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Fernan had read the Bourne Trilogy novels for many years, and he can be said to be a die-hard book fan. Seeing the opening titles of Embassy Pictures and Shahai Entertainment appeared on the big screen, he quickly concentrated his energy.

Book fans have been looking forward to the release of Bourne Shadow in the past month, which is one of the best ways to commemorate the author.

This film honors Robert Ludlum, the father of the modern political thriller.

The words that appeared in the trailer are once again marked on a separate screen on the big screen, which makes book fans very satisfied.

Ordinary movie fans also think this approach is good.

Lal is a little policeman. In order to watch the premiere tonight, he changed shifts with his colleagues.

In the first two rows of the theater, several older film critics, such as Kenneth Turan of the Los Angeles Times and Todd McCarthy of The Hollywood Reporter, are also nodding, Ronan Anderson, a young man He is very good at doing things and knows how to respect his predecessors.

Tribute to the beginning of the film.

Those young people now have eyes on their foreheads, and they don't even think about it. If it weren't for the struggle and hard work of the older generation, would Hollywood be where it is now?

The film officially started soon, and the camera came to a vast ocean, and an object that looked like a human figure was floating on the surface of the sea.

This is the protagonist in the film - Bourne.

When a fishing boat that was also in this sea area found Bourne and rescued him, Bourne found that he could not remember anything, not even who he was.

It is also because of this that when Bourne stepped onto the port of the pier, all the answers to the mysteries must be answered by Bourne himself. Why he was shot twice in the body and drifted on the sea will be revealed as everything becomes clear.

Bourne, who had lost his memory, was a little confused, but his instinct as an agent helped Bourne to sort out the clues.

Later, he met Mary, a strange woman. The appearance of this person played a vital role in Bourne's life, and Mary also went through life and death just like Bourne.

And Mary is different from Bourne. Through her feminine nature, sometimes she may not need the secret action plan that Bourne drew up for herself, and she can help Bourne get the information he wants.

As the film progresses,

Why Bourne floats in the vast ocean, what is Bourne's identity, and who is Bourne, these mysteries can only be answered by Bourne himself.

This is a movie that is completely different from past spy movies, but it follows the common characteristics of wonderful movies, such as compact plot, suspense that attracts people to watch continuously, and a protagonist full of distinctive charm, all of which make people feel A fresh stimulus.

There are also action shots, the shots are so fierce and realistic, Bourne's shots are so clean and neat, it seems to be real...

Lal is just a movie fan, and he didn't realize that these were brought about by Paul Greenglast's unique editing and shooting style.

Fernando didn't realize this either, but he could see that compared with the novel, the adaptation of the film is very large, and even the main line of the story is almost deviated from the original work.

However, no matter whether it was him or other members of the fan association around him, no one expressed dissatisfaction, because the movie was shot so well.

Because movies are more intuitive and exciting than novels!

In the description of the novel, there are also descriptions of Bourne's battles, and there are also descriptions of these professional agents who can use everyday objects as weapons.

But looking at the text description, how can there be Matt Damon in the movie who picks things up and slaps people so wonderfully?

Resident agents in Rome, Hamburg, and Barcelona were summoned one after another with only one purpose—to kill Bourne.

When the Professor enters the scene, two super agents show what makes for a smarter and wiser killer.

In a battle of wits in the wilderness, the audience once again saw how a battle of wits and courage it is between agents without any special effects.

It is completely different from the style that relies on high-tech equipment, but it is in line with the consistent pattern of Hollywood commercial films.

It can not only make the audience feel fresh, but also not exceed the audience's appreciation.

The professor who is good at sniping has already cut off any communication system in Bourne's residence. When Bourne realized the seriousness of the problem, Mary's panic did not disturb him at all.

At this moment, when he is separated from Mary, Mary's life is guaranteed. How to protect Mary's life even more at this moment embodies the instinct of an agent.

Let a car explode, and the thick smoke can completely stop snipers from the commanding heights from sniping the room.

In this first contest, the professor cut off Bourne's way of contacting the outside world, and Bourne responded with a beautiful defense.

Afterwards, he moved to the jungle, where the professor hid among the bushes.

Bourne shot into the sky, and at first many viewers were puzzled by Bourne's move, but when the birds in the bushes flew up, everything had an answer.

It was this fatal shot that allowed Byrne to catch the professor in the dark.

It was at this moment that the professor questioned Bourne in the simplest way—headache, fear of light.

Everyone is actually the same.

It seems that killing the professor is a victory, but Bourne, as an agent, is just as the professor described.

The whole battle was not intense, and there were only two people directly involved. There were not even any special effects rendering, but the adrenaline of all the audience soared, and they were extremely nervous watching.

Back to the basics! Kenneth Turan couldn't help admiring: It's been so many years since there has been such a good-looking spy movie.

Todd McCarthy next to him agreed: Handheld shooting, action design, plot expression, character creation, and lens shooting are all top choices.

He said directly: If you don't read the ending, I will give him more than 80 points of praise!

Kenneth Turan nodded slowly, seeming to agree with his old friend.

It's been a long time since I've seen such an engaging commercial film.

It's really good that Matt Damon was chosen as an actor. I heard that this is the candidate chosen by the producer Ronan Anderson? This young producer has a really good vision. It seems that when choosing actors and directors, he can always choose the right one.

Kenneth Turan had a very general impression of Matt Damon before. One is that he is not beautiful, and the other is that he has no characteristics.

But in this film, people can see the very good acting skills and shaping ability--acting to the extreme what is left of the muscular man in the commercial film!

We must know that commercial films generally only need punches to the flesh, no acting skills or the complicated heart of the protagonist, as long as it is necessary to scream or cry...

Anyway, the complexity of a frustrated person is shown very thoroughly. The action scenes are clean and dripping, without even the usual roars and shouts. Everything starts quietly and ends quietly.

Ordinary audiences find it enjoyable, and film critics believe that it is not as impetuous as other commercial films, and the foundation of word-of-mouth has been laid.

The final sex scene was so exciting that many audience members were so nervous that they almost held their breath.

The moment the CIA agent rushed up the spiral stairs with a submachine gun, Bourne held a pistol, and under the cover of the fattest dead body, he jumped down from the top of the building and killed the killer who was rushing up the stairs in mid-air.

After that, he landed on the corpse as a buffer, so that his life would not be in danger. The price of doing so was that Bourne himself was injured in many places all over his body.

This kind of realistic tactics is obviously completely different from previous spy films.

In the alley outside the building, Conklin's boss Albert's killer was already loaded and ready to take his position.

The camera keeps showing Bourne staggering away from the alley, which makes people feel nervous, thinking that Bourne may be in danger of life.

But as the camera turned, it was the staggered Conklin who came out and was shot three times by the gunman who had been waiting for a long time. This relaxed narrative method greatly mobilized the participation of the audience, and the effect was very good.

The barely rendered 120 minutes come to a close after Conklin is killed.

At this moment, Bourne's life and death do not seem to be so important, but is it so? Obviously not.

Because there are still too many unanswered questions.

The death of Conklin, who seems to be the leader behind everything, is an end, rather the disintegration of the stepping stone project.

This is just a case of failure of the CIA, and a bigger behind-the-scenes black hand came into being...

The subsequent plot has begun to pave the way for the sequel. The not-so-fancy secret service seems to have come to an end, and Bourne also reunited with Mary who opened a shop by the sea.

The seemingly happy ending has obviously led to the next plot.

Because it couldn't be more obvious-Bourne returned to his lover, but Bourne's memory was obviously not found, or it was not completely returned to Bourne.

Bourne's identity is an agent, what is Bourne's real identity?

This film has no conclusions, the only conclusion is that Bourne's identity is a CIA agent.

Anyone who is familiar with Hollywood movie routines can see that Bourne's sweet time will not be too long.

Before the film was over, Todd McCarthy quickly summed up The Bourne in his mind.

First of all, the plot is wonderful, the plot design is reasonable, it is absolutely top-notch among commercial films, and it is full of elements that mobilize the viewers to think actively.

Secondly, the use of rhythm and shooting skills is reasonable and appropriate, with Zhang and Chi, all under control!

Then, the actors act professionally. Apart from emotions, emotions, and character traits, the strength and IQ of agents and spies are particularly good. These are very attractive!

At the end of the film, there was thunderous applause at the scene. I don't know who stood up first, and the people around him also stood up, and then the audience stood up one after another, sending the warmest applause to this wonderful film.

Rarely, for the adaptation of this film, even the die-hard book fans of Bourne's Identity have no dissatisfaction.

Fernando believes that this film not only did not destroy this classic spy novel, but it is compact and exciting to every nerve in the whole body.

The applause lasted for a long time, and Tom Cruise reminded: Ronan, bring someone up to the curtain call.

After all, Ronan had no experience in this field, so he quickly called the main creators of the crew to come to the stage in front of the screen to take a curtain call.