Tokyo Literary Godfather

Eikoro Yagami and his team quickly perfected the song "Bamboo Song". After all, Kei Fujiwara only provided an acapella version, which could only be called a DEMO at best.

If a song is compared to a color comic, then Kei Fujiwara's a cappella can only be regarded as a sketch. Although it is not rich enough and cannot be directly presented to the public, any future artistic processing must be based on this. .

Kei Fujiwara listened to the arranged "Song of Bamboo", and gave a thumbs up to Eikoro Yagami.

"That's great, Yagami-san."

Yagami Eikoro said: "It's Lingtang's original song that did a good job, I just did the technical work."

Kei Fujiwara came over this time and brought a few more tracks. The DEMO was recorded on the tape and handed over to Eikoro Yagami.

"Iori-kun, please listen to this again."

Iori Eikoro took the tape, his eyes lit up, "Is this also Lingtang's work?"

"That's right."

The two were in the studio hall, with artists rehearsing on stage, surrounded by deafening accompaniment music. After taking the tape, Yagami Eikoro gestured to Fujiwara Keiren and yelled: "Excuse me for now, Fujiwara-sensei."

With that said, he took the tape away.

Kei Fujiwara watched the performance rehearsal for a while. The only people who could appear on the stage of the Red and White Song Festival were long-established, professional singers, or popular idol groups, but no matter what kind of people they were, they were not messed up. And in Japan, especially on occasions like the Hongbai Song Festival, you will not be allowed to lip-sync.

After listening to a few songs, Eikoro Yagami hurried back. After walking up to Kei Fujiwara, he continued to gesture and yell: "Teacher Fujiwara, please come with me. It's too noisy here."

Eikoro Yagami brought Kei Fujiwara to his recording studio. As soon as the door was closed, the external sounds seemed to be immediately isolated and disappeared. Eikoro Yagami immediately said: "It seems that "Song of Bamboo" is not an accident. Teacher Fujiwara, your father-in-law is A rare musical genius. Each of these songs is a rare masterpiece!"

Of course... Fujiwara Kei thought to himself, I have included some of the most influential songs in the Japanese music scene. They are all masterpieces of powerful singers. How can I not be awesome?

At this point, Eikoro Yagami couldn't help but sigh: "Mrs. Fujiwara had such a great talent in lyrics and music, but it was such a pity that it was not known to everyone during her lifetime."

He really felt sad. As a professional music producer, he knew the weight of these songs as soon as he heard them. He even had a vague premonition that some of these songs could become popular and even become classics.

He had never heard of such a work before, and according to Kei Fujiwara, his mother had passed away several years ago. In other words, these masterpieces had come to this world a long time ago, but they had just been Buried in unknown corners.

The same goes for the author of these songs. Such a powerful person was only a middle school music teacher during her lifetime. Until she died in a car accident, no one even knew her name.

Could it be that the author didn't know that his works were great before his death? This is impossible, she should have this confidence. Ms. Fujiwara should have brought these works to the record company before her death, but it is a pity that these songs were not released after all.

Thinking of this, Eiko Yagami imagined in his mind a picture of a person with amazing talent who brought his works to major distribution companies again and again, but was rejected by major managers again and again.

Thinking of this, Yagami Eikoro felt extremely indignant: What kind of idiots are there in the music industry in Japan! Don't you even have ears? You can’t even tell that it’s a scam!

If Mrs. Fujiwara had come to look for him back then, he would have kept this talented music girl behind, and tried to make her the number one singer in the world, and maybe the tragedy of the car accident would not have happened.

Thinking of this, grief appeared on Yagami Eikoro's face.

Kei Fujiwara looked at Eiko Iori Yagami's expression strangely, and didn't know what the other party was thinking. He just said, "Yes, I also think it's a pity. My mother loved music very much when she was alive, but these songs have never been spread. My mother passed away. Afterwards, I always miss her very much, and in my spare time recently, I want to spread these songs to the world, which is also a way to commemorate her."

"I will definitely let the author's name be passed down to the world." Yagami Eikoro said solemnly.

"In addition to "Song of Bamboo", can you have another song on the stage of the Red and White Song Festival?"

Yagami Eikoro did not agree immediately, but said with some hesitation: "The Red and White Song Festival has been officially rehearsed for the first time, and it will be played soon, so I'm afraid it may be a bit rushed."

Fujiwara Kei said: "It's okay, I'm just a layman's suggestion. Of course, the production rhythm of the program is the first. If you find it inconvenient, forget it."

Hearing what Kei Fujiwara said, Hideko Iori felt a lot more relaxed. He really thought about Kei Fujiwara's suggestion. Not to mention, there are a few songs he really likes, so he will work harder to catch up on the dark day. It seems that meeting the audience is not impossible...

He was a bit disgusted that this year's Hongbai Song Festival was not competitive, or that compared to previous years, its competitiveness had declined. The reason for the decline is because a few years ago, the Red and White Song Club had no competition at all...

On the day before the big dark day, the Hongbai Song Club was almost the only choice for Japanese audiences, and the miracle of more than 80% of the audience rating was facilitated under this environment. And as the Minfang TV station also began to eat the cake of the New Year's Eve show, NHK more or less felt that others were cutting flesh from itself.

Many good songs and singers that I originally liked were poached by TTV's "Annual Music Festival". This year's Kohaku Song Festival has fewer good songs. Koushiro Yagami even had a pessimistic premonition in his heart. Maybe this year's Ratings are down several percentage points from last year.

Thinking of this, Koushiro Yagami subconsciously looked at the tape in his hand. Maybe he could do the opposite. Those famous songs and their singers and composers have been poached, so just use these good-looking but not yet famous works to top them. Well, maybe it can have the effect of four or two?

Thinking of this, Koshiro Yagami looked at Kei Fujiwara: "Mr. Fujiwara, what other songs do you think are suitable for the Red and White Song Festival? Who should sing it?"

Kei Fujiwara thought for a while, "How about the song "Fire with Fireworks"? This song has a younger style and should be sung by younger artists. I think Inoue Morimata and Arimama Sai are good."

Letting Arima Katsura sing "Bamboo Song", and then having Inoue Morimata and Arima Masai sing "Fire the Fireworks" are not without purpose. They just want to use the stage of the Kohaku Utakai to express their appreciation for the "Confessions" The lead actor is doing the first round of publicity. Although the film is still in the production stage, it is better to promote and advertise things sooner rather than later.