My system is not decent

The bile bottle is said to come from the water bottle commonly used by Buddhists, so it is also called the Guanyin bottle. Modern scholars named it the bile bottle because of its shape like a hanging gallbladder.

Gall vases generally have straight mouths, slender necks, slashed shoulders, gradually grow thicker below the shoulders, and plump under the abdomen. They are flower vessels.

Burning began in the Tang Dynasty to the middle and late Qing Dynasty, and prevailed in the Song Dynasty.

This kind of bottle was sought after by all walks of life in the ruling and opposition circles at that time because of its elegant and beautiful shape, which gave people an extraordinary and infinite taste, and it was a classic among ceramic wares.

There are only two Ru kiln gall vases handed down from the Song Dynasty, which are respectively collected in the Wanwan Palace Museum and David's National Art Museum of China in England.

This Wanwan celadon gall vase from the Ru Kiln of the Northern Song Dynasty in the Palace Museum was originally in the collection of the Qing Palace.

Its mouth and bottom feet are respectively inlaid with gilt copper buckles inlaid with copper.

The glaze layer in the center of the bottom surface has been removed in a circle, and it is coated with brown ink, and the yellow porcelain body in the middle is faintly exposed.

On this piece of Ru kiln porcelain, there are no traces of the so-called sesame nails burning, which is likely to be fired upside down, which can be seen from the copper buckle forward from the edge of the mouth.

Although the body of this kind of porcelain is slightly flawed, it is still a fine piece of Ru kiln porcelain.

Such a bottle naturally has a long history.

As early as the Song Dynasty, the bile vase was introduced into the Buddhist temple and became an extraordinary spiritual thing in a clean place;

Frustrated literati in the Yuan Dynasty enjoyed wild travels and meditation, and the lonely flowers in the vase were especially suitable for Yishi's mind;

The class of scholar-bureaucrats in the Ming Dynasty grew stronger and stronger, and the implication of bravery was alienated by utilitarianism, and became a symbol of noble interests and status for dignitaries and upstarts;

With the acceleration of social change and the development of the commodity economy in the Qing Dynasty, gall bottles were painted with gold and colored, with earrings and rings, and were reduced to playthings for worldly enjoyment.

Gall bottles are not only loved by literati, but also valued by monks and believers.

The soft-lined water-purifying bottle in the rumored Buddhist activities gradually transformed into a simple bile bottle in the process of assimilation with Chinese culture, and became a classic utensil in the scene of worshiping Buddha.

The belly of the gall bottle, which has not changed for thousands of years, carries not only clear water, air and nothingness, but the heavy history and culture and the values ​​of harmony between man and nature.

Because of this, the bile vase has become one of the top ten classic porcelain vases in the domestic heritage.

Chen Wenzhe was able to think of him, not only because of this, but also because he thought of too many classic gall bottles through Ru kiln green glaze gall bottles.

For example, black pottery hollow bile bottle, which is a rare black glazed pottery.

The Longshan Culture is a cultural relic mainly characterized by black pottery. Subsequently, cultural relics comparable to the Longshan Culture era, mainly gray pottery and black pottery, have been found in various places.

These cultural relics belonging to different cultural systems are named as various types of Longshan culture.

The main branches are in the middle and lower reaches of the Yellow River and the lower reaches of the Yangtze River, so black pottery culture is an important part of Chinese culture and belongs to one of the earliest human civilizations of the Chinese nation!

Since then, many kilns have appeared in history, all of which are mainly fired black glaze wares, with a small amount of tea leaves.

For example, Tongda kiln not only fires black-glazed utensils, but also the string-shaped vases and flower-picked jars fired by Tongda kiln are representative. The lines of flower-picking are rough, the lines of scratching are slender, there are water ripples and fish patterns, and the black glaze is jet-black. Bright, the surface of tea powder glaze is matte.

Others include the Hunyuan Kiln, which was built in the Tang Dynasty and fired white glaze, dark brown glaze, tea powder glaze and other varieties.

During the Jin and Yuan Dynasties, the kiln factory expanded and the variety increased, including black glazed flowers, white glazed flowers and scratched flowers, as well as plates, bowls, pots, jars, pillows and other utensils.

Black-glazed flower picks are the most refined in the Yanbei region, and tooth-white glazed flowers are rare in other areas of Shanxi.

There are many famous kilns for firing black glaze, and there are more good ones, but not many can survive.

Among them, there are some classic bile vases that can be passed down to the present, such as the simplest Qianlong blue and white birch vase with flower pattern.

The shape of this vessel is correct and beautiful, the carcass is delicate and the enamel is moist.

The whole vessel takes the pattern of twining flowers as the theme, supplemented by patterns of sea waves, deformed flowers, ruyi cloud heads, raised lotus petals and curly grass. The layout is dense and magnificent.

The blue and white hair color is bright, and the painting is smooth and delicate. It was a good display device for the Qianlong court and is rarely handed down.

Even if Chen Wenzhe wanted to collect it, he would definitely not be able to buy it.

This is not something that can be moved with money, so he can only do it with technology.

Prepare the materials, directly make a bile vase, apply blue and white glaze, and get a Qianlong blue and white birch vase with flower patterns.

Qianlong blue-and-white glaze is no problem for him. He doesn’t know how many flower patterns have been made, so naturally it’s no problem. As for the shape of the bile vase, it’s just like the jade pot spring vase, appreciative vase and other utensils. It looks like it's not difficult to do.

Even he can directly use the embryo drawing technology to form it at one time.

It's just that it's too troublesome, it's better to use the technology of tire connection and make it in sections.

No matter what method is used, it is not difficult to make the embryo of the gall bottle.

After making a large number of utensil embryos, it is natural to use them. At this time, various glazes will work again.

So, next, Chen Wenzhe increased the difficulty a little bit, imitating a Qingfeng piercing flower bile bottle.

This is a glazed grain bottle with two ears.

Compared with ordinary bile bottles, the shape of the vessel is slightly more complicated, that is, the decoration is a little more complicated, and there are two more ears.

Making such porcelain is just a little bit of exploration on the road of Chen Wenzhe's pursuit of innovation and change.

For Chen Wenzhe's current role in the imitation of porcelain, what he pursues is not high imitation or fine imitation, but innovation.

However, the porcelain makers of the past dynasties have gone all the way. It is really difficult for him to innovate and go out of his own way.

Therefore, in modern times, many porcelain craftsmen have fallen into a vicious circle when they innovated in terms of vessel shapes.

If you can't create new types of utensils, you will be unconventional, or even very weird.

There is no need to think about practical utensils. The ancients made all the porcelain that can be used.

And the porcelain you can create, even the ornamental utensils, must be blamed.

There is no need to think about normal and serious innovative porcelain.

In terms of life, viewing, and even enjoyment, modern people really cannot be said to be more pursuing than ancient people.

Therefore, if you want to innovate now, you can only find a way in terms of craftsmanship or glaze color.

We can only make some modern items that did not exist in ancient times, such as mobile phone casings.

Some big mobile phone manufacturers have tried to do this, and they are making high-end porcelain mobile phones.

For example, blue and white porcelain, enamel color, underglaze red, etc., if these are made into mobile phone casings, they are really luxury goods.

Innovation is not so easy, so now Chen Wenzhe can only do it tentatively.

He can only take it step by step, slowly.

So, now he is thinking divergently, thinking of what to do, if he can improve a little on the basis of these, it will be considered very good.

At this time, he made the bile bottle, and naturally he did not simply make this type of vessel.

He wants to perfect some of his own ideas through a classic porcelain vase shape, what if there are new and good ideas all of a sudden?