The rise of the country from the entertainment industry
Chapter 252 The Twisted Flame
Chapter 252 The Twisted Flame
Zhang Feng's face is a face that looks very secure, very masculine like a man.
Duan Xiaolou played by him, at first glance, also makes women have the urge to entrust their lives.
He is a bit unscrupulous, a little quick-witted, and a little courageous. He is a very lovable character.
But he is different from Cheng Dieyi, and he doesn't take tricks so seriously.
What he really enjoys should be the taste of being famous and becoming a dragon and phoenix among people.
When Xiaolou got married, Cheng Dieyi said to him: "Yuan Siye invited us over tonight to cultivate us."
Duan Xiaolou's answer was: "Can someone surnamed Yuan take care of someone surnamed Duan?"
Then it became a prophecy: "I am the fake overlord, and you are the real Concubine Yu."
Cheng Dieyi doesn't distinguish between people and plays, and the tricks are bigger than the sky.
He really regards himself as Cheng Dieyi, "Humans and dramas are not divided, and hermaphrodites are of the same sex."
And he always puts himself in a female position, he is used to being cared for and valued.
Instead of defining him as the same bl, it is better to call it gender cognitive disorder.
He has become one with "Concubine Yu", and what he wants is the "Overlord of Chu" who can protect him at all times, stand upright, and integrate with his spiritual world.
Afterwards, there was the obsession with being "a boy", but soon, it was obliterated by the theater troupe master and Duan Xiaolou.From this moment on, "Nanerlang" flowed out of his body bit by bit, and the replaced soul was "Nvjiao'e".
Afterwards, various disagreements with Ju Xian, besides jealousy, also have natural hostility brought by women who are colleagues.
Fourth Master Yuan came to visit for the first time, and he patted his boots and took his coat like a normal person.
Facing the question raised by Yuan Siye, "The overlord of Chu should take seven steps, why did you only take five steps?", he admitted his mistake openly and resisted secretly with disdain.
He said: "Can you still be wrong? If you are wrong, how dare we two brothers hang around in the Peking Opera Garden?"
After Duan Xiaolou learned that Cheng Dieyi had gone to sing for the Japanese in order to save himself, he spat at him.
From this point of view, Duan Xiaolou attaches great importance to concepts such as "family country" and "nation".
This kind of arrogance that is not afraid of anything, really looks like an overlord.
But quote the lines in "Monga Potassium".
"When I was young, I also thought I was the wind. I didn't know until I was bruised and bruised all over my body when I was old. In fact, we are all just grass."
Duan Xiaolou also took this path, but his transformation was shown very concretely in the movie.
Bravery is knowing and yet being fearless.
Most of the spirit of youth comes from the self-confidence of looking at the sky from the bottom of the well.
Yes, fate knocked him down.
After the end of the War of Resistance, the two were forced to sing for a group of undisciplined and unqualified national army soldiers. Duan Xiaolou clashed with the soldiers, causing Juxian to have a miscarriage in the chaos.
Duan Xiaolou tried his best to rescue Dieyi, and humbly begged Yuan Shiqing, a bureaucrat who had played with Dieyi.
When faced with the question of "how many steps should the Overlord of Chu take?" at the beginning, he evaded the problem and dragged it lightly.
But when fourth master was asked to try to rescue Dieyi, he said "seven steps" without hesitation.
The root cause of his "getting down" is that Duan Xiaolou never really wanted to protect anything.
If a person only pursues power, he will eventually prostrate to power.
The main source of Duan Xiaolou's "backbone" is male hormones and fame when he was young, and these two things were gradually deprived.
He found that he actually had nothing.
This is the interesting part of this world. What you want to protect is your weakness and your spine.
And when you have nothing you really want to protect, you'll be extra safe, and you'll be extra humble.
Juxian asked Dieyi to lie and ask for forgiveness, and showed Dieyi the evidence that Xiaolou would no longer sing with Dieyi.
Cheng Dieyi pleaded guilty in court in despair, and said something very "rebellious": "If Aoki hadn't died, Beijing opera would have been spread to Japan."
What this actually conveys is the idea of "art has no borders" and "art is above race". It also reflects that this person is only skilled in art and knows nothing about politics.
Dieyi was always unyielding in court, but was rescued by senior KMT officials because of his skills.
After the liberation, the two people's unique skills were not taken seriously. Cheng Dieyi, who had tasted opium by mistake, had a bad voice every day. He broke his voice during a performance and was determined to quit drugs. After suffering from drug addiction, he finally regained his strength with the help of Duan Xiaolou and his wife. , but was framed by Xiao Si, a well-intentioned adopted child back then.
Xiao Si forced to take Yu Ji's place to perform with Duan Xiaolou, but Duan Xiaolou stopped acting regardless of the consequences. Ju Xian persuaded him to act for the sake of the overall situation, and Duan Xiaolou finally performed.
Dieyi was heartbroken and broke up with Duan Xiaolou ever since.
After the revolution, Duan Xiaolou was framed by Xiaosi and forced him to frame Dieyi, but Duan Xiaolou refused and was taken to parade in the street.
At this time, Dieyi suddenly appeared, dressed as a concubine, willing to be humiliated with Duan Xiaolou.
Looking at this scene off-screen, Zhenghui had a bad premonition in his heart.
Seeing that Dieyi has fallen into a trap, Duan Xiaolou hopes to protect Juxian and frame Dieyi in desperation.
At the beginning of the criticism, Duan Xiaolou, under duress, counted Cheng Dieyi's crimes in detail, and even spoke more and more vigorously,
"He's a theater fanatic, a theater fan, a theater lunatic!"
"He doesn't care who is sitting in the audience, what class, he will sing hard, sing hard!"
Amidst the shouts of the crowd, Duan Xiaolou successfully deceived himself and lost his last bit of dignity.
Under Juxian's astonished gaze, a wild smile appeared on his face.
"He sang for the wounded soldiers of the Democratic Party, for the anti-dong leaders in Xingyuan, Beiping, for the capitalists, for the rich landlords, for the ladies, for the local hooligans, for the gendarmerie, he!"
"Sing to the big drama bully Yuan Shiqing!!"
In the entire movie hall, many audiences who couldn't hold back have already let out bursts of exclamation.
In the diffuse flames and smoke, the camera was aimed at Cheng Dieyi and Duan Xiaolou, whose makeup was deformed and distorted.
In the orange flame, not only Juxian's heart, Duan Xiaolou's backbone, and Cheng Dieyi's life should have been burned.
The transformation of truth, goodness, right and wrong in human nature, and the look in the eyes made the audience brood, a silent questioning of misery, a helpless guilt of being blamed.
The flames blazed through the camera, people are not ghosts or ghosts, the relationship between people is distorted, the helplessness of personal behavior and the collapse of personal beliefs.
The orange flames burning in the picture also illuminate Zhenghui's face.
He couldn't help uttering two words in a low voice: "Fuck!"
Zhenghui has always deliberately maintained his artistic and elegant image.
But looking at the scene of "Farewell My Concubine" in front of me, the shock in my heart is really hard to add, and I couldn't help but swear.
He could feel that a lot of energy and money was spent on this picture alone.
"Really..." Zhenghui's eyes were confused, "So strong."
(End of this chapter)
Zhang Feng's face is a face that looks very secure, very masculine like a man.
Duan Xiaolou played by him, at first glance, also makes women have the urge to entrust their lives.
He is a bit unscrupulous, a little quick-witted, and a little courageous. He is a very lovable character.
But he is different from Cheng Dieyi, and he doesn't take tricks so seriously.
What he really enjoys should be the taste of being famous and becoming a dragon and phoenix among people.
When Xiaolou got married, Cheng Dieyi said to him: "Yuan Siye invited us over tonight to cultivate us."
Duan Xiaolou's answer was: "Can someone surnamed Yuan take care of someone surnamed Duan?"
Then it became a prophecy: "I am the fake overlord, and you are the real Concubine Yu."
Cheng Dieyi doesn't distinguish between people and plays, and the tricks are bigger than the sky.
He really regards himself as Cheng Dieyi, "Humans and dramas are not divided, and hermaphrodites are of the same sex."
And he always puts himself in a female position, he is used to being cared for and valued.
Instead of defining him as the same bl, it is better to call it gender cognitive disorder.
He has become one with "Concubine Yu", and what he wants is the "Overlord of Chu" who can protect him at all times, stand upright, and integrate with his spiritual world.
Afterwards, there was the obsession with being "a boy", but soon, it was obliterated by the theater troupe master and Duan Xiaolou.From this moment on, "Nanerlang" flowed out of his body bit by bit, and the replaced soul was "Nvjiao'e".
Afterwards, various disagreements with Ju Xian, besides jealousy, also have natural hostility brought by women who are colleagues.
Fourth Master Yuan came to visit for the first time, and he patted his boots and took his coat like a normal person.
Facing the question raised by Yuan Siye, "The overlord of Chu should take seven steps, why did you only take five steps?", he admitted his mistake openly and resisted secretly with disdain.
He said: "Can you still be wrong? If you are wrong, how dare we two brothers hang around in the Peking Opera Garden?"
After Duan Xiaolou learned that Cheng Dieyi had gone to sing for the Japanese in order to save himself, he spat at him.
From this point of view, Duan Xiaolou attaches great importance to concepts such as "family country" and "nation".
This kind of arrogance that is not afraid of anything, really looks like an overlord.
But quote the lines in "Monga Potassium".
"When I was young, I also thought I was the wind. I didn't know until I was bruised and bruised all over my body when I was old. In fact, we are all just grass."
Duan Xiaolou also took this path, but his transformation was shown very concretely in the movie.
Bravery is knowing and yet being fearless.
Most of the spirit of youth comes from the self-confidence of looking at the sky from the bottom of the well.
Yes, fate knocked him down.
After the end of the War of Resistance, the two were forced to sing for a group of undisciplined and unqualified national army soldiers. Duan Xiaolou clashed with the soldiers, causing Juxian to have a miscarriage in the chaos.
Duan Xiaolou tried his best to rescue Dieyi, and humbly begged Yuan Shiqing, a bureaucrat who had played with Dieyi.
When faced with the question of "how many steps should the Overlord of Chu take?" at the beginning, he evaded the problem and dragged it lightly.
But when fourth master was asked to try to rescue Dieyi, he said "seven steps" without hesitation.
The root cause of his "getting down" is that Duan Xiaolou never really wanted to protect anything.
If a person only pursues power, he will eventually prostrate to power.
The main source of Duan Xiaolou's "backbone" is male hormones and fame when he was young, and these two things were gradually deprived.
He found that he actually had nothing.
This is the interesting part of this world. What you want to protect is your weakness and your spine.
And when you have nothing you really want to protect, you'll be extra safe, and you'll be extra humble.
Juxian asked Dieyi to lie and ask for forgiveness, and showed Dieyi the evidence that Xiaolou would no longer sing with Dieyi.
Cheng Dieyi pleaded guilty in court in despair, and said something very "rebellious": "If Aoki hadn't died, Beijing opera would have been spread to Japan."
What this actually conveys is the idea of "art has no borders" and "art is above race". It also reflects that this person is only skilled in art and knows nothing about politics.
Dieyi was always unyielding in court, but was rescued by senior KMT officials because of his skills.
After the liberation, the two people's unique skills were not taken seriously. Cheng Dieyi, who had tasted opium by mistake, had a bad voice every day. He broke his voice during a performance and was determined to quit drugs. After suffering from drug addiction, he finally regained his strength with the help of Duan Xiaolou and his wife. , but was framed by Xiao Si, a well-intentioned adopted child back then.
Xiao Si forced to take Yu Ji's place to perform with Duan Xiaolou, but Duan Xiaolou stopped acting regardless of the consequences. Ju Xian persuaded him to act for the sake of the overall situation, and Duan Xiaolou finally performed.
Dieyi was heartbroken and broke up with Duan Xiaolou ever since.
After the revolution, Duan Xiaolou was framed by Xiaosi and forced him to frame Dieyi, but Duan Xiaolou refused and was taken to parade in the street.
At this time, Dieyi suddenly appeared, dressed as a concubine, willing to be humiliated with Duan Xiaolou.
Looking at this scene off-screen, Zhenghui had a bad premonition in his heart.
Seeing that Dieyi has fallen into a trap, Duan Xiaolou hopes to protect Juxian and frame Dieyi in desperation.
At the beginning of the criticism, Duan Xiaolou, under duress, counted Cheng Dieyi's crimes in detail, and even spoke more and more vigorously,
"He's a theater fanatic, a theater fan, a theater lunatic!"
"He doesn't care who is sitting in the audience, what class, he will sing hard, sing hard!"
Amidst the shouts of the crowd, Duan Xiaolou successfully deceived himself and lost his last bit of dignity.
Under Juxian's astonished gaze, a wild smile appeared on his face.
"He sang for the wounded soldiers of the Democratic Party, for the anti-dong leaders in Xingyuan, Beiping, for the capitalists, for the rich landlords, for the ladies, for the local hooligans, for the gendarmerie, he!"
"Sing to the big drama bully Yuan Shiqing!!"
In the entire movie hall, many audiences who couldn't hold back have already let out bursts of exclamation.
In the diffuse flames and smoke, the camera was aimed at Cheng Dieyi and Duan Xiaolou, whose makeup was deformed and distorted.
In the orange flame, not only Juxian's heart, Duan Xiaolou's backbone, and Cheng Dieyi's life should have been burned.
The transformation of truth, goodness, right and wrong in human nature, and the look in the eyes made the audience brood, a silent questioning of misery, a helpless guilt of being blamed.
The flames blazed through the camera, people are not ghosts or ghosts, the relationship between people is distorted, the helplessness of personal behavior and the collapse of personal beliefs.
The orange flames burning in the picture also illuminate Zhenghui's face.
He couldn't help uttering two words in a low voice: "Fuck!"
Zhenghui has always deliberately maintained his artistic and elegant image.
But looking at the scene of "Farewell My Concubine" in front of me, the shock in my heart is really hard to add, and I couldn't help but swear.
He could feel that a lot of energy and money was spent on this picture alone.
"Really..." Zhenghui's eyes were confused, "So strong."
(End of this chapter)
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