My system is not decent

Gorgeous peonies, delicate roses, elegant lotuses, beautiful pictures are presented in front of Chen Wenzhe.

Only when all the paints at hand were used up did Chen Wenzhe stop what he was doing.

Among the dozens of flowers and several flower and bird paintings, the most beautiful ones are definitely the peony and golden pheasant.

Not to mention peony, Chen Wenzhe likes it the most and does the most.

Now even if he shifted his position to cloisonné enamel painting, his skills are still very good, and what he makes is naturally beautiful.

The peony is graceful and luxurious, and it adopts the expression method of unlined scenery, and the painting methods are rich and varied.

In terms of composition, the form of "folded branches and flowers" is often adopted, that is, the most characteristic parts of natural flowers are extracted into the painting, which is more delicate and moving than the overall depiction.

Now Chen Wenzhe's flower-and-bird paintings are very mature, reaching perfection in terms of pictograms, artistic conception, and brush and ink skills.

He almost learned these techniques from the Northern Song Dynasty, because the flower and bird paintings in the early Northern Song Dynasty were very prosperous.

During the Northern Song Dynasty, it mainly inherited the tradition of the Five Dynasties, and there were many painting styles of Xu Xi and Huang Quan.

However, the wealthy style of the corpus luteum, which is "filled with hooks and colored, with rich and colorful meanings", is even more popular in the world.

In the late Northern Song Dynasty, due to Song Huizong Zhao Ji's special interest in painting, under his strong advocacy, flower-and-bird painting took the courtyard style as the mainstream and further developed towards realistic brushwork.

The flower-and-bird painting at this time has neat and delicate brushwork, which makes the meticulous flower-and-bird painting reach the peak level.

This trend continued to the court of the Southern Song Dynasty, and the creation of flower-and-bird paintings continued to flourish, and presented a diversified situation.

For example, the combination of work and writing, the combination of ink and color, the combination of flowers and birds, trees, stones and landscapes, etc., have formed a novel and colorful appearance.

In the Southern Song Dynasty, there were not only small-format albums, but also long-format giant ones.

The works from Huizong in the Northern Song Dynasty to Ningzong and Lizong in the Southern Song Dynasty are the most, and the style is mostly rigorous, exquisite and meticulous.

The picture is small in size and full of interest. It is a very characteristic part of the flower and bird paintings in the Song Dynasty, especially in the Southern Song Dynasty.

Chen Wenzhe has immersed himself in the flower and bird painting techniques of the Northern and Southern Song Dynasties, so whether he is painting flowers or birds, he has a very high level.

For example, Wei Zi, the queen peony, has a huge corolla with multiple petals, delicate and luxurious, and the left and right are set off by green leaves.

The petals are rich in layers and detailed in detail. First, the petals are drawn with a fine brush, and then rendered layer by layer with carmine. The flower core is dotted with light yellow, and the flowers and leaves are dyed with green juice and green.

After this painting is completed, it is exquisite and magnificent, and it is too beautiful to behold!

In addition, the composition is plump, and the colors are bright and not vulgar, which makes this painting a higher level.

This is still a simple flower. If it is a combination of flowers and birds, Chen Wenzhe expresses many artistic concepts more naturally.

Therefore, the various chickens he painted are even better.

Big roosters, old hens, and little chickens, all of which he achieved when imitating them into Huacai chicken bowl cups.

Therefore, it is very proficient in doing it now, and the final work is naturally the least.

Red, green, yellow and other colors are filled in the reserved blue glaze, and then it is baked in the kiln for a second time at low temperature, and it can be achieved.

Peonies, lake stones and groups of various chickens form a warm picture.

For example, a group of painted roosters stand proudly, a female chicken and a chick are pecking at a centipede, and another two chicks are playing and chasing each other.

The other group painted a rooster crowing, a hen and three chicks pecking at a centipede, the pictures are vivid and interesting,

Others include hens chasing teams of roosters, golden tails and iron distances with their heads held high.

The rooster and the hen lead the chicks to forage in the wild.

The hen lowers her head to peck at the worm, and the chick spreads its wings and jumps for joy.

Even in a small picture, it still shows a warm and lovely situation.

Especially in "The Picture of the Child Hen", this expression is even more obvious.

Among them, there are many colors used.

Bright red, leaf green, water green, light yellow, turmeric, black and other colors, it can be said that Chen Wenzhe has used them all.

He used techniques such as filling, covering, dyeing, and stippling, so that the enamel paintings he is doing now have both the three-dimensional beauty of enamel paintings and the brilliance of fighting colors.

He drew lines with blue and white and dyed lake stones flat, covered flowers with bright red, covered leaves with water green, and filled chickens with goose yellow and turmeric.

The rooster's comb and wings are dotted with red colors, and the slopes are dyed with green colors.

The color is between thick and light, elegant and fresh.

Make the whole picture radiant and full of fun of sketching.

Looking at the exquisite cloisonné paintings with satisfaction, Chen Wenzhe felt that his flower and bird painting techniques at this time must have reached the level of a master.

As for the great master, he still didn't dare to think about it.

"With this method, is it possible to produce some real national treasure works?"

Chen Wenzhe was a little hopeless, he felt that his skills had improved rapidly recently, and all skills should have reached the master level.

In this case, can some real national treasures be put on the agenda of imitation?

Not to mention other things, he should have the ability to imitate the national treasures of the Qing Dynasty.

At the very least, he should be able to imitate the multi-glazed porcelain mother.

It's just that the artistic value of that work is very low. If he really has this ability, why doesn't he imitate a real national treasure work?

The ten most expensive national treasures of the Qing Dynasty are all rare and good things.

Even this treasure of time is called "Ten Treasures of the Forbidden City".

Of course, this is a reputation achieved under certain conditions, not to say that these ten treasures are the best among the treasures in the Forbidden City.

On October 1925, 10, the Forbidden City completed its historical transformation from a palace to a museum.

Since then, it has become the largest museum of ancient culture and art in China and one of the most famous museums in the world.

While wandering around, people are sincerely impressed by China's 5000-year-old magnificent architectural art essence, and at the same time, they are also attracted by the countless national treasures in the Palace Museum.

Due to the numerous and precious cultural relics in the Palace Museum, the cultural relics in the collection of the Palace Museum cannot be exhibited publicly on a large scale at one time.

For some superb cultural relics, it is difficult for many professionals to witness them with their own eyes.

For many collectors and ordinary people, they can only learn about the most important national treasures from some books and pictures.

In line with the protection and inheritance of traditional Chinese culture and national treasures.

On the occasion of the 90th anniversary of the founding of the Palace Museum, the State Administration of Culture and Culture set up a project to be implemented by the Palace Museum to select 35 most representative treasures from the nearly 10 pieces of precious porcelain in the Palace Museum collection.

No matter from the type of porcelain, the glaze, and the shape of the utensil, the national first-class cultural relics with extremely high value are the prototype.

A large-scale expert team was formed to conduct repeated demonstrations and discussions, and finally completed the professional national treasure reconstruction project.

These are the ten rare national treasures created by the three prosperous emperors, Kangxi, Yongzheng, and Qianlong, which are rare in the world;

It is also a representative of colored porcelain among the 35 pieces of porcelain in the Forbidden City, covering many crafts and types of royal colored porcelain.

7017 k