My system is not decent

The chrysanthemum discs are made one by one, which can be said to be burnt while making.

Often, if it is made today, it will almost come out of the kiln tomorrow, and you can see it.

This kind of porcelain that can be made and fired at any time, and the effect can be seen at any time, is more attractive than Ru kiln and famille rose porcelain.

For the next three days, Chen Wenzhe entered the workshop in the morning to make a few pieces of Ru kiln porcelain, and put them there to dry in the shade, or it was the first firing of Ru kiln.

After that, make several pieces of famille rose porcelain, or take out the famille rose porcelain made the day before, and then carry out the second process.

During this period, only the Yongzheng twelve-color chrysanthemum petal plate was successfully fired in the kiln at one time.

In the past few days, Chen Wenzhe has successfully fired a lot, and all of them are placed in the workshop.

This adds a touch of bright color to the boring work of porcelain making.

The gorgeousness of yellow glaze, the nobility of red glaze, the solemnity of blue glaze, the solemnity of antique glaze, the charm of rouge water glaze, the tranquility of sky blue glaze, the purity of pink green glaze, the tenderness of okra green glaze, the erratic blue glaze , The kiln-changing glaze is wonderful, there are so many things, it is too beautiful to be absorbed.

When the chrysanthemum petal plates of twelve colors are laid out one by one, it looks like twelve colors of chrysanthemums blooming, it is simply a feast of colors.

That kind of visual shock makes people clap their hands in amazement.

Among the positive colors, there are quite a few that are more conspicuous.

Lake green, light green and okra green in the green glaze, you may want more, such as caviar green, turquoise green, melon skin green, turtle skirt green and so on.

The red glaze is relatively simple, that is, rouge water and carmine.

Lemon yellow, bright yellow, turmeric, beige, delicate yellow, light yellow, beeswax yellow, eel yellow in yellow glaze.

The light pink in Zijin glaze is like lotus root, eggplant skin purple glaze, rose purple and grape purple.

It can be said that in the history of ceramics, it is rare to collect so many glaze colors at once.

And it's not just red, yellow, and green, but also unique and rare rust colors, stream stone colors, black jade colors, etc.

Therefore, white glaze and black glaze are also particularly unique in a delicate and eye-catching color.

It can be said that the more he makes monochromatic glazes, the less knowledgeable Chen Wenzhe feels.

Recently, he sorted out the single-color glazed porcelain from the Yongzheng Dynasty, and found that there were quite a few.

Everyone in the world knows that the single-color glazed porcelain of the Yongzheng Dynasty achieved outstanding achievements, but few people can clearly explain what achievements they had.

Even Chen Wenzhe only figured it out recently.

In the "Tao Cheng Chronicle Stele" written by Tang Ying, 57 firing varieties were summarized, including nearly [-] kinds of color glazes, which were basically new varieties created during the Yongzheng period.

Many famous single-color glaze products that we are familiar with today were all created and fired in the Yongzheng Dynasty.

And the twelve chrysanthemum petal dish is a magnificent display of Yongzheng monochrome glaze!

If he hadn't clearly realized this point, Chen Wenzhe would not have been distracted by making Yongzheng single-color glazed porcelain while making Ru kiln porcelain.

Of course, the Ru Kiln seems to have monochromatic glaze, that is, celadon.

However, the monochrome glaze is different from the monochrome glaze, and the kiln mouth is also different.

How many ancient porcelains are comparable to Ru kiln porcelain?The famille rose porcelain is counted as one, and the Yongzheng single-color glazed chrysanthemum plate must also be counted as one.

Since it is good porcelain and there is no time conflict, Chen Wenzhe naturally will not give up.

It is the most troublesome to make famille rose porcelain, followed by Ru kiln porcelain, mainly due to the need to stop, wait and experiment between several processes.

So from time to time he would make some single-color glazed chrysanthemum petal dishes. Of course, Zhang Gu was not idle in this spare time.

"Stop, this piece of famille rose porcelain of yours is written in light, and you can't mention Qianlong's. Maybe you can sell it for more than one hundred thousand."

This morning, as soon as Chen Wenzhe walked into the studio, he saw Zhang Gu making a pair of small bowls.

It looks like an imitation of Qianlong, but in fact, if you look carefully, it is not as good as the money written and written!

This piece of Zhanggu is not very good, so it is more like an official kiln when written, otherwise it will be imitated by Qianlong at first glance, and the imitation is not very good.

This is a pair of yellow-ground pastel colored Shouhai consecrated flower pattern bowls, which are not large in size, with a diameter of 15cm.

It turned out that Chen Wenzhe had seen this kind of small bowl auction. It was a pair of Daoguang small bowls, which were auctioned for 759 yuan.

It seems that it was auctioned in [-], and the price is definitely not low.

Daoguang's porcelain can sell more than 70 yuan, and it is still a pair of small bowls, definitely because of its craftsmanship.

Plates and bowls can be sold for hundreds of thousands, so it is really rare to think of porcelain like chrysanthemum plates, which can easily sell for more than one million, let alone five or six million.

After reminding Zhang Gu once, Chen Wenzhe looked at the finished products on site, especially one of the famille rose plum vases.

The little plum vase he made earlier felt a little unsatisfactory after it was fired.

Since there were ready-made embryos, he made a few more pieces, but he did not expect to succeed in firing one in the end.

Looking at this plum vase, Chen Wenzhe felt a little emotional.

No wonder this kind of porcelain is sold for tens of millions of sky-high prices at every turn. There is a reason for this!

This plum vase with rouge red ground brocade pattern and pastel wrapping branches and flower pattern is the same style as the one photographed by Xiangjiang Bifuqiu in 2004.

This plum vase is neat and tidy, with a white and delicate carcass, firm and dense porcelain, slightly thicker walls than the Yongzheng period, even glazed surface, and lustrous luster.

The carmine glaze colored with gold has pure and beautiful hair color. The so-called "the most beautiful thing is carmine", which is rare, stunning, graceful and luxurious, and has a unique charm.

In addition, there is another "icing on the cake" on this plum vase.

That is to say, on the porcelain body, layers of pteris pattern are outlined, and the concave and convex texture can be felt by touching it with hands.

To create this kind of texture, it is necessary to evenly apply a layer of coloring material, such as carmine, on the white body, and then use a tool like a rusty needle to draw out fine fern grass patterns on the coloring material.

This is "scraping flowers". After completing this process, the bottle is considered complete.

The body of this bottle is painted with twig-twisted treasure-shaped flower patterns, the main decoration is twig-twisted lotus, peony, and passionflower, the lower side of the mouth is supplemented by the Ruyi cloud head pattern, the upper side of the neck is surrounded by banana leaf patterns, and the ring feet are surrounded by Yanglian patterns .

Gold is painted on the mouth and the soles of the feet for a week. The decorative patterns on the bottle body are rich and luxurious, with fine conception and dense composition. The picture is very concave and convex, and the layers are clear.

Auspicious patterns are painted all over the body, the colors are gorgeous and generous, and the meaning is rich.

It contains ancient auspicious cultures such as "longevity and longevity" and "icing on the cake".

It seems exaggerated and ostentatious, but it actually expresses the inclusive mind of the prosperous age, the royal style and honor.

The bottom is covered with turquoise green glaze, and the blue and white "Qianlong Years of the Great Qing Dynasty" six-character and three-line seal script inscribed in the center.

The whole vessel is noble and elegant, with graceful and gorgeous decoration.

If this kind of porcelain was placed in the Qing Dynasty, it would definitely highlight the ingenious skills of the craftsmen in the palace at that time, and it would also fully demonstrate the unique vision and taste of Emperor Qianlong.

Only this level of porcelain can be sold at a high price of tens of millions.