muscle actor

Chapter 464
After a three-month break, Sahaha premiered.

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Compared with the ghosts and ghosts of "The Wailing", the latter is more serious, more speculative, and more exciting to me.

It is very similar to "The Da Vinci Code". On the one hand, a detective-like character is tracking down a cult organization, and on the other hand, the cult organization uses apocalyptic redemption as a gimmick to do evil things. During this period, there are also a large number of cipher text spell symbols and many metaphors.

Combining the reality of local religions, integrating elements of Buddhism, Catholicism and Shamanism, dense Buddhist halls, whispering spells, strange ghost children, collapsed beliefs, and distorted hearts, a strange and treacherous world of Saha is constructed.

Ding Cheng's acting skills are amazing!

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Combining supernatural, detective, and religious elements, I personally have no resistance to this type of movie.It is very similar to "Twin Eyes", but compared to the latter's folk morals, this film explores religion more deeply, and the complex issues between faith and reality.

The first half of the investigation is very good, with excellent suspense and atmosphere. After the in-depth discussion in the second half, the entertainment and story tension have declined, but the gloomy atmosphere created by photography and music still maintains the unity of perception.

The entire movie's setting about fate is very clever, both intriguing and self-justifying.In addition, the Buddhist master in the film said that there is no pure evil in Buddhism. The so-called evil refers more to human greed and obsession, which is also well reflected in the plot.

The most amazing thing is that the story about Buddhism is promoted by Christian priests. The two religions are intertwined in the film but they can reflect each other without violating harmony.

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I really like these two works of Ding Cheng!

The previous walk with the gods also perfectly integrated the Buddhist ghost and god Yama.This is also a perfect fusion of Buddhist teachings and symbols, weaving a story full of religious meaning that good is evil, evil is also good, good and evil have no boundaries.

The process of solving puzzles in the first half is also very cool, a lot of foreshadowing does not feel boring, maybe I am particularly fond of this kind of film, the reversal and subversion in the second half are also very unpredictable and unrestrained!
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120 minutes is very attractive, the narrative is smooth, the shooting is sophisticated, the background is mysterious and ecstatic, and it involves a lot of professional knowledge, but the story is well told, and the whole process of thinking follows the plot.

Using the rhythm of detective suspense and reasoning, it gradually tells the inside motive of a religious crime and murder, and also shows the brainwashing of the scriptures and the struggle of the believers in great detail.

There are not only horror and thriller elements, but also literary discussions on the existence of social and religious groups, and even unexpected trick reversals in the sense of mystery novels.

The multi-line narrative slowly penetrates from the surface to the inner intersection, and at the same time forms a reversal of the nature of good and evil in the characters.

The commerciality is close to full marks, but the social targeting is still lacking. The most important thing is that the ending is completely broken, the logic is fragmented, and the golden retriever boy can’t die. It’s too magical. Occupying the halo of Ding Cheng’s male lead, force him to come Happy ending?

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The beginning is horrifying, and the script is anti-routine. It seems to be a satire on mankind's blind faith, using the core of several major religions, and even mocking the aura of the protagonist of the movie, directly making the explorer a man to be manipulated.

But at the end, it supports the paradox of Mahayana Buddhism, that is, a prophecy made by the money-hungry mage to the people in the devil religion, which instead becomes the ultimate guide.

The Sapoha commented in the film has the meaning of achievement, auspiciousness, death, calamity relief, gain, and no abiding. The theme has also become a name that promotes the absurdity of reality.

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It is an insult to this kind of film to be labeled as a reversal, because its success does not rely on suspenseful reasoning.

The exploration of religion becomes more and more mysterious as the plot unfolds. The half-hidden horror of holding the pipa is just right for the grim atmosphere that draws people's skin and heart, and the ending is suffocating.

Seemingly true but not true, black and white, upside down, right and wrong, these philosophical propositions are intertwined to form a moving story.

The context and core are much simpler and clearer, the interpretation of religious concepts is straightforward, and the threshold for watching the movie is much lower. The relatively rigorous reasoning and the shots with great aesthetic tension make people want to stop!

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The sacred is full of oppression, and fear can cut through the skin.There are a lot of crossovers and parallel editing in the narrative, but there are very few show-offs, creating a quite tense atmosphere.

In terms of actor performance, Park Jung-min's role is relatively plump and heavy. When he was a child, the kindly priest put a pure white cassock on his shoulders, but taught him to become a bloodthirsty beast; when he was dying, the cunning priest covered him with black coat, but gave him the last dignity of being a human being.

My favorite is the two monologues in which Ding Cheng questions the existence of God. His acting skills are explosive.If God is really watching us, why doesn’t He do anything?
This is undoubtedly the cry that social reality needs to send out. Sincerity should be followed, trust deserves to be respected, the hands of family members will always be warm, and pious awakening will never come too late.

If God is powerless, why not try to show kindness to the world first, otherwise the world will be too cold.

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An innocent person, or is it the only way to become a god?
There are many metaphors, and it is very enjoyable and exciting to watch.There is no evil in Buddhism, where there is one, there is that. The so-called ghosts are just human desires and greed. Jin chose four people to destroy the ghosts, but the ghosts were born by him. ghost.

I like it so much, the details of the whole structure and atmosphere are amazing!

This story is not complicated, but the great thing is to make this uncomplicated straightforward attack.I know the shortcomings, but I still have goosebumps...

……

The box office broke one million on the first day!
Once again sparked a national upsurge!

"You have become a god in Korea!" Su Yao looked at Ding Cheng and smiled: "First you walked with the gods, and now you are Sao Po He..."

"That's it!" The little girl was also at the side, fearing that the world would not be chaotic: "As long as Brother Cheng is around..."

"In South Korea, one-third of an acre of land..."

"Just one question?"

"Who else!"

(End of this chapter)