After Xia Yatong made sure that everyone paid more attention to what she said and didn't get distracted, Xia Yatong continued to talk about some content about acting experience, not to mention anything else, she just explained these contents After coming out, everyone still needs to further understand and appreciate, but she still needs to complete the things she can do step by step.
If it only looks like this, the entire "Let's Go Up!""Youth" can continue to shoot and develop in a new direction.
"Regarding the experience of acting, in fact, the process of an actor performing a role is actually equivalent to the process of creating a character's action.
In the process of creating characters and actions, actors not only feel that they are the incarnation of the characters, but also feel the relationship with the characters on the same stage as the characters and communicate with them.
The so-called communication means that on the one hand, what the actor gives to the other party is the thoughts and feelings of the character, and also feels that what the other party gives to himself is also the thoughts and feelings of the other character.In this kind of exchange of thoughts and feelings between characters, the actors are prompted to achieve a deeper self-experience.
At the same time, he also feels the thoughts and feelings given to him by the other party. After feeling the emotional response of the other party, the actor himself has new thoughts and feelings.
Because of this communication and interaction, the actor's creation of the character can reach a perfect state.
In the process of the actor's performance, the use of technical speed changes and the actor's real expression creates the illusion of tense fighting for the audience; in the process of fencing, the precise control of fixed-point positioning is used to create the illusion of hitting the vital point to achieve tension. , Thrilling effect.It's also a means of character creation.
In addition, when each actor plays a different role, he will put himself into the story first, and only in this way can the actor have more feelings about acting.
The actor's first feeling is to learn to feel first.Only then can we understand and understand, and then we can express. Even if the daily life or some contradictions conflict, it must be closely related. Whether in life or in drama, actors can always find themselves.
In fact, you may feel very satisfied at the moment when you can express your own things.
The second feeling of acting is the most basic sense of belief.If you fight against yourself, it means that your sense of belief is not strong enough.There are many ways to solve this problem. It can even be said that many accomplished actors do not have enough sense of belief until they find a role.
For example, I, your director, I have experience myself. With technology, I can perform on stage, but at a certain moment when I communicate with my opponent on the stage, I suddenly experience the essence of the relationship between the two of us, the role Once established, then their feeling like this will follow.
So, take your time with this question. You just need to know that acting is putting your emotions into the logic of the character. There is no difference between acting and writing. You only need to find inspiration, grasp the moment of inspiration, and slowly enlarge it. Then incubate, and the character is born.
In fact, there is no objectively existing character. Before you find it, it is just an abstract existence. After you find it, you give it life and brilliance. This is also the most moving part of acting.
The third feeling of acting is to turn the characters into oneself. This is actually the same as the first point we mentioned, but it is also different.
One of the desk work that an actor has to do is a biography of the characters, write and compile the past, present and future of the characters in the plot story, and then experience the emotions and emotions of the characters according to the determined biography.Then, after comprehending the logic and curve of the emotional development of the characters in the plot expression, combine the skills of sensory memory to express these emotions through corresponding performances.
The last feeling is that there is one point, that is, don’t limit yourself to the instructions on the script. For example, the screenwriter wrote "she came from the right side of the stage" in the stage instructions. As a screenwriter, the reason for writing this may be purely for convenience. But as an actor, you have to consider where she was before she came on stage from the right side of the stage, what she just experienced, and what her mental state was like before, and consider a series of issues such as what superficial and hidden purposes she has when she comes on stage at this time.
Every entry and exit in Chekhov's play is woven with a lot of background information about the characters, so to really arrange a play requires the joint efforts of the director and actors, and too many bad performances are due to lack of time And other reasons make it impossible for actors to carefully figure out a lot of problems.
I don't know what I said, did you understand the meaning of what I said after I finished speaking, but first of all, I hope that what I said can form a concept in your mind , have experience and experience, so that what I said will not be wasted. "Xia Yatong finished speaking very seriously.
After Xia Yatong finished speaking like this, she found that the other actors were all lost in thought, as if they were also thinking about all these problems.
If you think about it carefully, these problems seem to be some problems that many actors have. Everyone actually has some ideas about such things.
Some people even didn't say they liked acting or anything from the very beginning, but they were slowly assimilated in the process.
There are still many people, just like the confused young people who just entered the workplace, they like acting and know some methods, but they can't implement it well, so they may not be able to make themselves a good actor. Quality actors.
After considering these circumstances, what Xia Yatong said just now should play a more or less important role for these actors!
Sure enough, after Xia Yatong finished speaking, Wang Pengjie pondered for a moment and said: "Sister Yatong, I think what you said is quite reasonable, but I still have a lot of I am still not so clear about the grasp of some acting and filming.
Then I will slowly figure out the questions you mentioned in private, but other than that, how do you really master the role?What you said just now is quite general, and I don't particularly understand it. There are some specific ways to give examples. "
After all, Wang Pengjie doesn’t have much experience in acting. He used to do some supporting roles and extras in his past, but if he really wants to show his skills here, then he needs more. Experience is actually very necessary.
And it is very difficult for him to gain and accumulate such experience in his mind. In fact, it is difficult for him to quickly understand and apply such things in terms of detailed methods or examples. Currently shooting.
"I have also thought about the question you just mentioned. It is true that the methods I mentioned at the beginning may be too general. Since you asked these things, I will give you a general introduction to the content. , this time I hope that after I make it clear, everyone will stop asking me some other meaningless questions.
Because I don’t have a lot of experience to impart to you, and I’m not the most top-notch actor. I think acting is only a matter of being sincere and sincere. In addition, with some of my own efforts, I can make myself a better actor. A very good cast bar!
The way to master the role is nothing more than imitation and empathy. This is something we all know, and it is also something that the teacher will tell us when we first learn acting.
Imitation is to understand the character's inner world by mastering the character's external performance, such as 'expression, movement, and voice', that is, the character's feelings, emotions, thoughts, memories, and personality.
As for empathy, it is to understand the character's external performance by grasping the character's inner world.Therefore, imitation is from the outside to the inside, and empathy is from the inside to the outside; if you can do both, you can get twice the result with half the effort.
The skill of empathy is more difficult, and you have to experience it yourself.As for imitation, it can be improved by practice.
For example, besides being able to draw, a painter must be able to see; apart from being able to sing, a vocalist must be able to listen; a good actor must be able to see and listen.You have to pay attention to the details of every movement and hear the key to every sound before you can imitate well.Therefore, to be a good actor, one must first be a good audience.
Moreover, the three elements of acting and drama are actors, venues, and audiences, all of which are indispensable.
Therefore, whether it is an actor, screenwriter or director, they must pay attention to the three elements of 'actors, venues, and audiences (we can also say audiences)'.
Another example is that in daily life, a writer must have a keen mind in order to constantly find new materials.Therefore, for actors, they should also pay attention to the details in life in order to continuously find materials.
What is the material of an actor is nothing more than movement, voice, expression, feeling, emotion, personality and so on.These acting skills are often related to each other, and mastering the more advanced acting skills will also greatly help the lesser acting skills.Skills closely related to entering the play: movement, voice, expression, emotion, avatar (that is, personality).
In addition, we can consider making our characters incarnate into characters and become some parts of characters. If we try to become characters and allow ourselves to enter into the characters’ lives and emotions, then we will The interpretation of this role will be more flexible and ever-changing.
So just speaking from this point, I still strongly suggest that everyone can seriously consider these aspects, and carefully think about how to interpret the overall situation of some shooting pictures from these aspects. It can only be performed, and it makes people learn to fit the role, so that it fits the situation at the time. "
If it only looks like this, the entire "Let's Go Up!""Youth" can continue to shoot and develop in a new direction.
"Regarding the experience of acting, in fact, the process of an actor performing a role is actually equivalent to the process of creating a character's action.
In the process of creating characters and actions, actors not only feel that they are the incarnation of the characters, but also feel the relationship with the characters on the same stage as the characters and communicate with them.
The so-called communication means that on the one hand, what the actor gives to the other party is the thoughts and feelings of the character, and also feels that what the other party gives to himself is also the thoughts and feelings of the other character.In this kind of exchange of thoughts and feelings between characters, the actors are prompted to achieve a deeper self-experience.
At the same time, he also feels the thoughts and feelings given to him by the other party. After feeling the emotional response of the other party, the actor himself has new thoughts and feelings.
Because of this communication and interaction, the actor's creation of the character can reach a perfect state.
In the process of the actor's performance, the use of technical speed changes and the actor's real expression creates the illusion of tense fighting for the audience; in the process of fencing, the precise control of fixed-point positioning is used to create the illusion of hitting the vital point to achieve tension. , Thrilling effect.It's also a means of character creation.
In addition, when each actor plays a different role, he will put himself into the story first, and only in this way can the actor have more feelings about acting.
The actor's first feeling is to learn to feel first.Only then can we understand and understand, and then we can express. Even if the daily life or some contradictions conflict, it must be closely related. Whether in life or in drama, actors can always find themselves.
In fact, you may feel very satisfied at the moment when you can express your own things.
The second feeling of acting is the most basic sense of belief.If you fight against yourself, it means that your sense of belief is not strong enough.There are many ways to solve this problem. It can even be said that many accomplished actors do not have enough sense of belief until they find a role.
For example, I, your director, I have experience myself. With technology, I can perform on stage, but at a certain moment when I communicate with my opponent on the stage, I suddenly experience the essence of the relationship between the two of us, the role Once established, then their feeling like this will follow.
So, take your time with this question. You just need to know that acting is putting your emotions into the logic of the character. There is no difference between acting and writing. You only need to find inspiration, grasp the moment of inspiration, and slowly enlarge it. Then incubate, and the character is born.
In fact, there is no objectively existing character. Before you find it, it is just an abstract existence. After you find it, you give it life and brilliance. This is also the most moving part of acting.
The third feeling of acting is to turn the characters into oneself. This is actually the same as the first point we mentioned, but it is also different.
One of the desk work that an actor has to do is a biography of the characters, write and compile the past, present and future of the characters in the plot story, and then experience the emotions and emotions of the characters according to the determined biography.Then, after comprehending the logic and curve of the emotional development of the characters in the plot expression, combine the skills of sensory memory to express these emotions through corresponding performances.
The last feeling is that there is one point, that is, don’t limit yourself to the instructions on the script. For example, the screenwriter wrote "she came from the right side of the stage" in the stage instructions. As a screenwriter, the reason for writing this may be purely for convenience. But as an actor, you have to consider where she was before she came on stage from the right side of the stage, what she just experienced, and what her mental state was like before, and consider a series of issues such as what superficial and hidden purposes she has when she comes on stage at this time.
Every entry and exit in Chekhov's play is woven with a lot of background information about the characters, so to really arrange a play requires the joint efforts of the director and actors, and too many bad performances are due to lack of time And other reasons make it impossible for actors to carefully figure out a lot of problems.
I don't know what I said, did you understand the meaning of what I said after I finished speaking, but first of all, I hope that what I said can form a concept in your mind , have experience and experience, so that what I said will not be wasted. "Xia Yatong finished speaking very seriously.
After Xia Yatong finished speaking like this, she found that the other actors were all lost in thought, as if they were also thinking about all these problems.
If you think about it carefully, these problems seem to be some problems that many actors have. Everyone actually has some ideas about such things.
Some people even didn't say they liked acting or anything from the very beginning, but they were slowly assimilated in the process.
There are still many people, just like the confused young people who just entered the workplace, they like acting and know some methods, but they can't implement it well, so they may not be able to make themselves a good actor. Quality actors.
After considering these circumstances, what Xia Yatong said just now should play a more or less important role for these actors!
Sure enough, after Xia Yatong finished speaking, Wang Pengjie pondered for a moment and said: "Sister Yatong, I think what you said is quite reasonable, but I still have a lot of I am still not so clear about the grasp of some acting and filming.
Then I will slowly figure out the questions you mentioned in private, but other than that, how do you really master the role?What you said just now is quite general, and I don't particularly understand it. There are some specific ways to give examples. "
After all, Wang Pengjie doesn’t have much experience in acting. He used to do some supporting roles and extras in his past, but if he really wants to show his skills here, then he needs more. Experience is actually very necessary.
And it is very difficult for him to gain and accumulate such experience in his mind. In fact, it is difficult for him to quickly understand and apply such things in terms of detailed methods or examples. Currently shooting.
"I have also thought about the question you just mentioned. It is true that the methods I mentioned at the beginning may be too general. Since you asked these things, I will give you a general introduction to the content. , this time I hope that after I make it clear, everyone will stop asking me some other meaningless questions.
Because I don’t have a lot of experience to impart to you, and I’m not the most top-notch actor. I think acting is only a matter of being sincere and sincere. In addition, with some of my own efforts, I can make myself a better actor. A very good cast bar!
The way to master the role is nothing more than imitation and empathy. This is something we all know, and it is also something that the teacher will tell us when we first learn acting.
Imitation is to understand the character's inner world by mastering the character's external performance, such as 'expression, movement, and voice', that is, the character's feelings, emotions, thoughts, memories, and personality.
As for empathy, it is to understand the character's external performance by grasping the character's inner world.Therefore, imitation is from the outside to the inside, and empathy is from the inside to the outside; if you can do both, you can get twice the result with half the effort.
The skill of empathy is more difficult, and you have to experience it yourself.As for imitation, it can be improved by practice.
For example, besides being able to draw, a painter must be able to see; apart from being able to sing, a vocalist must be able to listen; a good actor must be able to see and listen.You have to pay attention to the details of every movement and hear the key to every sound before you can imitate well.Therefore, to be a good actor, one must first be a good audience.
Moreover, the three elements of acting and drama are actors, venues, and audiences, all of which are indispensable.
Therefore, whether it is an actor, screenwriter or director, they must pay attention to the three elements of 'actors, venues, and audiences (we can also say audiences)'.
Another example is that in daily life, a writer must have a keen mind in order to constantly find new materials.Therefore, for actors, they should also pay attention to the details in life in order to continuously find materials.
What is the material of an actor is nothing more than movement, voice, expression, feeling, emotion, personality and so on.These acting skills are often related to each other, and mastering the more advanced acting skills will also greatly help the lesser acting skills.Skills closely related to entering the play: movement, voice, expression, emotion, avatar (that is, personality).
In addition, we can consider making our characters incarnate into characters and become some parts of characters. If we try to become characters and allow ourselves to enter into the characters’ lives and emotions, then we will The interpretation of this role will be more flexible and ever-changing.
So just speaking from this point, I still strongly suggest that everyone can seriously consider these aspects, and carefully think about how to interpret the overall situation of some shooting pictures from these aspects. It can only be performed, and it makes people learn to fit the role, so that it fits the situation at the time. "
You'll Also Like
-
Zongman Spirit: Dominates everything of the defeated heroine
Chapter 87 5 hours ago -
Anime Collector: Start Collecting God’s Tongue Mother and Daughter
Chapter 98 5 hours ago -
Hot blood: Starting from the domination of Lily of the Valley
Chapter 128 5 hours ago -
Collapse of iron, review of turbo increase of duck, Silver Wolf breaks defense!
Chapter 126 5 hours ago -
I, the Pirate Child Emperor, will create an army of monster girls!
Chapter 157 13 hours ago -
My innocent girlfriend asks for forgiveness? My wife is a sickly tycoon
Chapter 130 13 hours ago -
A passerby in Xiuxian novel becomes a popular figure through farming
Chapter 131 13 hours ago -
Kiana, save the world from the end of the world
Chapter 167 13 hours ago -
Lord of All People: My talent is chess
Chapter 128 13 hours ago -
Naruto: Start with three magatama and cultivate Kushina
Chapter 86 13 hours ago