just now.

But what he does now, of course, can't look at a generation, but look at hundreds of years.

For example, during the entire Ming Dynasty, how many fine porcelains were born?

Hongwu underglaze red, Yongle sweet white, Yongxuan blue and white, Xuande colorful, Chenghua bucket color, Hongzhi yellow.

These are the six famous porcelains of the Ming Dynasty. If you want to improve your technology and make high imitations, you must avoid these six kinds of porcelain.

Underglaze red Chen Wenzhe is a bowl of understanding, no matter what kind of red, he can do it.

He also did it in South Vietnam before, and that batch of porcelain has now been shipped back to China.

Then there is blue and white porcelain, whether it is Yongxuan blue and white or Yuan blue and white, he has some experience and is confident that he can do it well.

Of course, he really didn't make Yongxuan blue and white flowers on purpose.