"But after Shutroheim realized that the Man in the Pillar was a creature that was more powerful than a vampire and could be called the enemy of mankind, he was able to help Joseph defeat it at the cost of his own life. "The Man in the Pillar."

"So I think Shutroheim is a very contradictory character. His heart is filled with the same sense of justice as Joseph, but because of the different camps he is in, his sense of justice is different from that of Joseph. Unlike a husband, he will first be loyal to his motherland before realizing his own justice..."

"Stop, stop, stop! Okay, I probably know what's going on with you, Major."

Pucci called Pucci to stop Tobita Nobuyo who still wanted to say something, and said: "To put it simply, your current situation is that you are thinking too much!"

"...?!"

"What contradiction? What sense of justice? What is different from Joseph and loyalty to his motherland? ... The character of Shutroheim is actually not as complicated as you think."

Perhaps in the original "Battle Trend", Tobita Nobuo's character's speech was correct.

But unfortunately, this is not the original "Battle Trend".

In order to highlight the advantages of the chosen actors, Pucci made slight modifications to each character without changing the outline of the story.

For example, Tobita Nobuo's role as Shutroheim...

"Why did Shutroheim arrest Spitwagen and awaken the Man in the Pillar? It's simple. He was experimenting with this weapon called [The Man in the Pillar] for the German army!"

"Why do you have to destroy and kill the Man in the Pillar in the end? It's also very simple. A weapon that can backfire on its owner is not a useful weapon, not to mention that the Man in the Pillar also hinders Germany's pace of conquering the world. !”

"So you understand, right?"

Pucci adjusted the full stealth device and entered a new script into it, while saying: "What Shutroheim did was not out of a sense of justice. He has always acted for Germany. It's just that His action just meets the definition of [justice].”

"And the nature of that Third Reich..."

Pucci, who threw the full-stealth helmet in his hand towards Nobuyo Tobita, successfully adjusted the machine and said, "You just need to relax your mind and experience it without thinking about anything, and you will understand."

I saw a letter displayed on the complete stealth device controlled by Pucci that was connected to the total stealth helmet——

——"HELLSING"! !

...

Chapter 74 We like war the most

I have seen how Shinbo Akiyuki trained Tobita Nobuo.

And listened to it personally, Akiyuki Shinbo told Pucci how he trained Nobuyuki Tobita.

It is basically nonsense to say that he has immediately learned all of Shinfou Akiyuki's methods and used the land better than Shinfou Akiyuki.

It would be easier if there was a system.

Just add points directly to this newly learned skill.

But unfortunately, Pucci does not have such a convenient system.

Naturally, he was impressed by the skills displayed by Shinbo Akiyuki.

I just know that there are some skills.

If he really wants to be proficient in using it, or reach the level of Akiyuki Shinbo, he must train and grow step by step... If he is really just an ordinary person.

Well, although there is nothing as convenient as the system.

But as a time traveler, the knowledge he possesses from another world is his biggest cheat.

Especially among the skills demonstrated by Akiyuki Shinbo, there happens to be a skill that allows him to maximize his ability as a time traveler——

——Substitution method!

If you want to make an analogy, it's probably like Lu Xiucai in "Wulin Gaiden".

Because when the director first explained the script to Yu Entai, he wanted him to play a scholar who is well-read in poetry.

Therefore, in order to play this role well, Yu Entai bought a bunch of literary masterpieces to enrich himself and add more literary qualities to himself.

As a result, when it came time to actually shoot, the director told him that the books he read were actually useless...

In an instant, there was no need to act, and the feeling of being unappreciated emerged from Yu Entai!

...but this is an alternative to traditional shooting.

For full stealth shooting, the substitution method is much simpler.

"Using the actor's subconscious ability to grow through completely stealth shooting, we specially create a special script space that is different from the original script space to allow the actors to go in and find their feelings."

"In general, it is such a tasteless and useless method that is a pity to discard."

Pucci, who chose this method, had an unexpectedly low evaluation of this method.

This is also normal.

If you really want to find a feeling, wouldn't it be a better choice to enter the world of the original script?

Why spend extra support to create a new scripted world?

Even if a plot is filmed repeatedly, the actor's subconscious will become resistant, which will then make the subconscious realize that this is a false world, leading to some uncontrollable things happening.

The substitution method is not limited to this method.

Wouldn't it be possible to achieve the same effect by looking at the resumes of various actors and finding suitable subconscious actors to play the roles?

There is no need for a special substitution method at all.

So this method is useless.

If it weren't for the fact that Hibita Takuo refused to respond to any method.

Akiyuki Shinbo would not have used this method at all.

Although it was finally proved that this still didn't work.

However, this doesn't mean that Pucci is no longer good.

For Pucci, who has a lot of scripts in his mind and has found many chosen actors after years of development.

What can restrict him is never any other problem.

But he only hates the lack of financial resources.

This is also the reason why Pucci chose to shoot "Phantom Blood" and "JoJo's Bizarre Adventure".

It's not just his boss who said Kujo Jolyne.

It's still compared to those works with explosive budgets.

"JoJo's Bizarre Adventure" is really the best-selling among all low-cost works, and even better than most works with explosive budgets.

Although Jolyne Kujo's move to increase the budget later did not ultimately make the cost-saving effect manifest.

But not using it does not mean that it does not exist.

So what about the substitution method?

Different from the script that requires shooting a whole story.

This method only requires a paragraph in a story and turns it into a script space.

But it can make Pucci not need to raise too much funds, so that he can shoot one or two clips in advance for the works that he could not shoot at this stage due to funding issues!

Let these chosen actors in his hands awaken in advance!

Just like now...

-------------------------------------

"Mr. Speedwagen, your non-cooperation will make me feel very troubled."

The German major calmly cut the steak on the table and put it into his mouth.

While biting the steak, he said to Spitwagen, who was captured and rescued by them but did not cooperate at all: "Once the Allies have knowledge and weapons that we don't have, won't Germany be defeated?"

"Will our war end because of this?"

"But I won't allow such a thing to happen."

"So please tell us, Mr. Spitwagen." The major still asked politely: "Everything you know?"

"No, it's impossible! You don't understand anything..." Looking at the statue of the man in the column that was brought back by the German army and was being shown to him, Spitwagen trembled and shouted: "You don't understand what consequences will come if you awaken it!?"

It was obviously such a harmless scene.

Even after using the world's number one German medical technology to revive him from the brink of death, the German army did not restrict his movements too much.

Instead, there was an empty seat specially placed on this table, as if to welcome him to sit down at any time and enjoy this lunch together.

It was as if he was just invited by the Germans to be a guest. If you don't look at the statue of the man in the pillar...

That's why.

Speedwagen couldn't ignore the statue of the man in the pillar.

He felt what horror was from the major.

A more terrifying feeling than when he was tied up by the Germans and forced to spit out everything he knew with truth serum!

It's not that Speedwagen is old and can't stand such stimulation.

It's better to say that in terms of will, he was able to run to Texas, the United States alone and penniless, and did not give up when he was on the verge of death in the desert, and discovered the oil field, and then became a person who could influence the world economy in one fell swoop.

Speedwagen's will is definitely one of the best in the world!

But he is like this.

He has seen vampires and has been on the verge of death countless times, but for the first time, he felt what fear is from humans.

Even the former DIO could not give him.

Not because of power, but because of the incomprehensible horror and fear in the logic of behavior! ?

"If you do this, not only us, but also Germany and even the whole world will be in danger!!"

"Isn't this great?"

"......?!"

"After all, we..." The major who finished eating the steak smiled grimly with his mouth full of red sauce: "But I love war the most!"

...

Chapter 75 Monster

The hymn of mankind is the hymn of courage.

The greatness of mankind is the greatness of courage.

This is the theme that "JoJo's Bizarre Adventure" has always been singing.

Facing an invincible fate, everyone has their own choices.

The difference is that some people choose to sink and escape in this fate, while others have the courage to fight against fate to the end!

"JoJo's Bizarre Adventure" tells such a story.

So every character that appears in it, even those who have only appeared in one or two episodes, they all have a unique charm that is different from other characters!

This is a strength of "JoJo's Bizarre Adventure".

It is also a weakness.

Because under this awareness.

In fact, Stroheim did not highlight the madness of being a German major and a member of Germany.

If it were not for the legend that Hitler had searched for the mysterious powers recorded in myths and legends in ruins around the world many times in order to win the war.

And this legend has almost become common sense in the industry and even in the minds of most audiences under the continuous creation of a bunch of literary workers.

Basically, any work related to supernatural factors can bring the origin of these supernatural factors to the German army of that year.

For example, the Cosmic Cube, vampires...

Perhaps the person who saved Spitwagen and introduced the new concept of the Pillar Man may not necessarily be the German army.

If it were other countries, other armies, or even Spitwagen's own SPW consortium, there would be no sense of disobedience.

However, "Battle Tide" itself is not a serious historical drama.

The important historical event of World War II is only mentioned briefly in the background of the story, and it does not intervene in the story, so there is no problem.

It is better to say that if this historical event that happened in reality is really involved in the story of the passionate adventure drama "Battle Tide",

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