My system is not decent
Chapter 1063 Absolute Boutique
Yellow glaze, red glaze, white glaze, and green glaze are just four glaze colors, and ten kinds of plates can be made.
There are three types of yellow glazes, two types of red glazes, one type of white glazes, and four types of green glazes. Chen Wenzhe tried his best to keep them, and he did not let himself go too much.
If you really let go and let him do it to his heart's content, maybe he can make fifteen or sixteen kinds of colors now.
After finishing these, Chen Wenzhe plans to increase the difficulty.
"Just sprinkle the blue glaze!" This is the least he has done, and it seems to have been done once.
However, after actually doing it, it feels very easy.
Sprinkling blue glaze was done once before, no, to be precise, he used to make Ji blue glaze, but now for Chen Wenzhe, the difficulty is not much different, and now sprinkling blue glaze does not feel difficult at all.
Of course, this is a manifestation of Chen Wenzhe's profound accumulation. It is not easy to really do a good job of sprinkling blue glaze.
Among the blue-glazed porcelains in the heyday of the Qing Dynasty, Yongzheng blue-glazed porcelains wrapped with Ji blue glaze, sprinkled blue glaze, and sky blue glaze all have outstanding artistic achievements.
Yongzheng blue-glazed porcelain has its unique craftsmanship in terms of the shape of the utensils, the glaze of the body, and the identification.
The blue-glazed porcelain of the Yongzheng period in the Qing Dynasty was generally better than that of the Kangxi period, especially the pottery supervisor Tang Ying, whose quality was the most outstanding.
Among them, Ji blue glazed porcelain was still the mainstream product in the Yongzheng period. The number of sprinkled blue glazed porcelain was relatively small, but its quality was high, and the firing technology of sky blue glazed porcelain was very exquisite.
The blue-glazed porcelain of the Yongzheng period in the Qing Dynasty has a variety of shapes, such as plates, bowls, basins, cylinders, jars, pots, washing, plum vases, taper-handled vases, jade pot spring vases, slag buckets, high-legged bowls, pomegranate statues, etc. Everything you need.
The shapes of blue-glazed porcelain are mainly statues, jars, washers, flowerpots, chrysanthemum plates, garlic bottles, pomegranate statues, etc.
The shape of sky blue glazed porcelain is mainly based on various jars and bottles.
Such as drum-shaped lid jars, lotus seed jars; square bottles, elephant ear bottles, wearing belt bottles, paper mallet bottles, celestial ball bottles, cone handle bottles, dragon ear bottles, ribbon ear bottles, jade pot spring bottles, etc.
In addition, bowls, plates, statues, stoves, cylinders, washers, cups, cup holders, flower pots, flower pots, flower goblets, slag buckets, chrysanthemum trays, etc. are also in different shapes.
Therefore, now Chen Wenzhe can imitate both the blue-glazed chrysanthemum-petal dish and the sky-blue chrysanthemum-petal dish. These are two kinds of single-color glazed chrysanthemum petal dishes.
Of course, it is not easy to imitate well.
The three blue-glazed porcelains of the Yongzheng period can be said to be unique.
Among them, Ji blue glazed porcelain, the color is bright and purple, the glaze is very smooth, the glaze is very uniform, there are dense small bubbles under the glaze, and the glass texture is strong.
Blue-glazed porcelain has a thinner carcass than that of the Kangxi period, and the glaze color is similar to green gold. The glaze color is very changeable, but the fly in the ointment is that the glaze surface is not uniform.
Sky blue glazed porcelain, the glaze color can be divided into shades, the tone is relatively elegant, and the color is very stable.
There are also inscriptions, blue-glazed porcelain from the Yongzheng period of the Qing Dynasty, and most of the inscriptions are blue and white double-circle regular scripts, seal scripts, and Yin engravings.
However, there are some exceptions, and the signature is "Langyin Pavilion System" in the name of the hall.
To make blue-glazed chrysanthemum petal dishes, one needs to pay attention to the preparation of blue-sprinkled glazes, especially the blue-sprinkled glazes of the Yongzheng period.
Sprinkling blue glaze, also known as "snowflake blue", is a high-temperature blue glaze fired in the Xuande period of the Ming Dynasty.
Because there are uniform spots like water spots on the blue glaze, it is called "sprinkling blue".
During the Yongzheng period of the Qing Dynasty, the method of glazing was innovated. It was necessary to use the blowing method to blow the star-shaped green material on the porcelain blank, and then apply a layer of transparent glaze.
The glaze surface of this blue chrysanthemum petal dish is even and clean, and the dense white spots on the sacrificial blue glaze are like snowflakes dancing in the sky, which is exquisite and durable.
Due to the manual glaze blowing technique, which requires long-term accumulation of experience, blue-sprinkled glaze products have always been very rare.
However, although it is difficult to make this kind of porcelain, as long as it is made, it is a fine product.
In particular, the shape of the chrysanthemum plate is traditional and elegant, beautiful and stable. If the glaze is evenly applied, the glaze surface is even and delicate, and the hair color is quiet, it is an absolute boutique.
After finishing the blue-glazed plate, Chen Wenzhe thought about it, and simply increased the difficulty, this time he made a sauce-colored glazed plate.
This is a high-temperature glaze with iron as the colorant. It was first successfully fired in the northern kiln in the Song Dynasty. The Xuande official kiln in the Ming Dynasty produced many sauce glaze dishes, bowls and other daily necessities.
Yongzheng sauce glaze inherits the excellent tradition of Xuande sauce glaze, the glaze is thick and dark in color.
The sauce glaze dish glaze in the twelve-color chrysanthemum petal dish, if it is to be done well, it must have an even surface, and the gloss must be extremely strong.
As long as you pay attention to this point, there will be no problem with the fired chrysanthemum disc.
"Boss, what's next?"
Seeing that Chen Wenzhe made a lot of glazed porcelain again, Zhang Gu was a little excited.
This time I really learned a lot, even if I didn't fire it at this time, I still don't know the final hair color of these porcelains, but Chen Wenzhe's previous performance is there, I can't help but not believe it.
"Since you have made purple gold glaze, let's make it to the end, let's make another grape purple glaze plate, have you seen it?"
Purple has always been an expensive color, and purple glaze is not an ordinary glaze color, and there are definitely not many that can do it well.
"No!" Zhang Gu shook his head directly, and he had heard of it before, but had never seen it before.
Don't talk about him, even if he is a teacher at the art academy, not many people have seen top-quality grape purple glaze dishes, right?
Among the twelve orthochromatic chrysanthemum petal dishes in Yongzheng, there is a grape purple glaze dish, which is a kind of high temperature purple glaze.
High-temperature purple glaze is a kind of colored glaze created and fired in the mid-Ming Dynasty. The main colorant is manganese, and the least iron and cobalt contained in the glaze play the role of coloring.
Yongzheng purple glaze has many colors, and the lightest purple glaze has a light pink color like lotus root. This is the lotus root glaze chrysanthemum petal plate among the twelve plates.
Also, the deepest purple glaze is as deep as eggplant skin, and in between are rose purple and grape purple.
The grape purple glaze plate in the chrysanthemum petal plate is bright and clean, and the purple is red, similar to the red color of kidney beans. It is a high-quality purple glaze and is very valuable.
This kind of glazed chrysanthemum plate seems to be comparable only to the carmine chrysanthemum plate.
In the market, Chen Wenzhe remembered that only one appeared in [-] years.
That grape-purple-glazed chrysanthemum-petal plate, compared to other colors, was designated as rare, and it seemed to be the only one that was auctioned!
Therefore, the auction price at that time was set at 300 million to 500 million yuan, which was not inferior to the carmine-glazed chrysanthemum petal plate.
Except for that one, it seems that only the Shendu Palace Museum has one.
In the set of twelve-color chrysanthemum petal dishes, there is a grape purple glaze chrysanthemum petal dish.
The twelve plates in the Forbidden City are: white glaze, green glaze, lake water glaze, green onion glaze, yellow glaze, light yellow glaze, beige glaze, sky blue glaze, blue glaze, rouge glaze, purple gold glaze, and mint glaze.
Among them, the green glaze is the most, so it is not considered the orthodox Yongzheng twelve-color monochrome glaze chrysanthemum plate.
Of course, it means that the Forbidden City has the strength to produce a set of twelve-color monochromatic glazed porcelain from the Yongzheng official kiln.
Except for the Forbidden City of Shendu, it is already very impressive to be able to gather three or five pieces in other places.
As Chen Wenzhe knows, it is not bad to have one piece in the hands of most museums and collectors, let alone twelve pieces.
There are three types of yellow glazes, two types of red glazes, one type of white glazes, and four types of green glazes. Chen Wenzhe tried his best to keep them, and he did not let himself go too much.
If you really let go and let him do it to his heart's content, maybe he can make fifteen or sixteen kinds of colors now.
After finishing these, Chen Wenzhe plans to increase the difficulty.
"Just sprinkle the blue glaze!" This is the least he has done, and it seems to have been done once.
However, after actually doing it, it feels very easy.
Sprinkling blue glaze was done once before, no, to be precise, he used to make Ji blue glaze, but now for Chen Wenzhe, the difficulty is not much different, and now sprinkling blue glaze does not feel difficult at all.
Of course, this is a manifestation of Chen Wenzhe's profound accumulation. It is not easy to really do a good job of sprinkling blue glaze.
Among the blue-glazed porcelains in the heyday of the Qing Dynasty, Yongzheng blue-glazed porcelains wrapped with Ji blue glaze, sprinkled blue glaze, and sky blue glaze all have outstanding artistic achievements.
Yongzheng blue-glazed porcelain has its unique craftsmanship in terms of the shape of the utensils, the glaze of the body, and the identification.
The blue-glazed porcelain of the Yongzheng period in the Qing Dynasty was generally better than that of the Kangxi period, especially the pottery supervisor Tang Ying, whose quality was the most outstanding.
Among them, Ji blue glazed porcelain was still the mainstream product in the Yongzheng period. The number of sprinkled blue glazed porcelain was relatively small, but its quality was high, and the firing technology of sky blue glazed porcelain was very exquisite.
The blue-glazed porcelain of the Yongzheng period in the Qing Dynasty has a variety of shapes, such as plates, bowls, basins, cylinders, jars, pots, washing, plum vases, taper-handled vases, jade pot spring vases, slag buckets, high-legged bowls, pomegranate statues, etc. Everything you need.
The shapes of blue-glazed porcelain are mainly statues, jars, washers, flowerpots, chrysanthemum plates, garlic bottles, pomegranate statues, etc.
The shape of sky blue glazed porcelain is mainly based on various jars and bottles.
Such as drum-shaped lid jars, lotus seed jars; square bottles, elephant ear bottles, wearing belt bottles, paper mallet bottles, celestial ball bottles, cone handle bottles, dragon ear bottles, ribbon ear bottles, jade pot spring bottles, etc.
In addition, bowls, plates, statues, stoves, cylinders, washers, cups, cup holders, flower pots, flower pots, flower goblets, slag buckets, chrysanthemum trays, etc. are also in different shapes.
Therefore, now Chen Wenzhe can imitate both the blue-glazed chrysanthemum-petal dish and the sky-blue chrysanthemum-petal dish. These are two kinds of single-color glazed chrysanthemum petal dishes.
Of course, it is not easy to imitate well.
The three blue-glazed porcelains of the Yongzheng period can be said to be unique.
Among them, Ji blue glazed porcelain, the color is bright and purple, the glaze is very smooth, the glaze is very uniform, there are dense small bubbles under the glaze, and the glass texture is strong.
Blue-glazed porcelain has a thinner carcass than that of the Kangxi period, and the glaze color is similar to green gold. The glaze color is very changeable, but the fly in the ointment is that the glaze surface is not uniform.
Sky blue glazed porcelain, the glaze color can be divided into shades, the tone is relatively elegant, and the color is very stable.
There are also inscriptions, blue-glazed porcelain from the Yongzheng period of the Qing Dynasty, and most of the inscriptions are blue and white double-circle regular scripts, seal scripts, and Yin engravings.
However, there are some exceptions, and the signature is "Langyin Pavilion System" in the name of the hall.
To make blue-glazed chrysanthemum petal dishes, one needs to pay attention to the preparation of blue-sprinkled glazes, especially the blue-sprinkled glazes of the Yongzheng period.
Sprinkling blue glaze, also known as "snowflake blue", is a high-temperature blue glaze fired in the Xuande period of the Ming Dynasty.
Because there are uniform spots like water spots on the blue glaze, it is called "sprinkling blue".
During the Yongzheng period of the Qing Dynasty, the method of glazing was innovated. It was necessary to use the blowing method to blow the star-shaped green material on the porcelain blank, and then apply a layer of transparent glaze.
The glaze surface of this blue chrysanthemum petal dish is even and clean, and the dense white spots on the sacrificial blue glaze are like snowflakes dancing in the sky, which is exquisite and durable.
Due to the manual glaze blowing technique, which requires long-term accumulation of experience, blue-sprinkled glaze products have always been very rare.
However, although it is difficult to make this kind of porcelain, as long as it is made, it is a fine product.
In particular, the shape of the chrysanthemum plate is traditional and elegant, beautiful and stable. If the glaze is evenly applied, the glaze surface is even and delicate, and the hair color is quiet, it is an absolute boutique.
After finishing the blue-glazed plate, Chen Wenzhe thought about it, and simply increased the difficulty, this time he made a sauce-colored glazed plate.
This is a high-temperature glaze with iron as the colorant. It was first successfully fired in the northern kiln in the Song Dynasty. The Xuande official kiln in the Ming Dynasty produced many sauce glaze dishes, bowls and other daily necessities.
Yongzheng sauce glaze inherits the excellent tradition of Xuande sauce glaze, the glaze is thick and dark in color.
The sauce glaze dish glaze in the twelve-color chrysanthemum petal dish, if it is to be done well, it must have an even surface, and the gloss must be extremely strong.
As long as you pay attention to this point, there will be no problem with the fired chrysanthemum disc.
"Boss, what's next?"
Seeing that Chen Wenzhe made a lot of glazed porcelain again, Zhang Gu was a little excited.
This time I really learned a lot, even if I didn't fire it at this time, I still don't know the final hair color of these porcelains, but Chen Wenzhe's previous performance is there, I can't help but not believe it.
"Since you have made purple gold glaze, let's make it to the end, let's make another grape purple glaze plate, have you seen it?"
Purple has always been an expensive color, and purple glaze is not an ordinary glaze color, and there are definitely not many that can do it well.
"No!" Zhang Gu shook his head directly, and he had heard of it before, but had never seen it before.
Don't talk about him, even if he is a teacher at the art academy, not many people have seen top-quality grape purple glaze dishes, right?
Among the twelve orthochromatic chrysanthemum petal dishes in Yongzheng, there is a grape purple glaze dish, which is a kind of high temperature purple glaze.
High-temperature purple glaze is a kind of colored glaze created and fired in the mid-Ming Dynasty. The main colorant is manganese, and the least iron and cobalt contained in the glaze play the role of coloring.
Yongzheng purple glaze has many colors, and the lightest purple glaze has a light pink color like lotus root. This is the lotus root glaze chrysanthemum petal plate among the twelve plates.
Also, the deepest purple glaze is as deep as eggplant skin, and in between are rose purple and grape purple.
The grape purple glaze plate in the chrysanthemum petal plate is bright and clean, and the purple is red, similar to the red color of kidney beans. It is a high-quality purple glaze and is very valuable.
This kind of glazed chrysanthemum plate seems to be comparable only to the carmine chrysanthemum plate.
In the market, Chen Wenzhe remembered that only one appeared in [-] years.
That grape-purple-glazed chrysanthemum-petal plate, compared to other colors, was designated as rare, and it seemed to be the only one that was auctioned!
Therefore, the auction price at that time was set at 300 million to 500 million yuan, which was not inferior to the carmine-glazed chrysanthemum petal plate.
Except for that one, it seems that only the Shendu Palace Museum has one.
In the set of twelve-color chrysanthemum petal dishes, there is a grape purple glaze chrysanthemum petal dish.
The twelve plates in the Forbidden City are: white glaze, green glaze, lake water glaze, green onion glaze, yellow glaze, light yellow glaze, beige glaze, sky blue glaze, blue glaze, rouge glaze, purple gold glaze, and mint glaze.
Among them, the green glaze is the most, so it is not considered the orthodox Yongzheng twelve-color monochrome glaze chrysanthemum plate.
Of course, it means that the Forbidden City has the strength to produce a set of twelve-color monochromatic glazed porcelain from the Yongzheng official kiln.
Except for the Forbidden City of Shendu, it is already very impressive to be able to gather three or five pieces in other places.
As Chen Wenzhe knows, it is not bad to have one piece in the hands of most museums and collectors, let alone twelve pieces.
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