My system is not decent

A bottle is called the Qianlong Large Vase of Various Glaze Colors, and it is also known as the Mother of Porcelain, which already shows that there are many glaze colors on it.

In the decoration on the sixth floor, the glaze color used is rose red, which is lustrous and lustrous, and is also the most beautiful color in Jun kilns.

And this touch of red just adds the finishing touch to the whole big bottle.

The seventh layer of decoration adopts the Qianlong bucket color, the underglaze blue and white and the overglaze color are combined to reflect each other.

We all know that Ming Chenghua Doucai is very famous. In the Wanli period, there was a saying: "A pair of imperial cups are worth [-]".

So what about the Qianlong fight?What is it commonly called in the industry?The grand Qianlong fight!

The Qianlong Doucai Porcelain in Qing Dynasty can be described as a collection of great achievements and ingenious workmanship.

The essence of utensils can be called the best in Qing Dynasty.

The essence of craftsmanship can be called "Qianlong craftsman".

Not only the small utensils are flawless, but the large ones are beyond people's imagination.

Qianlong doucai porcelain is different from the style and characteristics of the Yongzheng period, and it can be said to be a school of its own.

The doucai porcelain fired by it is of high quality, and almost every piece is a fine product.

If you want to understand Qianlong Doucai, you must have a deep understanding of the shape, glaze, color, pattern and style of Qianlong's Doucai porcelain.

There are many shapes of Qianlong bucket color porcelain in Qing Dynasty, such as embroidered piers, fish tanks, large plates, monk hat pots, wishful statues, pen holders, lamp holders, gourd bottles, pagodas, etc.

Qianlong Doucai Porcelain has a fine body, and the glaze is as blue and white as jade. The glaze surface of the early utensils is smooth and clean, but the late utensils have a slight wavy glaze.

The bowls of folk kiln bucket color wares are generally thick and heavy.

The way of coloring in official kilns is completely different from that in the Yongzheng period. Emperor Qianlong himself preferred the magnificent, graceful and luxurious style.

Therefore, when filling in the color, add some bright and eye-catching colors such as gold color and enamel color.

Even pastels are added appropriately to make the utensils look more flawless.

The decorations on the doucai porcelain of the Qianlong official kiln in the Qing Dynasty generally have fixed decorations.

These decorations were drawn according to the will of the court and Emperor Qianlong himself, so the painting skills are quite exquisite.

The common decorations are mainly some traditional decorations and auspicious decorations with beautiful meanings.

Most importantly, Qianlong loved the form of consecration very much.

The combination of all these characteristics made the Qianlong Doucai porcelain in the Qing Dynasty extremely valuable.

Therefore, modern imitations continue to appear on the market.

In fact, it is not helpless to distinguish genuine products from imitations. First of all, in terms of shape, there are many styles of real products, and the shapes are regular.

The relative imitation product is more casual in shape, and its shape is slightly worse.

Secondly, in terms of glaze, the quality of the real porcelain is excellent, the glaze color is mostly bluish white, and the glaze is thick, while the imitation is soft.

Again, in terms of color, the real thing looks magnificent and colorful.

In particular, the use of gold color is very common, and the decoration style is quite royal.

However, imitations generally do not have such strength, and the colors lack a sense of hierarchy.

Finally, in terms of ornamentation, most of the real objects have fixed ornamentation, and most of them are consecrated.

However, the drawing skills of imitation products are quite different, the lines are not soft enough, and they lack the feeling of a three-dimensional pattern.

The most important thing is the inscription recognition. The font of the real one is regular and very standardized, while the handwriting of the imitation is crooked and random.

All this made Qianlong fight for color and began to become invaluable.

Of course, what Chen Wenzhe values ​​most here is the characteristics of its craftsmanship. After all, Qianlong's craftsmanship is still very exquisite.

Through a piece of porcelain mother, there are too many porcelain making techniques that can be seen.

On top of this, fighting colors are not considered top-level crafts.

So it shouldn't be too strange to see Qianlong fighting on the seventh floor.

This layer is the Qianlong fighting color, and it is based on the imitation of the chemical fighting color, with the Qianlong fighting color painted with the characteristics of this dynasty.

The eighth layer of decoration adopts the method of powder blue glaze and pasting plastic ball flowers.

The molded ball flowers, large and small, have different appearances, beautiful and three-dimensional. This is a decoration technique absorbed by the Longquan kiln of the Song Dynasty.

The ninth floor is just the belly of the bottle, and the 12 consecrated images are also the most beautiful part of this porcelain mother.

This is also the most important part. The whole layer is made of blue glaze and gold as the base, which is calm and noble, and it is even more magnificent when it is painted with gold.

Among the twelve consecration pictures, the paintings are: Sanyang Kaitai, Jiqing Youyu, Danfeng Chaoyang, Taiping Youxiang, Xianshan Qiongge and Bogu Jiuding.

The other six represent Wanfu, Ruyi, evil spirits, longevity and wealth respectively.

The tenth layer is imitation official glaze, which imitates the official kiln of Song Dynasty.

The official kiln of the Song Dynasty is also one of the five famous kilns. Its main features are iron bones and black mud, and foam and pearls.

The characteristics are the same as Ge Kiln, if you can’t, you won’t.

Of course, one must be proficient in doing it, otherwise it would be impossible to make it on top of Qianlong official kiln wares.

The No.11 layer is decorated with: "Qianlong imitates Yongxuan blue and white flower pattern".

Needless to say, Yongxuan blue and white must have a pivotal position in the history of domestic ceramics.

Yongxuan blue and white is painted with imported Sumali green material, which looks like a Chinese ink painting.

In this layer of decoration, the craftsmen of the Royal Kiln Factory used the technique of heavy brush dot dyeing to imitate the effect of Yongxuan blue and white, which can be said to be the pinnacle.

The No.12 floor is decorated with foreign-colored green land with deformed cicada patterns, and the inner painting group is decorated with longevity patterns.

This decorative technique originated from the bronze wares of the Three Dynasties.

Layers No.13 and No.15 are decorated with coral red glaze, gold color back pattern and sauce glaze, gold color scroll grass pattern.

The two patterns of Huiwen and curly grass are often used in official kiln porcelain in the early Ming Dynasty.

The No.14 layer is imitation Ru glaze, which is the imitation of the most precious Ru kiln in Song Dynasty.

It is also the Ru kiln glaze color that Song Huizong said "after the rain, the sky is clear and the clouds are gone, this color will be the future".

On the bottom of the bottle, there is an inscription of the year. In the bottom and ring feet of the porcelain mother, turquoise green glaze is applied. The center of the bottom of the bottle is inscribed in three lines and six characters in blue and white seal script.

Generally speaking, this Qianlong porcelain mother vase with various glazes is not only the pinnacle of craftsmanship, but also fully demonstrates the extremely high artistic aesthetics of Emperor Qianlong and the craftsmen.

There are more than ten kinds of glaze colors, including ancient and modern famous products, including the five famous kilns at the peak of Song Dynasty porcelain, and the colorful blue and white colors.

There are not only the pinnacle of pastel enamel, but also the lifelike bionic porcelain.

After careful design and layout by art masters, all kinds of skills are applied with the same tool, orderly.

The fusion of all these skills has finally achieved this pinnacle art treasure.

It was originally a legend, and some legends made the birth of this porcelain mother full of legend.

It is said that this treasure appeared because of Qianlong's brainstorming?

Although I don't know whether this legend is true or not, it has added some fame to this porcelain.

The value of a piece of famous brand porcelain is naturally immeasurable.

show off?Stacking craft?Not much artistic value?

Even if it's purely for the sake of showing off skills, they show off to a certain level!

What's more, the craftsmanship on this piece of porcelain is so brilliant that it makes people speechless.