My system is not decent

Chen Wenzhe is very confident in his craft and painting.

Coupled with the memory from the inheritance, he believes that the final pictures of this batch of works will be very soft and realistic.

The combination of these qualities is the outermost piece of enamel-colored antique porcelain.

And in principle, the ones he fired must be better than the three dynasties of the Qing Dynasty.

It is also because of this that when Chen Wenzhe imitated the enamel-colored porcelains of the three dynasties of the Qing Dynasty, he kept them in storage and did not let go of them.

Because the technology during the Qing Dynasty was always a little bit worse than it is now.

On the contrary, when imitating the enamel-colored flower-and-bird inscription pen holder, which is known as the first porcelain in the official kiln of the Republic, the firepower is fully fired, and the most beautiful porcelain-bodied enamel color is fired as much as possible.

Entering the kiln again and again has tempered Chen Wenzhe's kiln firing skills.

He is now very sure that his kiln firing technology must have surpassed the master level, and he called this level the master level.

He has been able to design a suitable kiln process according to the effect he wants, this is the master.

Of course, his grandmaster is still relatively watery now. After all, he stuffs a lot of experience and skills directly into his head, and he can't easily integrate them.

However, through the firing of single-color glazes such as Ru kiln, famille rose, carmine glaze, and the final enamel color, he has quickly integrated the previous techniques, and it is possible to introduce new ones at any time.

Not to mention other things, it is a firing technique of enamel color, which is much more difficult than firing Ru official kiln.

Before this, Chen Wenzhe had already fired a batch of famille rose porcelain, and even fired two batches of Ruguan porcelain.

Now every morning, the kiln is first released, and then the kiln is fired again.

Then I went to the studio, studied the firing results, and finally made another batch, waiting to be fired in the kiln again tomorrow morning.

This cycle goes on and on, and it is difficult for his kiln firing technology to improve!

"The color of Ru kiln is almost studied!"

Look at the green and jade-like flower pots, the deep blue flower pouches, and finally the azure-glazed flower holders!

This time, the flower arrangement he made really reached the level of blue but not bright, gray but not dark, green but not emerald. Is this the blue color after rain?

"It's fine to make something that is difficult, and the color is fine. Make something with a slightly better shape."

After finishing a series of famille rose porcelain, single-color glazed chrysanthemum petal dishes, and enamel colored porcelain, and the two batches of Ru kiln flower cups that were fired before, Chen Wenzhe planned to stop making other porcelains and return to the basics of Ru kiln porcelain. On top of imitation burning.

After thinking about it carefully for a while, I imitated the Ru kiln in the famous book, and also mentioned the Ru porcelain in the poem, so let's continue.

If you talk about writing poems, then there is no such powerful emperor as Qianlong.

This one is shameless, because his imperial poems spoil the most famous porcelain and paintings.

Qianlong didn't see good things, as long as he saw them, he either stamped them with a seal, inscriptions, or engraved inscriptions.

It can be said that he spoiled the most treasures handed down from past dynasties.

Of course, because he is also a celebrity, if there are his poems on it, it may increase in value.

In this regard, what impressed Chen Wenzhe most was a plate from Ru Kiln.

That plate can be regarded as a typical representative of Ru porcelain, and it is a celadon plate from the Northern Song Dynasty.

It has been treasured by the Wanwan Palace Museum, and ordinary people really have no chance to see it as a real thing.

This plate has two special features. First, the plate itself is quite special, and there is a small flaw in the handicap, a small piece was knocked off.

But this does not affect its scarcity, it is still a treasure.

The second is this plate, which is said to have been the most beloved treasure of Emperor Qianlong.

And at the bottom of it, a poem was engraved.

Of course, apart from Emperor Qianlong, no one else dared to carve poems on it.

Also because of this poem, this plate has become a priceless treasure, and the price has increased by nearly 500 times in a few years.

It was not easy for this plate to be preserved by Qianlong. Even Li Kuchan wrote a banner in a porcelain factory in Nanhe: "It is difficult to say that the museum of the world is perfect without you."

It can also be seen that this kind of Ru kiln porcelain is too precious.

Going back to the plate itself, that plate conforms to the characteristics of all Ru kiln porcelains. The body color is slightly whiter, but there are some traces of gray. This is commonly known as the incense ash body in the industry.

Another key point is the glaze color, which is generally azure and pinkish blue, like this Qianlong collection has some pinkish blue, and the glaze is moist and soft, pure and beautiful like jade.

Moreover, it is full of slices, which is typical of Gaogu porcelain at first glance.

Looking at it from a distance, it also gives people a warm and simple meaning.

Whether it is the shape or the glaze color of the entire utensil, it has almost reached the point of super perfection.

Ma Dudu, a master collector, once said that he once missed a real Ru kiln. At that time, because he didn't have enough professional knowledge, it was taken away by others in retrospect.

After so many years, this incident really made him regret it.

Obtaining a real piece of Ru kiln porcelain is a rare thing for a big collector like Ma Dudu, let alone those folk players.

It is definitely impossible to obtain many famous porcelains, but if you have seen them, it is still possible to imitate one and play with it yourself.

Like this plate, it is definitely not acceptable to imitate it and sell it.

However, it is too beautiful, and Chen Wenzhe really wants it, so what should we do?

Imitation, just imitate it and play by yourself!

There are many records of such fine and famous porcelain handed down from generation to generation, even Qianlong collected quite a few.

During the Qianlong period, the Qing Dynasty was unprecedentedly prosperous, and there were more good things in the palace, such as the handed down Ru kiln paper mallet bottle!

This Ru kiln pink and green Fenghua paper mallet bottle once left traces in Lao Shameless's poems.

The white evil in Dingzhou has an awn shape, and Tao Nenqing in Ruzhou was specially ordered.

The mouth wants to lock it with solid copper, but the bottom is finished but the old iron has more nails.

Because the meaning of the strokes is quiet, the nose is also fragrant without hairpins.

On that day, Fenghua accompanied Deshou, but the memory of the five countries stayed.

This is the royal inscription of Wuwu Midsummer in the third year of Qianlong, with the word "Fenghua" engraved on the bottom left, a seven-character poem engraved on the right, and two chapters of "Guxiang" and "Taiwangbu" are engraved on it.

It is definitely not acceptable to imitate such porcelain and sell it as a high-quality imitation.

But if I play it myself, there is no problem at all. If it is done too well, it will be exhibited in a private museum, and there will be no problem at all.

If the quality can reach the level of a real museum collection, then if it is put in a museum, even if everyone knows that it is a fake, it will only surprise people!

Therefore, Chen Wenzhe would not hesitate at all to imitate such a work.

Of course, before this, he must first imitate a plate collected by Qianlong according to the records, and then imitate the paper mallet bottle.