My system is not decent

During the Jiaqing period of the Qing Dynasty, the plum vases had various shapes, some developed into a wide and short shape, and some developed into a thin and long shape.

The carcass at this time is not much different from that of the Qianlong period, the whiteness of the glaze color is higher than that of the Qianlong period, and the texture of the glaze is lower than that of the Qianlong period.

The plum bottle patterns are more diverse, but the artistic taste is worse than that of the Qianlong period.

If we say that the plum vases in the Song Dynasty are tall, pretty, and full of feminine characteristics.

Then the plum bottles of the Ming Dynasty are vigorous, honest, and full of masculine characteristics.

As for the plum vases of the Qing Dynasty, due to the improper proportion of the shape, they give people a feeling of incongruity and incompleteness, which is not as good as that of the Ming Dynasty.

The plum vases of the Ming and Qing Dynasties are quite different from those of the Song Dynasty.

Although plum vases in Ming and Qing Dynasties were also mostly used for furnishing, the shape of the vessels changed from long and beautiful to plump and plump.

At this time, the plum vases raised their shoulders more, and the maximum abdominal diameter moved up to below the shoulders. The abdomen was thin, and most of them had covers.

All these Chen Wenzhe obtained from the newly emerged knowledge base in the Pearl of Suihou.

Moreover, the information he got is very comprehensive, and the characteristics of the plum vases of the Song, Ming, Qing, and three dynasties are described very thoroughly.

Maybe it was knowing that Chen Wenzhe didn't want to be a blue and white plum vase in Yuan Dynasty, so he said Song Mingqing.

Among them, the plum vases of Ming and Qing Dynasties are slightly different in shape.

Plum vases from the Qing Dynasty have plump and broad shoulders, and the shins are adducted and slightly skimmed near the bottom. Jingzhen kiln products are the best, decorated with various glazes and painted paintings.

Among them, those with the word "Neifu" in ink script or blue and white regular script on the shoulder are palace utensils.

The shoulders of the plum vases of the Qianlong period of the Qing Dynasty are particularly plump, almost in a straight line, and straighter below the waist. The plum vases pay attention to patterning, and the dragon pattern is relatively rigid.

The plum vases in the Jiaqing period had various shapes, some developed into a wide and short type, and some developed into a thin and long type. The carcass was not much different from that of the Qianlong period. decline.

The plum vase patterns of this period are more diverse, but the artistic taste is worse than that of the Qianlong period.

Therefore, to sum up, the plum vases of each period have their own characteristics and their own beauty.

This is also the reason why Chen Wenzhe took the initiative to make all the known styles of plum vases.

However, at the beginning, it was obvious that he was thinking too simply. Only after he had really studied the inheritance of knowledge provided by the Sui Hou Zhizhu, did he know that there were more styles of plum vases than he had imagined.

From the Sui Dynasty to the Qing Dynasty (581-1911), after more than 1300 years of evolution, plum vases have formed a very rich variety of styles.

From the two perspectives of vessel type classification and historical evolution, there are more changes.

What Chen Wenzhe said earlier is based on the perspective of historical evolution, but the actual production is based on the form characteristics of the mouth, neck, bottle body, and sole of the mei vase, and the types of mei vases are divided into ten types of style groups.

For example, it is marked by the small opening along the protruding ring, which was popular from the Sui Dynasty to the Ming Dynasty.

It is marked by a small mouth or a small mouth. The lips are mainly round and curled, and there are also thinner pointed lips. The neck is mainly tied. The styles included are from the Tang Dynasty to the Qing Dynasty.

With the handicap as the symbol, the neck includes no neck, beam neck and column neck, and the styles included are from the Five Dynasties to the Ming Dynasty, and there are very few in the Qing Dynasty.

It is marked by horizontal flattening along the ring mouth, and the neck is dominated by a long column neck, which looks very delicate. It is mainly seen in the middle of the Northern Song Dynasty to the Jin Dynasty and Xixia.

Marked by the trapezoidal small ring mouth, the neck is divided into no neck, beam neck, and short column neck.

The earliest style was found in the northern Liao territory in the early Liao Dynasty.

The Central Plains area began to appear in the middle of the Northern Song Dynasty, and soon spread to the south. The Jin Dynasty was the most prosperous period, the Yuan Dynasty was mainly popular in the north, and it declined in the Ming Dynasty.

It is marked by a straight mouth, the lips are round and square, and the column neck changes from short to long. It was popular from the middle of the Northern Song Dynasty to the Ming and Qing Dynasties.

It is marked by a small mouth, and the neck includes a neck and a column neck. In the most popular Southern Song Dynasty, the neck was mostly a short column neck with a thin top and a thick bottom. to a coherent context.

Others include chicken leg bottles from the late Liao Dynasty to the Yuan Dynasty, which were mainly popular in the core area ruled by the Liao Kingdom. They all have small mouths, and the inside of the mouth is hard and square. Short and thin.

The last one is marked by the pie-shaped feet and ring feet that show a clear inward turning between the abdomen and the feet, so the bottle body rarely changes in the S-shaped contour line.

The oval, cocoon, cylinder, wedge and other shapes of the abundant body are the main ones.

The mouth and neck are all small mouths and short necks, covering a variety of mouth shapes.

The included style was first built in the Five Dynasties and the early Liao Dynasty, with the most in the Northern Song Dynasty, and it was popular from the Southern Song Dynasty to the Yuan and Ming Dynasties.

This style of plum vase is "least similar" to the plum vase in people's general impression.

But in fact, it also has the noumenal function of the plum vase, which basically meets the basic characteristics of the small mouth, short neck, and long body of the plum vase.

According to these styles, each type of utensil is a special symbol of each historical period.

In fact, it is not difficult to make, because in these style divisions, the mouth and neck are the main basis, and the bottle body is only an auxiliary basis.

The characteristics of the mouth and neck are relatively obvious, while the characteristics of the bottle body are relative.

The shape transitions of the shoulders, abdomen, and shins of most plum vases are all coherent and smooth circles.

Even if the turning relationship is clear enough, it also shows great relativity due to the subtle and subtle changes in the outline.

For example, the same "abdominal trimming", with the change of the width of the maximum abdominal diameter of the bottle body, leads to the difference in the proportion of the bottle body, showing different postures.

Another example is that broad shoulders are a popular feature of Meiping, and they are also relative in comparison with the thickness changes of the lower abdomen and shin feet.

Therefore, any small gap is a different characteristic of the times.

If you don't know these things and want to make antique porcelain, you can see what's wrong with the things you make at a glance.

Of course, Chen Wenzhe made ten types of plum vases this time, and it is impossible to make all of them into Ru kiln green glazed plum vases. He can only choose the appropriate glaze material and glaze color according to the different styles.

Therefore, there are green-glazed plum vases, pastel-glazed plum vases, copper-red glazed plum vases, and even white-glazed, green-glazed, and blue-glazed plum vases.

Just because every time he makes a type of utensil, many classics from different eras can be drawn out, so Chen Wenzhe prepares more and more complete glazes, ores, kaolin, etc.

Now it can be said that he can find suitable raw materials for whatever he wants to do.

After finishing the plum vase, Chen Wenzhe involuntarily fell into a state of silence.

Mei vase has always style, so what about the bottle?

From ancient times to the present, among ceramics, there are all kinds of bottles, it can be said that there are countless varieties, but the most classic ones seem to be only a dozen.

Among them, the gall bottle was sought after by all walks of life in the Song Dynasty because of its elegant and graceful shape, which gave people an infinite taste beyond vulgarity!

Therefore, among the handed down Ru kiln wares, there are also gall bottles.