Tokyo Literary Godfather

"You don't have to worry about the contract. As long as you nod, I will help you solve the contract." After all, Shiraishi Monet is just a small screenwriter now, and he is not the main creator who takes the lead. The TV station executives will not pay too much attention to it. You can fish people out if you find some way.

Shiraishi Monet didn't agree immediately, but he didn't refuse either. He just thought for a moment and said, "Teacher Fujiwara, I want to think about it."

"Of course." Fujiwara Kei said, "You know my phone number, you can call me anytime."

Shiraishi Monet nodded, and the tension towards Kei Fujiwara eased a little.

Before, she always thought that Mr. Fujiwara had a special affection for her, but soon after, Shiraishi Monet saw his love affair with Arima Guixiang in a gossip magazine.

At that time, she was still a little lost, but now Kei Fujiwara came to her again, which made her wonder, has Mr. Fujiwara forgotten me? You obviously already have a girlfriend, so you still plan to give up on me?

No, this is immoral!

So Shiraishi Monet still had another reason for hesitation, and that was a slight suspicion that Kei Fujiwara wanted to hire her for an impure purpose. He not only wanted her to be a screenwriter, but also wanted her to warm the bed.

This is not possible! You can't do two jobs for one dollar!

Halfway through the meal, perhaps because he drank too much, Shiraishi Monet stood up and went to the bathroom. When he came out, while washing his hands, a face with a strange expression appeared in the mirror in front of him.

Shiraishi Monet was startled and looked back subconsciously.

The man looked at Baishi Monet and showed a strange smile: "I said, Baishi, why don't you come out to have dinner with us? It turns out that you have other plans. Why, it seems that you have the opportunity to be the president's wife. But Baishi, can you Come on, I heard that your competition is fierce, will you be the opponent of a famous artist?"

It was a male senior from the production bureau who said this. He seemed to have a good impression of Shiraishi Monet, but because he was married and his appearance did not meet Shiraishi Monet's aesthetics, he never responded. In addition, Shiraishi has now become a screenwriter for the episode, so there is no need to pay too much attention to him.

Coincidentally, Shiraishi Monet's colleagues also had dinner here, seeing Kei Fujiwara and Shiraishi Monet laughing and feasting, they were immediately dissatisfied. But he didn't dare to go to Kei Fujiwara to put his face on, even though Kei Fujiwara had left Fukuyamadai. But the reputation in the broadcasting industry has already been established, and it is as stable as Mount Tai. He dare not make mistakes.

So when Shiraishi Monet was alone, he finally couldn't help but ran over to say something strange, otherwise he might be driven crazy.

Listening to these words, Shiraishi Monet could only feel his temples throbbing, his head was as big as a bucket, he washed his hands silently, and left the bathroom without saying a word.

The man said a few more words similar to "east food, west lodging", watched Shiraishi Monet walk towards Fujiwara Kei, and then left angrily.

Shiraishi Monet sat opposite Kei Fujiwara, his face pale, and Kei Fujiwara was carefully and meticulously spreading potato chips on the oven. Seeing Shiraishi Monet approaching, he helped her pour the drink.

Shiraishi Monet stared blankly at his cup, Fujiwara Kei saw that her expression was not good, and asked, "What's the matter? What happened?"

Shiraishi Monet suddenly raised his chin: "Teacher Fujiwara, I am willing to join Mizumi Production."

"Ah?" Fujiwara Kei was stunned. He was still hesitating just now, but he figured it out after going to the toilet?

But Shiraishi Monet showed a determined expression on his face, it didn't look like a sudden whim, so he raised his water glass: "It's sudden... But, we will have a happy cooperation in the future."

After Kei Fujiwara visited Fukuyamadai, he poached another old member and was in a pretty good mood. Then he drove to a boys' high school, where the first episode of the first season of "Underage Advocacy" was filmed.

The program team had made a greeting with the school leaders in advance. The education style of Japanese middle schools is not as complicated as that of China. Their high school life is more colorful, with various department and group activities emerging one after another, and students' after-school life is not overwhelmed by heavy schoolwork. Unless you are the kind of test-taker who is determined to take the exam at Dongda University in Yingqing, you even have time to work part-time after school to earn pocket money.

Therefore, the school leaders did not object to the program team coming to the campus to film the program, and they would not feel that it would affect their normal teaching order, and even felt that it would have a good effect on recruiting students. The high schools also took great pains to recruit students, and frequently used strange tricks.

The school uniform skirts of Japanese female middle school students are getting shorter and shorter. It is said that they are moths stirred up by the admissions offices of major schools. In order to attract more girls to the school, some schools even use "cute school uniforms" as a magic weapon to attract students. , so in the era when women's school uniforms were still generally mid-length skirts, some schools took the lead in launching school uniform skirts that were close to the thighs, and it was said that the effect was outstanding. Later, schools throughout Japan rushed to imitate them.

The school leaders have no objection, and the participation rate of the students is also very high. Shooting TV programs or something, this is a footnote of youth, and it can still be revisited after more than ten years.

The program group first solicited contributions from the entire school, and the theme was to shout out loudly on the rooftop, whether it was for anyone, parents, teachers, classmates, friends, loved ones, and even favorite stars and prime ministers.

Then the program team will select from everyone's letters, and then let the parties involved make a speech.

After a period of preparation and filming, the program began to be officially broadcast on NHK.

At the same time, Kei Fujiwara was also thinking about something.

That is because the reserve of screenwriters produced by Shuibo is really too small.

The director team of Shuibo production is fairly well-reserved, from the director to the executive director to the director's assistant, they all have a quantitative basis. It's just that there are not many who can reach the level of Shibazaki Hideaki, but Yoshida Kashi played an important role. It took him less than three days to recruit a lot of directors and photographers of sufficient standard.

But the screenwriting team seemed weak in comparison.

There are many reasons. One is that Shuibo Production itself is inherently deficient in screenwriter training. As an outsourcing company of Fukuyama TV, it often participates in filming and completes the process from 1 to 100 instead of completing the process from 0 to 1. Lack of good screenwriters.

In addition, Kashi Yoshida is not very concerned about finding a screenwriter. He probably thinks that Kei Fujiwara alone is enough, because according to his experience at Fukuyama TV, Kei Fujiwara alone is worth a team of screenwriters, so he completely puts Kei Fujiwara on his own. Keita Fujiwara is the livestock. And completely shifted the focus of my personnel work to finding the director team. It would be good to leave such trivial matters as the script to Kei Fujiwara.

Kei Fujiwara could only complain silently, and did not publicly express his dissatisfaction with Yoshida Kashi's behavior of using himself as a typewriter. Poaching a screenwriter's corner seems to have become more difficult recently.

It is also because of Kei Fujiwara's prowess in the past three years that both TV stations and production companies are paying more and more attention to the importance of screenwriting. So we started to improve the remuneration of our screenwriters, and extended the contract period for some strong screenwriters. It becomes increasingly difficult to pry corners.

Kei Fujiwara also had a new idea because of this, instead of prying the corner, why not dig among the newcomers by himself?