My system is not decent

Next, use a pen to draw the lines on the pattern one by one.

Filigree is actually a professional term, and it is also inherited from the name of making cloisonne filigree.

The so-called filigree is the process of cutting off and smoothing the soft and resilient metal wire, and sticking the metal wire to the wood board according to the lines of the pattern on the board.

Filigree, on the one hand, can use golden wire to outline the patterns of each color block in the gold silk glaze painting;

On the other hand, the thickness of the metal wire is used to form small shallow grooves to facilitate the filling of the glaze.

Filigree is a very important process in the production process. Whether the filigree is good or not is directly related to the overall outline of the painting and affects the overall effect.

The tools used for filigree must be prepared in advance, including tweezers, glue, scissors, brushes, etc.

The wire that needs to be used is alumina wire.

According to different production requirements, the specifications of alumina wire are also different.

Before filigree, pay attention to gently straighten the silk, and change the direction of the silk according to the direction of the line so that it coincides with the line of the pattern;

Moreover, the surface of the metal wire and the surface of the wood board should be tightly bonded to prevent gaps.

When using tweezers to cut silk, be careful not to damage the surface of the silk with the tweezers, which will affect the effect of the finished painting.

If all these are done well, it will be blue, commonly known as coloring, that is, glaze.

This technical link also inherits the name of the process of making cloisonne dot blue.

Dot blue is the most difficult one in the whole process, as I said before.

This is mainly the light and dark tones of the color, and the depth of the color layer.

Only when the colors are well matched can the three-dimensional effect of the painting be reflected.

Compared with porcelain, the glaze used to make cloisonne and enamel is not too special, it is made of natural mineral rock or sand after grinding.

The size of the glaze powder should be around 70-90 mesh.

Such glazes are non-toxic, harmless, natural and environmentally friendly, and never fade.

The last is cold treatment, also known as lamination technology, which is to apply a thin layer of resin glue on the drawing board after bluishing.

On the one hand, it can increase the texture of the picture.

On the other hand, it can also isolate the alumina wire and glaze from the air, so that the color of the picture will be bright for a long time without fading or changing color.

Through the process of cold treatment, the golden silk glaze painting can be preserved permanently without fear of humidity.

Nowadays, contemporary artists spray varnish on the blue-painted paintings, which can also achieve the same effect. Compared with lamination, it adds more concave-convex high-end texture to the picture.

After a little research, Chen Wenzhe discovered that the production of cloisonné enamel paintings is not difficult.

He has recently fallen in love with painting, especially the fine brushwork of traditional Chinese painting, especially good at painting ladies and has persisted for several years.

By the way, he has persisted in his dream for several years, so now he has some experience in drawing pictures of ladies.

"I love painting in my dreams!"

Young and mature, who doesn't have any hobbies?

Therefore, now his cloisonné enamel technique can be regarded as a bit solid, and in addition to his dream, he has devoted himself to making, researching and accumulating for many years.

Therefore, after inheriting the ancient techniques, he also made bold innovations.

He borrowed the techniques of color application, line drawing, and drying and dyeing from traditional Chinese painting, and made bold breakthroughs in his works.

Freehand, abstract, modern and other styles have been tried and used, and achieved good visual effects.

The craftsmanship of cloisonné enamel painting is very unique, which also forms a unique visual beauty, which is also its charm and advantage.

Pure painting is to create with pigments, while arts and crafts is to use craft materials and techniques to create art.

Compared with painting, cloisonné enamel painting is just a step closer.

In the creation of cloisonné enamel painting, it not only pays attention to the integration and innovation of traditional crafts, but also pays attention to reflecting the flavor of the times and the meaning of artistic conception.

Cloisonné enamel paintings are not lacking in splendor, simplicity, simplicity in rendering, and realism in freehand brushwork, which fully demonstrates the art of color inlay and visual impact.

Of course, the effect is better. It can be said that the picture is elegant and soft, the lines are fine and clear, and the atmosphere is luxurious and elegant.

To make cloisonné paintings, flowers, birds, fish, insects, and figures must be included in the paintings.

Flowers and birds, in particular, are colorful and more beautiful.

Cloisonné enamel painting is based on the filigree and dot blue techniques in traditional cloisonné handicrafts.

It is on a flat medium, with various graphics inlaid with metal wires.

Then use glaze, glaze sand, colored sand and other raw materials to dot blue coloring, and finally polish the picture to make the finished picture appear crystal-like transparent and bright texture.

Of course, in this process, multi-level picture effects such as matte, matte, sandy, and three-dimensional can also be processed.

In the end, it is to integrate the two major arts of cloisonné enamel and two-dimensional painting.

Cloisonné enamel paintings are mainly made of gold wire and glaze dot blue. The whole process is completed by more than ten pure manual processes. Among them, filigree and coloring are the most important links, which also constitute the soul, bones and flesh of cloisonné enamel paintings.

An exquisite cloisonné enamel painting starts with the selection of pictures.

After the producer determines the filigree pattern, he draws the determined pattern on paper.

The size of the paper is determined by the size of the work, and attention should be paid to the appropriate proportions and smooth lines of the graphics.

After that, it is necessary to carry out the filigree and blue point steps.

Break out various curves of the metal wire according to the pattern, and then use tweezers to hold the folded gold wire.

Stain a little bletilla striata on it, and stick it on the plane tightly.

The seemingly ordinary gold wire miraculously forms one after another delicate and detailed patterns after being bent and processed.

At this time, the pattern will exude a three-dimensional, high-spirited and smooth aesthetic feeling.

The filigree technique can be said to rely entirely on the master's skillful hands and skilled skills to create a vivid and vivid picture.

The paintings that have undergone the "firing" process have actually "painted" various beautiful and complex patterns in a special way.

The uncolored painting is covered with dense lines, which not only has the beauty of traditional Chinese patterns, but also has the charm of abstract lines.

After "filigree", it is "point blue".

The most amazing thing about Dot Blue is that there is no color marked in the design pattern.

What color is the flower in the work, what color is the bird, whether the background is painted blue or green, whether the contrast is soft or strong...

All of them are in the hearts of Master Dianlan. They don't stick to the limitation of colors, they choose colors and match hues completely based on experience and imagination.

Pointing the blue is not as simple as one step, it needs to be repeated three or four times until the glaze is at the same height as the silk.

After the blue is painted, the glaze on the surface of the cloisonné is not uniform in thickness, so it needs to be smoothed to reveal the pinched threads.

Put the finished product to be polished on the wheel, first smooth the glazed surface with coarse and fine sandstone, and then finely grind it with yellowstone and basswood until the unique brilliance of cloisonne emerges.

At this time, a cloisonné painting was completed.

The whole process is easy to say, but any step needs to go through a lot of practice before it can be mastered.

Otherwise, the finished works, especially the pictures, would be awkward to look at, not to mention aesthetically pleasing.

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