This star just wants to learn

"Guanju" is a love poem. He couldn't get her, so he thought about her day and night, tossing and turning. This describes his lovesickness. He used various means to attract women, such as making friends with zither and playing music with bells and drums. This is completely a social custom in the primitive era.

It can be seen that Pu Tong has a deep understanding of ancient life norms, social order, and cultural customs."

Obviously, this poem was taken out as lyrics, but the first people to discuss it were not music practitioners.

Pu Tong's "Guanju" successfully blew up people in the academic circle. As for those in the music circle, they wanted to study it, but they couldn't understand the lyrics at all, so they couldn't appreciate them at all.

As the saying goes, every profession has its own specialty. Such professional lyrics need to be appreciated by more professional cultural people...

"Men should be honest and gentle, and be self-reliant as gentlemen; women should be quiet and dignified, and be self-reliant as ladies; therefore, gentlemen love beautiful ladies!

The combination of "gentlemen" and "ladies" here represents an ideal marriage. The poem "Guanju" reflects the society's emphasis on marriage, husband-wife relationships and moral requirements."

Many netizens who appreciate the professional analysis of cultural masters don't quite understand it, but they do understand that Pu Tong, who can write such lyrics, is absolutely awesome.

Let him challenge music, he writes poetry, right?

And based on Pu Tong's usual performance, this move is not a show of skill or pretense, but he has too many trump cards in his hand, so he just plays a series of bombs.

Using poetry as lyrics is one victory; calligraphy manuscript is the second victory; the big boss stamped the seal, this is the third victory; going abroad is a great victory...

It is not only the Chinese who pay attention to Pu Tong's music challenge. After all, this is a rare music exchange activity between China and the United States. International friends are also eagerly waiting.

When Pu Tong took out this ancient poem as the challenge song, the win or loss of this competition was no longer important. After all, the purpose of cultural export has been achieved, and the competition is just a formality.

Besides, can such a hard song really lose?

The lyrics are one aspect, and the song "Guanju" is also not bad at all. As an ancient folk song, its melody structure, rhythm and emotional changes are excellent. At the same time, the high pitch part is handled quite well. The clever combination of the two can enhance the singer's handling of the song during the singing process.

The singing of ancient folk songs focuses on the expression of emotions, the accuracy of pronunciation and the unity of sound. Song Ying's singing perfectly met Pu Tong's expectations, and even much better than expected.

It can only be said that she is worthy of being a member of the national team. The high-pitched part of the performance is quite gorgeous, even surpassing her previous peak.

Song Ying broke through herself in the process of extending this "Guanju", and her high-pitched range successfully reached the world level. At this time, she is definitely qualified to compete with Feili.

This is also within Pu Tong's expectations.

The reason why he chose this song at the beginning, in addition to the purpose of cultural promotion, there are some targeted reasons.

Queen Song's strength reached a bottleneck many years ago. If she wants to compete with Feili, then further progress is inevitable.

Her voice is good enough, and the reason why she can't break through is that she lacks emotional processing. If the emotion of a high-pitched work cannot be raised, it is difficult to sing it with only skills.

The melody of this song sounds simple, but in the eyes of those who know it, it is clever everywhere.

When Song Ying got this song, she was shocked. In her eyes, Pu Tong didn't know how to sing high notes. His creative talent was top-notch, but people who didn't know how to sing high notes would easily fall into the misunderstanding of singing high notes for the sake of high notes. Such songs are not easy to sing.

But Pu Tong's song is very different. It has high notes, and the high notes are inlaid very harmoniously. The process of rising pitch is logical.

The lingering style of "Guanju" can be seen everywhere. After the small turn at the beginning, the song uses two octaves to truly describe the protagonist's inner turmoil and hesitation at that time. Then, the mood of this part is eased by the conversion between the high and low notes of the melody, and people are slowly completely put into a quiet situation.

Then, the melody is continued freely with two bars of vibrato. The vibrato here is very clever, which not only gives the singer time to brew emotions, but also is a good stage for accumulating power before the high notes.

The eighth rest that follows between "美媕" and "老女" can be easily achieved by her without stopping, expressing and emphasizing that the lady with these two characteristics at that time was admired by gentlemen. The octave of the word "好" in " "Gentlemen are good" in the second half of the sentence needs to be completed by using a good vocal channel to control the volume, but this is not a problem for Song Ying.

Then enter the really intense part of the whole song, which is also the part with the highest range of the whole song.

The emotion of the protagonist in the song is no longer a situation of insomnia and missing. This is the key part of the whole song. The whole direction of the melody also begins to obviously enter the high-pitched area that is easy to express emotions. At this time, Song Ying can show her gorgeous timbre as much as possible, so as to fully express the enthusiasm and excitement in her heart.

It is precisely because of the previous emotional preparation and the accumulation of vibrato that her high notes are so round and consistent, like a tide bursting out, easily breaking through the bottleneck that troubled her before.

It was not until she finished singing this song that Song Ying realized that it was not that she was not good, but that she had never met a mentor. Pu Tong was this mentor. He not only saw her ability and difficulties, but also could produce corresponding works in a targeted manner.

Being able to produce good works is a reflection of Pu Tong's creative ability, but being able to produce songs that perfectly match the singer is a reflection of his musical realm.

At the same time, listeners from all over the world clicked on this song "Guanju". In addition to being amazed and curious about the Chinese poetry culture in it, the song's subtle and beautiful high notes also amazed everyone.

This song has a lot of charm in ancient songs, combined with the tone of related operas. This high note is different from the hysteria popular internationally, and successfully refreshed foreign audiences.

At this point, Pu Tong's goal of "going abroad for culture" has been achieved, and the next thing to consider is the victory or defeat of the music challenge.

He clicked on the work of Fili Dell Catlin and subconsciously lowered the volume a bit, after all, the high notes of this singer were a bit too domineering.

This song has a strong sense of rhythm, and the creation of high notes is more mature. The first high note successfully made Pu Tong drop his jaw.

What surprised him even more was that after the high note, there was another high note, even one degree higher than the previous one. The high notes were raised again and again like shouts, and the listeners' souls trembled.

I thought it would stop there, but the drum beats that did not stop after the second high note meant that this song was not simple.

The third high note was ready to go. Feili used three high notes that continued to rise to tell everyone that she was the only queen in the field of high notes.

Pu Tong swallowed his saliva subconsciously. The higher the virtue, the higher the devil. This opponent was a little too difficult.

Good news, I became stronger, bad news, the enemy was also stronger.