Wizards are mighty

It is even more likely that after completing his mission in the future, Vic will only leave some processed information in the new world.

The "author" will most likely not allow anyone in the new world to go upstream and explore everything in the past.

Because that will make it easier to expose the various setting loopholes he left in the old era.

Especially himself, in the new world, he may just be a projection of some data.

Rather than a real person.

Intuitively, Vic thinks that if the "author" has a similar personality to himself, he will not put the protagonist of the "old book" into the "new book".

Being a background board is pretty good.

If the protagonist of the old story can still exist in the new story, what position should he play?

Once it is not handled well, it will cause the whole story to collapse.

That is definitely not what the "author" wants to see.

Therefore, thinking from this perspective, Vic thinks that he can actually play freely next.

…

…

…

After having some ideas in his mind, Vic's mind moved, and he went from the non-existent area outside the world to the world newly created by the "author".

Different from what he imagined.

This world, which was created not long ago, does not have a fixed world rule at present.

After receiving part of the power of the "author", Vic has a considerable authority in this world.

"The first thing is to help me improve the basic rules of this world."

After entering the world, Vic suddenly received a message.

This is what the "author" said to him.

Although he cannot communicate directly with the "author", his every move and even his thoughts under the "author's" gaze can actually be known by the "author".

So this is not much different from communicating directly with the "author".

It's just that the initiative of communication is in the hands of the "author", not in his hands.

"Well, improve the rules of this world?"

Vic touched his chin and began to read some settings provided to him by the "author".

And some known rules of that world in the higher narrative layer, and some taboos and taboos of that world.

"Sure enough, the Earth civilization is exactly the same as the higher narrative level."

"I was wondering why the Earth civilization was able to engrave their culture into the multiverse, but only a small part of it."

"It turns out that it was not an accident, but under the influence of the higher narrative level, the multiverse itself tends to their history and culture."

"Even if the Earth civilization did not do that, various accidents might have occurred, causing the history and culture of the Earth civilization to be assimilated by the multiverse."

"Thus a series of civilizations were derived later."

"No."

Vic thought about it.

"In fact, it is inevitable for Earth civilization to make such a choice, and it is inevitable to get such an ending."

"Because the author needs a world that is deeply related to the culture and history of 'Earth', but the real power and name of 'Earth' in the higher narrative layer cannot exist."

"Therefore, the rise and fall of Earth civilization is inevitable, and it is inevitable to engrave culture and history into the multiverse."

"Even the subsequent Blue Star civilization is almost exactly the same as Earth civilization, which is also a kind of inevitability."

"The 'author' arranged it this way, first, to make readers familiar with 'my story' and resonate with it."    "Second, it is to avoid and prevent certain taboos from being triggered during the creation process."

"Therefore, now he asked me to 'create' this new world on his behalf, and I should also follow these principles."

"In this way, the 'new world' can be more in line with his wishes."

"Especially those that I just got, from the 'real situation' in the higher narrative layer."

Vic sighed.

"Living in such a world is really not an easy thing."

That's right.

In Vic's opinion, that world has no rule-level power, and even the extraordinary system outside the physical rules has not been clearly discovered.

Living in such a completely magic-free world is a torture in itself.

Especially since the "author" is just an ordinary person with no power, and the technology in that world is also very underdeveloped.

It is only the strength of the conventional carbon-based biological surface civilization in the general rules of planet-universe civilization.

It is the kind that has not even discovered nuclear fusion.

Vic simply can't imagine a life where he will be thirsty and hungry, and can't directly use extraordinary power to create water or food.

You have to walk with your legs when you go out, and you can't transmit directly.

You have to use primitive electromagnetic wave communication tools to communicate, and you can't contact each other with a thought.

You have to rest when you are tired, and you have to sleep for one-third of the day every day. You can't just rely on your own will to sleep when you want to sleep or not sleep when you don't want to sleep.

Even as an ordinary person, the "author" can't even leave his planet and explore the universe.

For the rest of his life, he can only stay on a tiny rocky planet.

There is not even a maid or anything.

That kind of life is too hard to bear.

In contrast, if he had a choice, he would rather stay in this low-narrative world.

Anyway, as long as he is free from the control and observation of higher narrative levels, he can do whatever he wants.

What does the so-called narrative layer have to do with him?

No one can tell what is virtual and what is real.

Everything he enjoys now and before is all real to him.

Even compared to those in the high narrative layer, the resources, computing power, etc. he controls will be even greater if the differences between different narrative layers are ignored.

This may be some kind of unspeakable complement between different narrative layers.

…

…

With confidence in mind, Vic began to create rules.

Although he was just an ordinary first-level wizard before.

But after mastering the entire multiverse through the power of the "author", he understood all the knowledge in the multiverse in an instant.

Of course, the owner of this knowledge is only him.

Even if he could complete tens of billions of thoughts in an instant and construct the most perfect world, he would not be able to pass on the relevant information of this world to the "author" who is at a higher narrative level.

Because there is some absolute isolation between the high narrative level and the low narrative level.

In other words, not only is his power unable to penetrate into higher narrative layers, but also abstract things such as information and logic will be greatly distorted when transmitted between different narrative layers.