muscle actor
Chapter 439 How to Hold the Golden Rice Bowl
Chapter 439 How to Hold the Golden Rice Bowl
For a long time, domestic animated films have either been for children, teenagers or adults.The only ones that are really close to family fun are The Return of the Monkey King and Nezha. As long as they meet the core selling points, according to Ding Cheng's analysis, they will explode at the box office!
There is a temporary family configuration, a parent-child pairing, and eternal love and self-growth.The story is also told in a better way and can be enjoyed by both adults and children.The only drawback is that there are a few scenes that are quite scary, especially for younger children.
So in the future, if you want to make a family movie, you can weaken the violent plot, like the little yellow people handle it very well, and they fight like they play.
There is also Crazy Primitives, because it is a doomsday escape, there will definitely be many tense moments in it, but the handling is not scary.
I have to say that Pixar's brilliant, animated films are basically original, and they are relatively successful at the box office and word of mouth, because there are very few original IPs suitable for all age groups.
It is difficult to find which book is suitable for both children and adults. If the IP is young, such as cartoons on children’s channels, it will be more difficult to change it into a family carnival story, which may be even more difficult than direct originality.
And the audience will preconceive that your IP is young, and the movie should also be young.
Even if it was the kind of rubbish where did Dad go, the box office turned out to be good, but no one will be fooled into paying for the sequel!
Many companies are not stupid and want to do family carnivals, but the cost of animation is very high and it takes more time. They can only choose to do real people, but in fact it is more difficult to do real people.
Because many of them are fantasy stories, magic or science fiction.Because it would be difficult to take a realistic route in order to make a movie that children and teenagers would also like to watch.
Like Home Alone, although there is no fantasy plot, the plots inside are extremely exaggerated.If it is placed in a domestic situation, it is not sure whether the audience can accept it?
Don’t tell me that many domestic movies are family-friendly, with small hands holding big hands. Some producers even said that for animation to be successful at the box office, it must first hold on to the children.
Because a child can take at least one adult to see it, and some can take six, parents, grandparents, grandparents...
Ding Cheng is also drunk with such remarks!
You basically don’t have to think about grandparents and grandparents going to the cinema. Parents can think about it. There are still many situations where the father takes care of the children alone or the mother takes care of the children alone, or simply one parent takes two or three children.
why?
Because the plot is too childish.Adults go to see it, and they come with children.
The movie-watching experience of these parents can't be said to be painful, but at least it has nothing to do with joy.If both parents are unhappy, how can we still call it a family reunion?
If two animated movies are placed in front of young parents, they will almost [-]% choose the one they and their children love to watch.
Internal monologue: Don’t blame me for being selfish, I’m also an only child, okay?
My viewing experience is also very important, okay?
So, if you want me to buy a ticket, first figure out what kind of movie I like to watch!
Some people clamor that all Hollywood animated films are [-]D animations, but what about domestic animated films?
Then why is the island country also two-dimensional, and it still sweeps the world?
What is gratifying is that now the domestic animation industry has finally reached a unified understanding, which is to move towards three-dimensional animation.As for the effect of 3D, based on Nezha's case, Ding Cheng can only say that domestic animated films are not short of money, but only time!
All movie stories come from two sources: original and adaptation.It can be seen from Table [-] that the proportion of original stories of imported animation films is larger than that of adapted stories.Domestically produced animated films are all adapted from adaptations.
Now IP is being talked about everywhere. Some people say that as long as the IP is famous, the story doesn't matter.Although this is a bit exaggerated, it is not unreasonable.
If the IP already has a certain degree of popularity, then a film adaptation has a much greater chance of success than an unknown original.
Based on this consideration, all domestic films are adaptations.If based on this alone, it seems a bit excessive to say that domestic products lack innovative spirit.Because innovation means risk, although innovation may also mean higher profits.
The question is, is the IP adapted from a domestic movie really suitable for a family carnival movie?
Judging from the current situation, it seems that it is not very suitable. Most of the domestic animation films are adapted from popular low-school cartoons, and the other half are adapted from games and comics.
The audience of the former is young children, while the audience of the latter is teenagers or adults.To change them into movies for all ages, we must first reverse the adult audience's inherent impression of the original IP.
Just like many movies adapted from cartoons for young children, adults feel that the movie is naive before watching it, and they don't want to watch it.
Is it okay to make the plot more suitable for all age groups?For example, "Bear Bears" seems to have achieved this, but it also deviated from the original formula of the series and lost some original flavor.
Think about it, when the bald head becomes a good guy, when Xiong Er becomes an infatuated, when Xiong Da becomes a righteous patriarch, can those loyal little fans of the original animation accept it?
No adaptation, original!
Without fame, this seems even more unreliable.Yes, let’s adapt it!
Childish is childish, and it’s better than not famous, so domestic animated films, bearing the reputation of low-level animation, are covered with more and more adult stories, and walk on the golden road leading to the family carnival, somewhat awkwardly.
In contrast to Hollywood animated films, there are obviously more originals than adaptations, and more of its adaptations come from works familiar to adults.
"Frozen" is adapted from the ancient Hans Christian Andersen fairy tale, "The Adventures of Tintin" is adapted from the Belgian comics in the 20s, "The Smurfs" is adapted from the Belgian comics more than 50 years ago, and "Big Hero 98" is adapted from 03 The serialized comic, "How to Train Your Dragon" is adapted from a children's book in [-]...
Some fans span several generations and are truly all ages, so fans of the original works can easily be converted into movie fans, and there will be no misplacement problems in domestic animation movies.
More stories come from the original, and when the original movie is a blockbuster, there are often several sequels, which are adapted into games and cartoons.
It is opposite to the direction of domestic animation films.Why?
The reason is simple, that is because they have confidence in their original ability and have patience.Because they know how to create an idea and then take care of it carefully until it grows into a real towering tree.
(End of this chapter)
For a long time, domestic animated films have either been for children, teenagers or adults.The only ones that are really close to family fun are The Return of the Monkey King and Nezha. As long as they meet the core selling points, according to Ding Cheng's analysis, they will explode at the box office!
There is a temporary family configuration, a parent-child pairing, and eternal love and self-growth.The story is also told in a better way and can be enjoyed by both adults and children.The only drawback is that there are a few scenes that are quite scary, especially for younger children.
So in the future, if you want to make a family movie, you can weaken the violent plot, like the little yellow people handle it very well, and they fight like they play.
There is also Crazy Primitives, because it is a doomsday escape, there will definitely be many tense moments in it, but the handling is not scary.
I have to say that Pixar's brilliant, animated films are basically original, and they are relatively successful at the box office and word of mouth, because there are very few original IPs suitable for all age groups.
It is difficult to find which book is suitable for both children and adults. If the IP is young, such as cartoons on children’s channels, it will be more difficult to change it into a family carnival story, which may be even more difficult than direct originality.
And the audience will preconceive that your IP is young, and the movie should also be young.
Even if it was the kind of rubbish where did Dad go, the box office turned out to be good, but no one will be fooled into paying for the sequel!
Many companies are not stupid and want to do family carnivals, but the cost of animation is very high and it takes more time. They can only choose to do real people, but in fact it is more difficult to do real people.
Because many of them are fantasy stories, magic or science fiction.Because it would be difficult to take a realistic route in order to make a movie that children and teenagers would also like to watch.
Like Home Alone, although there is no fantasy plot, the plots inside are extremely exaggerated.If it is placed in a domestic situation, it is not sure whether the audience can accept it?
Don’t tell me that many domestic movies are family-friendly, with small hands holding big hands. Some producers even said that for animation to be successful at the box office, it must first hold on to the children.
Because a child can take at least one adult to see it, and some can take six, parents, grandparents, grandparents...
Ding Cheng is also drunk with such remarks!
You basically don’t have to think about grandparents and grandparents going to the cinema. Parents can think about it. There are still many situations where the father takes care of the children alone or the mother takes care of the children alone, or simply one parent takes two or three children.
why?
Because the plot is too childish.Adults go to see it, and they come with children.
The movie-watching experience of these parents can't be said to be painful, but at least it has nothing to do with joy.If both parents are unhappy, how can we still call it a family reunion?
If two animated movies are placed in front of young parents, they will almost [-]% choose the one they and their children love to watch.
Internal monologue: Don’t blame me for being selfish, I’m also an only child, okay?
My viewing experience is also very important, okay?
So, if you want me to buy a ticket, first figure out what kind of movie I like to watch!
Some people clamor that all Hollywood animated films are [-]D animations, but what about domestic animated films?
Then why is the island country also two-dimensional, and it still sweeps the world?
What is gratifying is that now the domestic animation industry has finally reached a unified understanding, which is to move towards three-dimensional animation.As for the effect of 3D, based on Nezha's case, Ding Cheng can only say that domestic animated films are not short of money, but only time!
All movie stories come from two sources: original and adaptation.It can be seen from Table [-] that the proportion of original stories of imported animation films is larger than that of adapted stories.Domestically produced animated films are all adapted from adaptations.
Now IP is being talked about everywhere. Some people say that as long as the IP is famous, the story doesn't matter.Although this is a bit exaggerated, it is not unreasonable.
If the IP already has a certain degree of popularity, then a film adaptation has a much greater chance of success than an unknown original.
Based on this consideration, all domestic films are adaptations.If based on this alone, it seems a bit excessive to say that domestic products lack innovative spirit.Because innovation means risk, although innovation may also mean higher profits.
The question is, is the IP adapted from a domestic movie really suitable for a family carnival movie?
Judging from the current situation, it seems that it is not very suitable. Most of the domestic animation films are adapted from popular low-school cartoons, and the other half are adapted from games and comics.
The audience of the former is young children, while the audience of the latter is teenagers or adults.To change them into movies for all ages, we must first reverse the adult audience's inherent impression of the original IP.
Just like many movies adapted from cartoons for young children, adults feel that the movie is naive before watching it, and they don't want to watch it.
Is it okay to make the plot more suitable for all age groups?For example, "Bear Bears" seems to have achieved this, but it also deviated from the original formula of the series and lost some original flavor.
Think about it, when the bald head becomes a good guy, when Xiong Er becomes an infatuated, when Xiong Da becomes a righteous patriarch, can those loyal little fans of the original animation accept it?
No adaptation, original!
Without fame, this seems even more unreliable.Yes, let’s adapt it!
Childish is childish, and it’s better than not famous, so domestic animated films, bearing the reputation of low-level animation, are covered with more and more adult stories, and walk on the golden road leading to the family carnival, somewhat awkwardly.
In contrast to Hollywood animated films, there are obviously more originals than adaptations, and more of its adaptations come from works familiar to adults.
"Frozen" is adapted from the ancient Hans Christian Andersen fairy tale, "The Adventures of Tintin" is adapted from the Belgian comics in the 20s, "The Smurfs" is adapted from the Belgian comics more than 50 years ago, and "Big Hero 98" is adapted from 03 The serialized comic, "How to Train Your Dragon" is adapted from a children's book in [-]...
Some fans span several generations and are truly all ages, so fans of the original works can easily be converted into movie fans, and there will be no misplacement problems in domestic animation movies.
More stories come from the original, and when the original movie is a blockbuster, there are often several sequels, which are adapted into games and cartoons.
It is opposite to the direction of domestic animation films.Why?
The reason is simple, that is because they have confidence in their original ability and have patience.Because they know how to create an idea and then take care of it carefully until it grows into a real towering tree.
(End of this chapter)
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