"In addition to what I just said, the creative task of an actor, especially a drama actor or an actor who is acting in a drama with more tension, is to base on the literary image created by the playwright, and then Create vivid, flesh-and-blood stage characters. Therefore, in the process of creating characters, actors naturally cannot leave the characters depicted in the script.
First of all, the characters depicted in the script are the basis for actors to recreate.Although actors can use their rich life materials to recreate, this kind of recreation can only be carried out on the basis of the literary image created by the playwright.Secondly, the characters created by the actors may be enriched or even changed due to the re-creation of the director and actors, but in the end they should still match the literary images created in the script.
The second creation of actors is the same as that of directors and choreographers. It is reflected in the fact that the creation subject is provided by the playwright and has made some regulations. What the actors face is the dramatic situation and the literary image of the characters stipulated by the script. The performance creation must be based on the playwright’s Everything that was prescribed is recreated.
Only on the basis of serious analysis of the script and the characters, can the actors gain a correct knowledge and understanding of the characters of the script.Therefore, in the process of actor creation, script analysis is the beginning of creation.
These are all very important contents. For our understanding and analysis of these plots, whether it is for actors, directors, screenwriters or even producers, we all need to have some understanding to make some analysis and meaningful known.
And in this process, Wang Pengjie, including some of you, what you must know is that the mission of an actor is to re-create on the basis of the literary image created by the playwright, that is, to create characters, which is also my one or two Again and again and again and some things you have emphasized.
If I don't emphasize these things with you, I think you may still regard creating characters, entering characters, entering characters and creating characters as a not so important thing, but many things are not that It can be seen that to truly understand a character deeply, one must go through careful and meticulous rational analysis. It is a rational analysis based on perceptual analysis, which is the unity of rationality and sensibility. In the end, rationality should also be accumulated in sensibility. , all knowledge needs to be transformed into images.
Finally, actors are the ones who shape the characters. The characters created by good actors are complete, authentic and credible. They not only endow the characters with fresh life, but also successfully lead the audience into the inner world of the characters, allowing the audience to participate in the choice of the characters and experience the their emotions and ways of thinking.
Actors embody the character's thoughts, emotions, values, and beliefs through elements such as language, expressions, and actions.Only when all these are combined can the essence of the character be truly conveyed.
A good actor is someone who can lead the audience to discover the truth, however, the more real it may be, the farther away from 'comfort' it may be.Seeing the truth can feel liberating, but often not enjoyable.This is also the reason why it is becoming more and more difficult for movies to impress people in an environment where entertainment is paramount—"entertainment" goes up, in other words, "comfort" increases, while "truth" goes away.
There is no uniform standard for "reality", but we can easily judge what is unreal, such as deliberately flattering the audience, deliberately exaggerating to express emotions, or deliberately expressing a certain expression in order to present a certain characteristic of a character , voice, and posture.Or in order to show the image of a hero, deliberately perform 'Gaoquan'.
In addition, it is very important that actors often try to make their lives the same as the characters in order to enter the role.Although there is no problem in doing so, if it is too much, it will fall into the trap of the "experiential school" who must pursue true feelings in order to express feelings. This is a wrong choice made by actors based on their own wrong concepts.
The characters created by actors need to use life as the material, which requires actors to have a certain power of observation to observe life and accumulate materials.
The characters created by actors need to be expressed through the actor's imagination, which requires the actor to have a certain amount of imagination.
In the process of creating characters, actors need to empathize with the characters and incarnate into the characters, otherwise they will not be able to interpret the characters well.
Actors need to be highly concentrated during the creative process, otherwise it will be prone to laughter or inability to quickly change emotions.This requires the actor to have a strong concentration.There are only so many things I can tell you, and it is simply impossible for me to tell you more things, so the following content can only be experienced by yourself. "Xia Yatong spoke to Wang Pengjie and all the other actors very seriously. Under such circumstances, she shared a lot of her own experience and told all the things she had experienced. Gave it to Wang Pengjie and the others.
If someone else had such content, they might not be willing to tell others easily at all, because in the showbiz, everyone relies on the way of being an actor to make a living, and there will be some people who give people fish, but There are very few people who are willing to teach others how to fish. As for if this person still wants to develop well in the entertainment industry, then he will not tell others some of his bottom-of-the-box experience.
Generally speaking, it is one thing to ask for advice, but more thinking things are another situation, so under such circumstances, Xia Yatong is willing to share so much of her experience with everyone. It's a rare thing.
Similarly, Xia Yatong has conveyed a lot of content to everyone during this process. Such content can be said to be applicable to almost every genre. All the actors are not simply sharing a little bit of content. Experience that way.
Xia Yatong told them that actors are first and foremost appreciators of scripts and discoverers of characters.Those who can only discover the plot but cannot develop the people in the plot will not have the basic ability to engage in performance creation.Without asking questions about people and life, about scripts and characters, it is impossible to organize valuable actions in technique.This is the ability of "intuition", "thinking" and "original creation".
In a certain sense, the most important skill of an actor is to discover people.Only by deeply discovering people can we talk about deeply creating people.This is the so-called "intuitive" start-up ability.
After discovering people, you will ask questions about them.Because you don't answer the character's questions, you don't understand the character's actions.
If you can't grasp the purpose of people's actions, how can you talk about organizing valuable actions that reflect your character.If you just want to quit, lack courage, and dare not act, you cannot have the ability to create originality.
She also told everyone that acting, speaking, and writing are the second three abilities we advocate.In the modern film industry, only actors with these three abilities can be called artists with comprehensive actor qualities.
The in-depth requirements of performance for details and sensory experience determine the ability of "acting". It cannot be satisfied with any form of expression, but must be the deepest level of discovery and experience that goes deep into the character's soul.Therefore, the "acting" of movies cannot get rid of the characteristics of human ability and skills.The general ability must be strong, and the technical ability must be deep.
The work of an actor is not individual but highly comprehensive. Since this is the case, communication is inseparable.In-depth communication with the director and other creative personnel, explaining their own "concepts", in order to realize the responsibility for the common results.Without the eloquence beyond ordinary people and the necessary language expression skills, it is impossible.
Those who cannot speak clearly may be able to write clearly.But those who can't write clearly or speak clearly must also be in a state of confusion psychologically.A modern actor should be an expert in his own profession, as well as an expert in related professions.Especially for film, the skills of various creative departments of this highly comprehensive art are closely linked.Speaking and writing are two levels of human communication.If an actor wants to become an artist, he can not only perform himself, but also influence others with his own artistic experience.Looking for people to talk about their experience one by one and writing articles to communicate with everyone, the effect will definitely be more social and modern.Therefore, being able to write should also be an ability that modern actors strive for.I don't think an actor who can't influence others can't be called an artist.One who can influence others by speaking can reach the level of an "old artist", but only one who can influence others by "writing" can be called a modern artist.That's why I say that actors acquire the three abilities of "acting, speaking, and writing" with "acting" as the core, which is the hallmark of modern actors.
So if you just look at these few points, the whole thing is very different. From that time on, the whole design has been sublimated to the point that Xia Yatong has learned all the content and all the core. All the information has been shared with everyone without reservation, which is equivalent to the biggest gift Xia Yatong gave them and other actors.
So, after listening to Xia Yatong's words, Wang Pengjie nodded solemnly and said, "Thank you, sister Yatong, I understand now when you say that, what I need to learn on the road of being an actor There are still many things to learn, but I will stick to it and learn a lot about acting.”
In this way, for a long time afterwards, they kept a high degree of concentration when learning all the content of acting skills. Everyone was paying attention to some of the content Xia Yatong said, So as to make your own experience and vision more open.
Aurora Group, Chairman's Office.
In the blink of an eye, a few days later, Mu Yichen was sitting in the office with his computer checking the situation related to the reaction of Mr. Y's identity on the Internet during the whole period of time.
No matter what, now that the whole thing this time has developed and needs to be dealt with, after such a long time, Mu Yichen still feels that he can personally understand the whole situation on the Internet about this time. What kind of idea is better.
First of all, the characters depicted in the script are the basis for actors to recreate.Although actors can use their rich life materials to recreate, this kind of recreation can only be carried out on the basis of the literary image created by the playwright.Secondly, the characters created by the actors may be enriched or even changed due to the re-creation of the director and actors, but in the end they should still match the literary images created in the script.
The second creation of actors is the same as that of directors and choreographers. It is reflected in the fact that the creation subject is provided by the playwright and has made some regulations. What the actors face is the dramatic situation and the literary image of the characters stipulated by the script. The performance creation must be based on the playwright’s Everything that was prescribed is recreated.
Only on the basis of serious analysis of the script and the characters, can the actors gain a correct knowledge and understanding of the characters of the script.Therefore, in the process of actor creation, script analysis is the beginning of creation.
These are all very important contents. For our understanding and analysis of these plots, whether it is for actors, directors, screenwriters or even producers, we all need to have some understanding to make some analysis and meaningful known.
And in this process, Wang Pengjie, including some of you, what you must know is that the mission of an actor is to re-create on the basis of the literary image created by the playwright, that is, to create characters, which is also my one or two Again and again and again and some things you have emphasized.
If I don't emphasize these things with you, I think you may still regard creating characters, entering characters, entering characters and creating characters as a not so important thing, but many things are not that It can be seen that to truly understand a character deeply, one must go through careful and meticulous rational analysis. It is a rational analysis based on perceptual analysis, which is the unity of rationality and sensibility. In the end, rationality should also be accumulated in sensibility. , all knowledge needs to be transformed into images.
Finally, actors are the ones who shape the characters. The characters created by good actors are complete, authentic and credible. They not only endow the characters with fresh life, but also successfully lead the audience into the inner world of the characters, allowing the audience to participate in the choice of the characters and experience the their emotions and ways of thinking.
Actors embody the character's thoughts, emotions, values, and beliefs through elements such as language, expressions, and actions.Only when all these are combined can the essence of the character be truly conveyed.
A good actor is someone who can lead the audience to discover the truth, however, the more real it may be, the farther away from 'comfort' it may be.Seeing the truth can feel liberating, but often not enjoyable.This is also the reason why it is becoming more and more difficult for movies to impress people in an environment where entertainment is paramount—"entertainment" goes up, in other words, "comfort" increases, while "truth" goes away.
There is no uniform standard for "reality", but we can easily judge what is unreal, such as deliberately flattering the audience, deliberately exaggerating to express emotions, or deliberately expressing a certain expression in order to present a certain characteristic of a character , voice, and posture.Or in order to show the image of a hero, deliberately perform 'Gaoquan'.
In addition, it is very important that actors often try to make their lives the same as the characters in order to enter the role.Although there is no problem in doing so, if it is too much, it will fall into the trap of the "experiential school" who must pursue true feelings in order to express feelings. This is a wrong choice made by actors based on their own wrong concepts.
The characters created by actors need to use life as the material, which requires actors to have a certain power of observation to observe life and accumulate materials.
The characters created by actors need to be expressed through the actor's imagination, which requires the actor to have a certain amount of imagination.
In the process of creating characters, actors need to empathize with the characters and incarnate into the characters, otherwise they will not be able to interpret the characters well.
Actors need to be highly concentrated during the creative process, otherwise it will be prone to laughter or inability to quickly change emotions.This requires the actor to have a strong concentration.There are only so many things I can tell you, and it is simply impossible for me to tell you more things, so the following content can only be experienced by yourself. "Xia Yatong spoke to Wang Pengjie and all the other actors very seriously. Under such circumstances, she shared a lot of her own experience and told all the things she had experienced. Gave it to Wang Pengjie and the others.
If someone else had such content, they might not be willing to tell others easily at all, because in the showbiz, everyone relies on the way of being an actor to make a living, and there will be some people who give people fish, but There are very few people who are willing to teach others how to fish. As for if this person still wants to develop well in the entertainment industry, then he will not tell others some of his bottom-of-the-box experience.
Generally speaking, it is one thing to ask for advice, but more thinking things are another situation, so under such circumstances, Xia Yatong is willing to share so much of her experience with everyone. It's a rare thing.
Similarly, Xia Yatong has conveyed a lot of content to everyone during this process. Such content can be said to be applicable to almost every genre. All the actors are not simply sharing a little bit of content. Experience that way.
Xia Yatong told them that actors are first and foremost appreciators of scripts and discoverers of characters.Those who can only discover the plot but cannot develop the people in the plot will not have the basic ability to engage in performance creation.Without asking questions about people and life, about scripts and characters, it is impossible to organize valuable actions in technique.This is the ability of "intuition", "thinking" and "original creation".
In a certain sense, the most important skill of an actor is to discover people.Only by deeply discovering people can we talk about deeply creating people.This is the so-called "intuitive" start-up ability.
After discovering people, you will ask questions about them.Because you don't answer the character's questions, you don't understand the character's actions.
If you can't grasp the purpose of people's actions, how can you talk about organizing valuable actions that reflect your character.If you just want to quit, lack courage, and dare not act, you cannot have the ability to create originality.
She also told everyone that acting, speaking, and writing are the second three abilities we advocate.In the modern film industry, only actors with these three abilities can be called artists with comprehensive actor qualities.
The in-depth requirements of performance for details and sensory experience determine the ability of "acting". It cannot be satisfied with any form of expression, but must be the deepest level of discovery and experience that goes deep into the character's soul.Therefore, the "acting" of movies cannot get rid of the characteristics of human ability and skills.The general ability must be strong, and the technical ability must be deep.
The work of an actor is not individual but highly comprehensive. Since this is the case, communication is inseparable.In-depth communication with the director and other creative personnel, explaining their own "concepts", in order to realize the responsibility for the common results.Without the eloquence beyond ordinary people and the necessary language expression skills, it is impossible.
Those who cannot speak clearly may be able to write clearly.But those who can't write clearly or speak clearly must also be in a state of confusion psychologically.A modern actor should be an expert in his own profession, as well as an expert in related professions.Especially for film, the skills of various creative departments of this highly comprehensive art are closely linked.Speaking and writing are two levels of human communication.If an actor wants to become an artist, he can not only perform himself, but also influence others with his own artistic experience.Looking for people to talk about their experience one by one and writing articles to communicate with everyone, the effect will definitely be more social and modern.Therefore, being able to write should also be an ability that modern actors strive for.I don't think an actor who can't influence others can't be called an artist.One who can influence others by speaking can reach the level of an "old artist", but only one who can influence others by "writing" can be called a modern artist.That's why I say that actors acquire the three abilities of "acting, speaking, and writing" with "acting" as the core, which is the hallmark of modern actors.
So if you just look at these few points, the whole thing is very different. From that time on, the whole design has been sublimated to the point that Xia Yatong has learned all the content and all the core. All the information has been shared with everyone without reservation, which is equivalent to the biggest gift Xia Yatong gave them and other actors.
So, after listening to Xia Yatong's words, Wang Pengjie nodded solemnly and said, "Thank you, sister Yatong, I understand now when you say that, what I need to learn on the road of being an actor There are still many things to learn, but I will stick to it and learn a lot about acting.”
In this way, for a long time afterwards, they kept a high degree of concentration when learning all the content of acting skills. Everyone was paying attention to some of the content Xia Yatong said, So as to make your own experience and vision more open.
Aurora Group, Chairman's Office.
In the blink of an eye, a few days later, Mu Yichen was sitting in the office with his computer checking the situation related to the reaction of Mr. Y's identity on the Internet during the whole period of time.
No matter what, now that the whole thing this time has developed and needs to be dealt with, after such a long time, Mu Yichen still feels that he can personally understand the whole situation on the Internet about this time. What kind of idea is better.
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