The Best Entertainment Era

Probably because Hollywood's black leader, the black Washington, is used to it. On the weekdays after the release of Vampire Hunter Lincoln, at the regular press conference in the White Room, the current leader, His Excellency, also talked about this movie. Thought the movie was very good.

Just like when the former commander-in-chief talked about House of Cards with the congressmen, the top and bottom didn't care much about the spoof of this kind of film.

The Vampire Hunter Lincoln has a fairly stable trend in North America, and it won the box office champion in the second weekend of its release in North America.

With a box office of 14.68 million US dollars in the second weekend, this film surpassed the 11.38 million US dollars of Internet Killer, which was released in the first week.

Ten days after its release, the North American box office of Lincoln the Vampire Hunter easily exceeded 50 million US dollars.

Overseas, the response of this film is quite good, even surpassing that in North America. It has been released in dozens of markets overseas, with a total output of 72.15 million US dollars in ten days.

Compared with the film's total investment of 20 million US dollars, Vampire Hunter Lincoln can be regarded as a box office hit.

Encouraged by this, Uwe Ball was full of energy, planning to complete the post-production of The Witcher Washington and immediately put into the preparations for Franklin the Thunder Magister.

The franchise has gotten off to a really good start, and it only takes two or three more successful films to create a cascading effect.

Uwe Ball also stopped being Blizzard Entertainment's licking dog, stayed away from World of Warcraft, completely abandoned his status as a spare tire, and devoted all his energy to this series of movies.

I don't know if it's some kind of strange psychological troubles. I haven't seen Uwe Ball visit the door for half a year, but Blizzard Entertainment contacted him and asked Brother Bao to go to Blizzard to see if he has nothing to do.

In this world, many people and many things are often lost before they can be cherished.

It's a pity that Brother Bao doesn't have the time and energy to deal with Blizzard in a short time.

Because of the phrase humanity will never be a slave, Ronan also took time to watch World of Warcraft, and the Lich King was just angry.

Awards season continues, and the nominees for one of the weirdest awards have been announced.

On the nomination list for the Golden Raspberry Awards, Brother Bao once again occupied multiple positions. Last year's Life and Death was nominated for worst director and worst film.

in addition,

Transformers was also a big nominee, Candice Swanepoel was nominated for worst actress, Optimus Prime and Megatron each received a nomination for worst actor and worst supporting actor.

As a super big producer of commercial movies in the Hollywood circle, Relativity Entertainment has been called the super winner of every Golden Raspberry Award in recent years.

Surprisingly, Relativity Entertainment has also been a super winner of the Oscars in recent years, and has won the best picture statuette for three consecutive years.

Relativity Entertainment's key award-winning project this year is Slumdog Millionaire, and the main goal of the impact is still the best picture.

In terms of best director, Danny Boyle does not have the upper hand compared to the Coen Brothers.

In the true Oscar weathervane union award, Slumdog Millionaire won the Producers Union's Best Picture Award, but the Directors Union's Best Director Award fell to the Coen Brothers.

The professional public relations team of Embassy Pictures has also conducted an analysis and believes that this year's Oscars may have a super cake situation.

Although the screenwriter strike is still going on, the awards season is still going on, especially the Academy of Motion Picture Arts and Sciences, it is impossible to smash the Oscar sign because of the strike.

In late January, the Film Academy announced the nomination list for this year's Oscars.

Due to the screenwriters' strike, the usual Oscar nomination luncheon was canceled and replaced with a press conference in which guest of honor Jessica Alba announced the nominations.

Relativity Entertainment had three nominations.

Pixar's Ratatouille was nominated for Best Animated Feature.

With only three nominations for Best Animated Feature, the academy clearly didn't want the award to turn into a civil war for Relativity Entertainment, with the other two nominated for Surf the Penguin and the politically charged I Grow Up in Iran. occupy.

Sunshine Girl was nominated for Best Makeup, Best Original Screenplay, Best Actress and Best Cinematography.

Slumdog Millionaire became one of the big winners in the nomination list, winning seven for Best Score, Best Sound Editing, Best Editing, Best Cinematography, Best Adapted Screenplay, Best Director and Best Picture nominate.

Among all the nominated awards, the best animated feature film of Ratatouille is the one with the greatest confidence. There is basically no suspense.

The award for Sunshine Girl is purely luck.

Slumdog Millionaire first guarantees Best Picture.

With the announcement of the Oscar nomination list, there is a worry that has begun to appear widely inside and outside the circle. Affected by the strike of screenwriters, will this year's Oscars ceremony be held smoothly?

The Screenwriters Guild publicly declared that if the strike continues, all its members will attend the Oscars and will not write lines or strings for the Oscars.

Time slowly dragged into February, the negotiations did not make any progress, and the patience of all parties was almost exhausted.

The Film Academy, in particular, can be described as anxious to get angry. It has acted as a middleman several times, hoping to facilitate an agreement between the Screenwriters Union and the Producers Union as soon as possible.

But when it comes to interests, it's not that simple.

From the strike to mid-February, Hollywood producers lost more than $300 million on paper, and the combined wage losses of all members of the screenwriters union amounted to $28 million.

The screenwriters' union occupies the vast majority of ordinary screenwriters who can no longer hold on. If it weren't for the partial subsidies provided by the screenwriters' union, many of them would even have problems with basic living.

Life is not only about poetry and distant places, but also about living in front of you.

People have no ideals, what is the difference between them and salted fish? But he only sees ideals, and he can't even eat salted fish.

If the strike continues, many screenwriters will not even be able to eat hamburgers.

The voice of this person is gradually being reflected within the Screenwriters Union. Although a single individual has a low right to speak, many people are united and cannot be ignored.

Even, some people have already started private activities, considering re-working to make money.

Those well-known screenwriters do have a greater voice, but without the support of extensive screenwriters, they simply cannot fight against the producer alliance.

Moreover, the producers once again made some concessions.

As mid-February approached, negotiations between the Producers Union and the Screenwriters Union finally made progress, giving hope that the strike would end in the short term.

But the upper echelons of the screenwriters union still haven't given up on that idea. The screenwriters union should at least get the treatment of the screenwriters union.

This is the biggest difference between the two sides.

Writers see themselves as key to film and television projects, but producers see them as secondary factors.

Due to various conditions, the Producers Union finally reached an agreement with the Screenwriters Union, but it was only a three-year provisional agreement.

The most important part of this provisional agreement is that the screenwriters union has increased its fixed share in movies, drama series and reality show projects.

For example, the income from various TV copyrights originally enjoyed has increased from 1% of the publisher's global income to 1.2%.

The focus is still on the DVD and new media income required by the screenwriters union.

In the end, in the provisional agreement, the screenwriters signed by the Screenwriters Union will enjoy a share of 1% of the global revenue of the producer and distributor.

This is a big increase from the 1.5% of the publisher's revenue previously proposed by the Producers Union.

In addition, for each film that enters the DVD channel, the producer will also pay the screenwriter a total of 20,000 US dollars for the DVD script.

As for peripheral derivatives, as before, the screenwriters union does not have any rights to share.

Subsequently, the Screenwriters Guild held a member vote, with an overwhelming 11,775 votes in favor, unanimously agreeing to stop the protracted strike tug-of-war, while only 283 votes against.

In a society of all kinds of overdraft consumption, it is very rare for ordinary screenwriters to persist for such a long time.

The signing of this three-year provisional agreement also means that the writers' strike has come to an end.

The Writers Guild sent an email to each member calling for everyone to get back to work immediately.

The strike is over. Tomorrow, the screenwriters will return to their positions and everything will return to normal.

The Screenwriters Union also held a press conference: The strike is not what we expected. We are just trying to fight for a reasonable percentage of the income of new media dramas. Now, the results we have achieved are enough to enable us to gain a foothold in this digital age.

The producer has paid a certain amount of interest. Although the screenwriters union did not meet the initial requirements, the result of the negotiation has satisfied most people.

For decades, the nature of the work of screenwriters has not changed, they just pick up the pen to create, but the channels and platforms of dissemination of their works are changing all the time. If it is power, then it is now DVD and new online media.

It is obviously impossible to refuse to change the way of compensation just because the way the screenwriters work has not changed.

Hollywood producers, including Ronan and Relativity Entertainment, are well aware of this.

This is the best treatment we have received in thirty years. Many screenwriters said so in interviews.

Although the screenwriters got a share of the profits of DVD and new online media as they wished, the term best treatment is more like a long sigh of relief after the tug-of-war.

This three-year temporary contract is at best a psychological bottom line price for both parties. The Screenwriters Union cannot use this to change its relatively low position in the industry chain, and the strength of the Producers Union cannot be changed with the strike.

It is foreseeable that in the future, screenwriters will go on strike because of income and status issues in the industry chain.

Having said that, labor-management conflicts will never be completely resolved, unless Hollywood's labor unions all become good-looking mascots.

With the end of the strike, the Oscars will be the first to benefit. Since the strike last year, a series of award ceremonies have been aborted due to strikes, and screenwriters have also begun to prepare for the Oscars.

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