Don't call me Master, call me Director

Shinji confirmed to Lee Archelot.

In FZ's original script, the name and image of the character of Kenneth's fiancée were changed, but anyone who knows the gossip of the clock tower can tell at a glance who the prototype of that character is.

Shinji changed Sora's image for the same reason as Kotomine Kirei in FSN's early scripts. Because there is a real character prototype, he changed it for fear of trouble.

He wasn't afraid of that old man Rufreus, but there was no need to make himself uncomfortable.

However, the Li Archelot in front of her requested that the image and name of the character she played should not be changed.

"I just want to play Sora."

Lee Archelot nodded affirmatively.

"Can you tell me the reason?" Shen Er asked with his head tilted, "Of course, if it involves the privacy of you and Kenneth, then forget it."

Lee Archelot shook her head slightly, and explained directly: "I just want to get revenge on that funny woman. She would abandon Kenneth, a good man, and choose to pursue her own romance."

"咴~~"

Shinji whistled, as if he had heard some great news.

It seems that although Sora in this world did not participate in the Holy Grail War, she still found her "Diarmuid".

"It's just a young lady living in a dream." Leigh Archelot said contemptuously, "Since enjoying the comfortable life provided by the Urifis family, you should contribute to the family. Really? If you want to be free, why not just throw away your name and go to the slums to beg for life?"

Shen Er touched his nose, did not comment, just said something.

"You don't mind Kenneth giving up everything for Sola in the movie?"

"Doesn't this prove that Kenneth is a good man?" Lee Archelot played with the end of her braid gracefully. "That woman is in the past tense, and the person beside him now is me."

Shinji shrugged his shoulders, as long as Kenneth and Lee Archelot didn't object, he had no reason to refuse.

"That's how it is. But your hair is a bit different from Sora's." Shinji pointed to the other's long pink hair, "You need to use a wig when shooting."

"Of course there is no problem with this." Lee Archelot nodded, and said with some doubts: "But will there be any trouble with close-up shots? Wouldn't it be better to directly dye the hair?"

Ms. Li is an actress herself, so she naturally knows much more about making movies than Kenneth, a layman.

Although the times are advancing, wig technology has not improved from Shakespeare to the present.Daily life is better, but if you shoot with a movie camera, the "fake" of the wig will be fully exposed in the high-definition screen.

"Don't dye your hair, it will damage your hair too much." Shen Er explained, "Don't worry, I'm using a new type of wig developed by the technical team. It will fit very well and is almost perfect."

The so-called new type of wig is the product that Orange accidentally obtained when he improved Shen Er's "body improvement slime" (the name given by Rin).

It is non-toxic and harmless, and the shape is very natural. The only problem is that because it is completely sealed, it is not very good for the real hair under the wig, but this kind of damage is nothing compared to hair dyeing.

Of course, Shen Erye has already seen a bigger market for this kind of wig than making movies.

Wigs are harmful to real hair, but have no effect on those scalps that have no hair at all.

Shinji believed the invention would have an unrivaled appeal to bald and semi-bald Mediterranean men, especially British men.

Chapter 54 Lancelot: I'm such a useless knight! (;???Д??`)

When Kenneth's research on Heroic Spirit came to an end, Shen Er handed over his fiancée to him, and asked Director Ken to rehearse his acting skills with his fiancée, which was also an opportunity for the old man to gain favorability.

As I mentioned before, perhaps because of the smooth sailing in this life, Kenneth is very simple about things other than magic, especially love.

It's not that Director Ken doesn't want to fall in love, but that he doesn't know how to fall in love, just like an ant fighting an elephant, unable to use his strength.

Shen Er knew a lot, but he was in the fraternity department, and he couldn't piss in the same pot as Director Ken's pure love school.What he can do is to create more opportunities for them.

Just when Shen Er walked out of the studio warehouse and was about to go back to work, he heard several thunderclaps in the clear sky.

Then a chariot pulled by a bull fell from the sky with flashes of lightning, and stopped firmly in front of Shen Er.

"Haha, Master, hello."

The man driving the chariot gave Shinji a hearty laugh.

Shen Er squeezed the space between his eyebrows: "I tell you, don't waste your magic power casually."

The Thunder Bull with Flying Hoof driving a chariot is considered a mythical beast, and it takes a lot of magical power to visualize these legendary guys.

Shen Er has always hoped that these heroic spirits would not waste their magic power so much when they are not shooting.

Compared to the magic power consumed, it is not a big deal for the Great Emperor to run wildly in the sky in an ox cart and be seen by others.

What?Did you see the cow go up to the sky?

Don't ask, the question is that the gas explosion sent the cattle up.

But Shinji's words were obviously not listened to by Iskandar, he still grinned broadly.

"Well, Master, don't be a mother-in-law, you act like a woman. And ah, there is a reason for me to do this."

As he said that, Iskandar slipped out something that looked like a rag from the chariot.

Shinji squinted his eyes and checked for a while before he was sure that this "rag" was Weber.

"Hello, boy. We're back."

Iskandar shook his hands vigorously twice while speaking.

"Ugh... woo...!!!"

Wei Bo, who was shaken awake, shuddered. He covered his mouth with one hand, and raised a middle finger at Shinji with all his strength with the other hand.

"Woooo!!"

Weber, who glared at Shen Er viciously, muttered something vaguely, then rushed into the warehouse behind Shen Er.

"What about that guy?"

Shen Er had a black question mark on his face.

Iskandar replied in a confused tone: "I took him to the sky for a circle, and then he was like this."

Well, it looks like Weber is motion sick.

Shen Er rolled his eyes at the emperor: "How did you come up with the idea of ​​taking him for a walk in the sky?"

"The establishment of a relationship between men is nothing more than three irons and guns. Isn't that what you, Master, told me?"

Shen Er's eyelids twitched: "So you took him for a drag race......"

Bullock carts are also carts, so it seems okay to think about it... What a ghost!

Unfortunately, it is difficult for Shen Er to explain such a detailed matter to this man who likes to talk to himself.

Therefore, Shen Er could only order emotionally: "Don't play him to death, he still has to film."

Weber, who had just come out of the bathroom, just heard this sentence.

Courtesy Webb: Do you?

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In the next few days, Shen Er revised FZ's script while filming.

The original story written by Lao Xu is indeed good, but it is impossible for Shen Er to copy the whole story to the screen.

In addition to the difference caused by the media conversion between text and film, the most important point is that Shinji's FZ is a mainstream commercial film for the public.

This is doomed that Lao Xu's "black, deep and disabled" story must be revised to ensure that it can be accepted by most people.

Despite the current film industry, Shen Er's behavior of modifying the story in order to allow more people to accept it is very unpopular and degrades the artistic quality.

But in Shen Er's view, he is playing hooligans as a commercial director if he doesn't talk about the box office.

For a commercial film director, the box office has always been the most important indicator of his ability and evaluation, not one of them.

Not to mention that FZ is different from the small workshop model of FSN before. It is Shen Er's first large-team commercial film created in accordance with normal commercial films, and it will exist as a "template" for large-scale commercial films in the future.

The failure of FZ will not bring Shen Er back to his original form, but the operation mode of the special effects movie he is trying to promote will inevitably be frustrated.

Therefore, for all the above reasons, it is doomed that the FZ movie must make compromises. Although Shinji retains the main plot and the core of the story, some of the too dark content must be modified.

In terms of settings, the biggest changes are the Caster group and the Matou family.

After all, one is a child murderer and the other is a child abuser. It is difficult to pass the line in Europe and the United States without modification.

[Children] has always been a hard-hitting area in Europe and the United States, and relevant content will be examined with very strict standards.

The reason why European and American governments are so strict... I understand.

Shen Er is too lazy to care about the dirty things of Europeans and Americans, but he also agrees that the three views of a film and television work for the public must be correct.

So in Shinji's script, Ryunosuke Yusheng became an ordinary murderer, and the victims were replaced by adults by children.

And Sakura's inhuman experience at Matou's house was also deleted. After all, FZ's Sakura was still a child, so how could she do it.

However, Shen Er is not so kind to adult characters.

Second Uncle Kariya's half-dead appearance is definitely necessary, but in order to ensure that he passes the trial, he changed the wriggling bugs in his body into burning magic circuits.

Of course, these modifications by Shen Er will not touch the core of the movie. As a whole, FZ is still biased towards the dark wind.

Therefore, the tone of FZ movies will naturally be much darker than that of FSN.

For a movie, the tone is often a direct reflection of the movie and the protagonist.

This is not to say that a movie that uses black is a dark movie, but the color scheme of dark movies will undoubtedly be darker, making people feel the depressing atmosphere just through the screen.

As a director who has already completed a film, Shinji knows very well that as long as the tone of the film does not deviate, not only will the production of the film not deviate from his core, but it will also be relatively easy to shoot.

From the second day when Kenneth and others joined the crew, Shen Er began to add a lot of action scenes in the filming, using these less difficult scenes to get the actors into the state quickly.

At the same time, Shen Er deliberately increased the use of a high-magnification frame rate camera during the shooting process.

This is a camera specially designed for shooting slow motion.

Many audience feedback on FSN mentioned that the fighting scenes in the movie are too fast to be seen clearly, and even confusing.

In order to allow the audience to appreciate the heroic spirit of the heroic spirit in battle more clearly, Shinji decided to add some slow motion in FZ.

The audience's suggestions for FSN are far more than this. Shen Er carefully read these suggestions, extracted the useful parts, and improved them in FZ.

Shen Er is very clear that the success of FSN is not because of how perfect his filming is, but because the viewers are ignorant and look fresh.

If he is not humbly accepting the criticisms from the audience and making improvements, he will be eliminated by the market soon.

There is an all-knowing and omnipotent person in this world, but his name is Gilgamesh, not Matou Shinji.

Therefore, Shen Er, who is not omniscient and omnipotent, can only constantly improve himself to make him omniscient and omnipotent.

Fortunately, Shen Er had watched a lot of movies in his previous life, and he has more experience in appreciating special effects movies than anyone else in this world.

Although Shen Er, who was an outsider in his previous life, didn't know how those wonderful pictures were produced, he just wanted to find a way to achieve the same effect.

Whizzing--

In the sky, two figures, one golden and one black, flashed past, followed by a white figure following the two figures.

Shinji, who was sitting on the ground, was staring at the monitor screen intently, only occasionally looking up at the sky.

What the FZ crew is currently filming is a fairly classic air battle in the Fourth Holy Grail War-Vimana vs. F-15J fighter jets.

It can be said that the shooting of this scene almost consumed Shen Er's brain cells.

In the case of Vimana in real life, it is obviously the most convenient to use live shooting.

But how to adjust the F-15J fighter is more troublesome.

First of all, it is impossible for Shen Er to actually get a fighter jet to shoot, not to mention the sensitivity of such a big killer fighter jet, the money for just one plane is more than the budget of the whole movie.

It’s not realistic to rent one, not because it’s impossible to rent one, but because Lancelot transformed the fighter jet into a Noble Phantasm, it’s easy to break the plane during filming.

Finally, after discussing with Cheng Zi for a long time, Shen Er came up with a compromise.

He asked Orange to make a one-to-one model of a fighter jet, and stuffed a motorcycle into the plane to make it have the attributes of a vehicle, and then gave it to Artoria to drive.

In this way, Arturia can not only control the plane through the [Riding] skill, but also wrap the entire model with the wind king barrier to ensure that it will not be damaged when in the air.

In order to ensure that this thing can really trigger Artoria's skills, this strange "fighter" can really drive on the ground. Functionally speaking, it is more like a motorcycle with a fighter shell.It's just that, compared with ordinary motorcycles, this prop has many more functions of fighter jets (such as launching prop missiles, machine gun shooting, etc.), but it cannot fly like a real fighter jet.

In order to solve the flying problem, Shen Er asked Orange to make a shelf under Iskandar's chariot, so that the chariot could fly with the model hanging on it.

At the same time, in order to ensure the best shot effect, Shen Er also asked Miss R to ride a pegasus and carry a camera to follow Vimana and the chariot to shoot.

It can be said that Shen Er forcibly reproduced the air combat in the script with props.

"OK...Medusa, you go up a little bit, and use a bird's-eye view to take a shot of them flying around. Be careful not to shoot the chariot in."

Shinji gave instructions to Medusa through the walkie-talkie.