Twilight Boundary

Take a day off to adjust the following ideas.

The Twilight Divide has been written for more than 2.6 million words, and Lao Gui has reached his limit.

There are not many folklore works written in the middle and late stages, and I don’t know who to copy. Once the power system comes up, it will be a bit like fantasy fairy tales.

After finishing the Shangjing volume, I was thinking, why does it feel like it will become a scene of gods fighting again, because Lao Gui has written fairy tales and the horror flow of the restraint system, so he has several experiences of writing stories of gods fighting.

I feel that this way of writing is a bit boring. The author is tired of writing and the readers are tired of reading, so this folklore theme is prepared to avoid it as much as possible in the later stage.

With this idea in mind, I pulled the perspective back to the human world and wrote a little plot of fighting in the army, but after reading some readers’ comments, some people think it’s okay, and some readers don’t like it. It’s probably because the plot is advancing a little slower.

But it's good to have feedback. Those who read here are all true fans, and the comments are of high value. Laogui can't help but listen. Anyway, I'm trying, so I'm thinking about how to take into account all aspects.

Yesterday I was reorganizing the outline and supplementing a few settings. I didn't write a word of the specific content. Today I started writing, but I'm not sure if I can write a whole chapter.

The biggest problem with this book so far is that I can't keep up with the energy and I'm seriously anxious.

I have to say that this anxiety makes me diligent, but it also brings a bad problem, that is: even when the ideas are not smooth, I have to force myself to write, write a part and count it as a part, and update it first.

If I don't update, it's like the sky is falling.     In fact, many similar problems have occurred before. When I'm not in a good state, I have to write the manuscript over and over again, give it to the reviewer to help read, and then revise it.

Haha, many readers don't believe it. They think that there shouldn't be so many typos and grammatical errors after four reviewers.

In fact, I really can't take care of it. What I'm revising are all the big plot arrangements, whether to write this part, that part is too watery, whether to delete it, etc. Sometimes, even a small copy is arranged, and I will think whether it will be too boring and remove it.

Of course, sometimes the four of them are torn (yes, now I have hired four reviewers, and there are a few who occasionally help me review).

Some people think it's okay, some people think it's not, and I want to pull them together to fight.

But no matter what, you can't be lazy in this business. The final product still has to be handed over to the readers, and the quality of the handover will be the most clearly reflected.

Laogui has been writing for ten years, and he is getting older day by day. Moreover, the performance of the book Huanghun is too good. Laogui is also worried that he will not have the opportunity to write a book that so many people will read in the future, so I still want to take it seriously now.

I also want to try to make this book more complete and avoid the common problem of anticlimactic as much as possible.

After all, everything I have now is given to me by the readers, and I can only give back with sincerity as much as possible.