The Collection of The End
Chapter 1813: Resident Evil 2 (Eleven)
"[STARS—!]"
The brawny man in heavy armor, code-named "The Nemesis," roared and threw his fist at me, or Jill.
I rolled around on the spot, picked up the 4.5 caliber pistol and dagger that fell on the floor, turned around and fled.
You can't run away, if you get hit by it... it might die.
When the chaser rushed in for the first time, I originally wanted to learn from those high-end players who posted live games and singled it out with a knife, but an inattentive operation error hit a punch, and then it fell.
To be precise, before its fist hit Jill, a transparent shield glowing with orange light and diamond-shaped ripples appeared at the location where it was about to hit.
After the two touched, nothing happened except that the fist of the pursuer was blocked, but after about two seconds, the pursuer fell to the ground as if he had been bombarded by dozens of rocket launchers, head straight down. fall.
Even without a stupid systemic explanation, I know what just happened: Although I was "controlling" Jill, my personality was there, and the idea of "I don't want to be touched by monsters infected with T virus" naturally formed. The "AT position" is the wall of the heart.
And after launching an attack on the "wall of heart" of "high-dimensional creatures", still want to retreat? When the automatic counterattack is vegetarian? As far as the result is concerned, it is lucky to be knocked down, and it is a normal operation to fall on the surface of the sun or into a black hole.
All in all, if I accidentally be attacked and hit by zombies or other specially infected people in the next operation, I, or Jill, will have nothing to do, but those guys are basically dead.
[Clear the customs without injury, a long way to go. 】
"Why can't I be harmless?" At least halfway through, he will be poked a tentacle by the pursuer, and then he will change his role to Carlos and go to the nearby hospital to find a vaccine. ’
[Playing CG doesn't count. 】
'Well…'
Although these conversations are very simple, I seem to have thought of something, but because the inspiration is too vague, I can't find what it is for a while.
"[STARS—!]"
The chaser smashed through the door of the apartment and rushed out, knowing that there are tigers in the mountains, and leaning toward the tiger mountains.
If this thing has a little intelligence, it won't continue to chase me, but its IQ seems to be all used in fighting and chasing, and it can't understand the connection between "attack on this STARS" and "losing consciousness" at all.
There is no other way but to escape, unless I want to dismantle this chaser into parts on the spot.
Although it should not be Matt in the movie version, there are many scenes that create a sense of oppression everywhere. If you leave the scene, who knows what the next plot will become.
The difference from the original situation is that I can't let it have a chance to touch me, and the scene of being beaten and kicked like the original remake of the title, caught up and fell, can't appear at all.
Boom boom boom—
Since the hiding place Jill chose was in a semi-abandoned state, the pursuers took shortcuts to demolish the house, even blasting an unknown gas pipe, causing the entire building to become a sea of flames, and there was no second resident to come out to protest.
I seem to remember that this chase was temporarily stopped because of the partial collapse of the apartment building and an explosion that lifted Jill out, but where did it collapse?
[Do you want a design drawing of this building? 】
‘Why don’t you just say the answer... Forget it, let me see first. ’
"[STARS—!]"
I just started to look at the three-dimensional perspective view of the building provided by Stupid System to confirm where the structure is more convenient to collapse, and the chaser who does not take the usual path stepped through the floor and fell from the sky.
This time, it was peeking deep purple ugly tentacles from its palm.
"Stop it for me!" The picture was too horrifying, so I took advantage of his just falling, and my footing was unstable, and I pulled down the large bookcase next to him with my backhand.
With a click, the bookcase that hit the pursuer was torn apart, and the pursuer was stunned by the sudden attack for two seconds.
[Hmm... You didn't hang up directly? 】
‘I’ll die if I hit it, but I won’t be able to hit it. It’s a magical calculation. ’
[Think about those later, it has recovered from the dizziness. 】
‘Tsk, slipped away. ’
Perhaps because of the fact that I was knocked out just now, it is unacceptable. After that, the pursuit speed of the pursuer slowed down a little, and when I approached something that could be brought down and smashed it, I would pay attention to whether I touched those things.
As long as it can learn, absorb experience, and make up for it, its AI is basically qualified.
Well, of course it is AI. As a biological weapon produced by Umbrella Company, if it is simply a monster that only knows to kill, it will definitely not be sold, and the "STARS" it shouts along the way is the must-have it obtains before departure. Kill instructions.
By the way, the movie version of "The Nemesis" is not only controlled remotely at all times, but can even awaken the consciousness of the original "Matt" to reflect the water. Obviously, this "product" as a "commodity" is unqualified. .
"[STARS—!]" "Boom!"
With a little distraction, the pursuer had already removed a whole wall and charged it like a door.
This kind of look... I always feel that if it suddenly shouts "come out and face me!" or "eat me with a hammer" or something, there is no sense of disobedience at all.
[It is also possible to catch you and throw it, and at the end there will be a ‘weak god’. 】
‘I can’t enjoy the treatment of the original Jill. ’
As I responded, I looked back.
Since the chaser demolished the load-bearing wall and was still desperately destroying the load-bearing wall along the way, I knew that this building would not last long even without looking at the design drawings, so at the next corner, I opened the corridor window and turned it out. Start calculating how much effort is needed to jump to the opposite floor that is not too far away.
咚咚咚—Boom!
Almost at the same time, as the pursuers rushed in, the apartment collapsed overwhelmed and immediately buried the pursuers underneath. Before it collapsed, it exploded, directly taking me from the two buildings who had just climbed to the opposite building. The alley between the buildings blew out.
Hmm...Very good, perfect restoration of the title.
I emptied and fell to the ground twice in a row, looking at the apartment that had been turned into a ruin. This time, the pursuer was firmly pressed underneath, and there was no more perseverance to chase me down.
Although it will be "resurrected" in the future in order to continue to hunt down, but at least not currently.
We are safe, temporarily.
So, the next step is...
"Jill?" A tired, hoarse male voice sounded from behind me.
"Brad?" I looked back at the STARS member wearing a yellow body armor.
He was one of the survivors of a generation of biochemistry, but he was not lucky enough. He died as a sacrifice for summoning pursuers shortly after the opening of the third generation. The specific location was the raccoon police station.
However, in the remake, he added a little more: in order to prevent zombies from entering the house, he was bitten when the door was closed.
Although it is a tribute to the "door opening animation" of a generation, it is a joke because it is too stupid-why do you throw that meaningless sign? Go in early and close the door and nothing will happen.
"Did you see that monster?" Brad looked nervous: "It's hunting down the two remaining STARS members, you, and me."
It's just me, chasing you is a matter of minutes.
"We have to go to the tarmac on the nearby roof and take a helicopter to leave—"
Huhuhu—
As if to verify his words, a transport helicopter flew through the sky with white searchlights.
"Go!" Brad immediately chased in the direction of the helicopter.
Hmm...Although this guy seems to be killed in a plot, let's try to see if it can be saved.
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