The rise of the country from the entertainment industry

Chapter 253

The sound of slogans transmitted through the loudspeaker was prolonged by the mixing sound, and the sound of heavy drumming made the actors in the screen turn into ugly faces, showing more pain and tragedy.

When Duan Xiaolou, Cheng Dieyi and others were interrogated in front of everyone, the camera focused on behind the flames.

The flames are burning wildly.

The smoke and dust produced by this fire covered the sky and the sun, and the blue sea and sky could not be seen.

This fire burned away the last rationality and conscience of Duan Xiaolou and Cheng Dieyi, turning them into trapped beasts attacking and hurting each other.

Through the use of light, expressing the inner emotional state of the characters and conveying profound ideological connotations are the basic requirements for Jiang Li to design film lighting.

"In solving the problem of color in film, it is precisely this that should be considered first: the meaning of color."

In "Farewell My Concubine", the color and tone of the film are a kind of expressive language with rich connotations, and the color expresses the director's emotional attitude and value orientation.

Jiang Li's use of color is mainly manifested in highly restricting the appearance of colors, highlighting the main tones, and conveying ideas in the comprehensive arrangement of large color blocks and the strong contrast of different tones.

Many people say that the bad era is a dye vat, dyeing white into black and red into green, but in fact it is just the opposite.

Bad times are not a dyeing vat, but bad times are a washing vat, which washes away the heavy ink painted on by the outside world and washes out people's background.

It also washed off the "overlord makeup" on Duan Xiaolou's face.

He has never had Dieyi's insistence on being independent from the world. Whatever the world has become, he has become so.

His betrayal was the heaviest blow to Dieyi. He exposed Dieyi's deepest wound and destroyed all his beliefs and persistence.

This blow almost shattered Dieyi's body and completely collapsed.

Juxian risked himself to save his beloved sword, protecting his last attachment.

"You all lied to me, you all lied to me!"

My mother lied to me and threw me into the theater; my master lied to me and sent me to the eunuch; I was kind to my senior brother, but my senior brother lied to me; I trusted Yuan Siye, and he lied to me; and I hate Juxian so much Miss, she is the only woman who gives me warmth.

When his personality completely collapsed, he responded to Juxian's kindness with the betrayal he had endured all along.

Cheng Dieyi gave Juxian his anger, betraying her kindness to him.

After that, he no longer has any nostalgia, only death.

Cheng Dieyi struggled to get up: "I'll expose it too!"

"Expose the colorful, expose the ruined walls!"

"Duan Xiaolou, you have lost your conscience, you are a wolf! There is only one human skin left!"

With a trembling body, he walked to Juxian's side, pointing at this woman: "Ever since you posted this woman, I knew it was over, everything was over!"

"Now you are a villain making trouble, and disaster is falling from the sky, no, no! We have come to this place step by step by ourselves."

In this exposure, he said something very interesting, he shouted: "I am no longer a thing, but you Chu Bawang also knelt down and begged for mercy!"

"The Beijing opera, can he not die, can he not die?"

Cheng Dieyi laughed wildly, but also full of sadness.

Cheng Dieyi, as a male actor, has indeed encountered the covetousness of many men. The eunuch was directly targeted, and Yuan Shiqing was mildly targeted.In the process, he also felt that his dignity was humiliated.

But Duan Xiaolou has never encountered these things, and even faced power with a provocative attitude, so Cheng Dieyi was shocked by his complete surrender.

"The king is exhausted, how can a concubine survive?"

I am not noble in the first place, my value exists because of you, and if you suddenly kneel down, I don’t know what I am.

In Bawang's eyes, Concubine Yu is just like a black horse, but a high-end plaything, it doesn't matter if he has it, or if he gives it up, he can't even tell whether his protection of Concubine Yu is out of love or masculine pride.

But Yu Ji followed the Overlord very simply.

In fact, the moment Duan Xiaolou exposed Cheng Dieyi, he died.

Peking opera was used to change it into four images, and the most important person abandoned him with his own hands. What he saw was the collapse of god statues in all directions.

How can you ask him to live with flesh and blood?
Juxian's final ending was also wearing a wedding dress and hanging in the room.

In this "Farewell My Concubine", everyone is crazy.

Ju Xian is madly in love with Duan Xiaolou, Cheng Dieyi is madly in love with Concubine Yu, Yuan Siye is madly in love with Peking Opera, Xiao Si is madly in love with the new era, Duan Xiaolou is not crazy, but he is the connection point of the characters, And everyone's values ​​are different, eventually leading to a tragedy.

The audience never thought that a domestic literary film could achieve this level.

Is this the horror of the 1.5 million production cost?

Do not!
Zhenghui let out a long sigh and denied the idea.

The color of "Farewell My Concubine" always maintains a faded yellow and old feeling, as if the individual is wrapped in sand and sand in the torrent of history, whether you are a big name or a celebrity, you all flow into the river with this era.

With a good book, good photography, and an excellent team, a movie is actually only half successful.

Because whether it is a movie or a drama, it is the actors who can best express tension and convey ideas, and it is the actors' performances that support the script and connect the skills!
The success of "Farewell My Concubine" is because of Duan Diehua, because of Zhang Feng, and even more because of Jiang Li!
If the creation is too hard, from a certain point of view too deep, it will not be able to express what you really want to express, and it will also make the audience feel strenuous.

Movies themselves express the emotions of ordinary people. The emotions in a movie should be accepted by the audience. The story lies in how it is told, not in the story itself.

As the saying goes, there is nothing new under the sun.

Tang Dynasty poet Wen Tingyun wrote a poem: "The palace is full of bright moon and pear blossoms are white".

The word "white" is the most popular word, and it is generally difficult to put it into poetry, but it is so good, this word can completely describe the moonlight.

Ordinary words, ordinary emotions, and different personal expressions are some very important elements of a movie.

Immediately afterwards, all the audience in the theater heard a familiar voice and saw a familiar picture.

It's still the theater at the beginning.

The two seniors co-starred in "Farewell My Concubine" for the last time on the stage where they had been separated for 22 years.

After "Yu Ji" sang the last line, she killed herself with the sword that was full of his feelings and fantasies that he gave to the Overlord.

Duan Xiaolou turned his head abruptly, and in the call of "Little Douzi", Dieyi ended his acting career in the arms of senior brother Xiaolou, and also ended this splendid tragedy.

That's the end of the movie.

The screen fell into darkness, and Jiang Li's singing began to sound.

In the singing, the final picture and subtitles appeared.

(End of this chapter)